He directed the new theatrical release Big George Foreman: The Miraculous Story of the Once and Future Heavyweight Champion of the World. But George Tillman, Jr. is as much a film enthusiast as he is a filmmaker. It was seeing Michael Schultz’s Cooley High and Martin Scorsese’s Taxi Driver that set him on his career path, which began with Soul Food and Men of Honor. Now he is in a position to give other talented young black filmmakers a helping hand—and he does just that, as a prolific producer of films and television. Leonard and Jessie thoroughly enjoyed talking movies with someone who is so clearly passionate about what they do.
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1:07:10Writer-director Greg Nava made his reputation with the unforgettable 1983 film El Norte, and then gave the world an exceptional musical biopic, Selena. He is happy to recount the stories behind those memorable films for Leonard, who witnessed El Norte’s breakout screening at the Telluride Film Festival, and Jessie, who has committed Selena to memory. This long-overdue conversation follows a happy reunion at this year’s Telluride fest.
Bonus: SAFETY LAST AT 100
56:04Harold Lloyd dangling from the hands of a clock on the side of a building is arguably the most famous single image from the silent-film era. The movie in which that scene appears, Safety Last, was made in 1923 and is being screened Sunday at 2pm at the Academy Museum, with a 27-piece orchestra playing the late Carl Davis’s original score. Leonard and Jessie are delighted to welcome back Suzanne Lloyd, who was raised by her grandfather and grandmother, and her longtime friend Rich Correll, who as a teenager began the process of preserving Harold Lloyd’s film collection. We owe them both a debt of thanks for keeping these movies safe for current and future generations to enjoy.
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Behind the Scenes: Emmy nominees 4
1:16:53Gifted and versatile are two adjectives that describe the women responsible for creating costumes for Netflix’s Emily in Paris (Marylin Fitoussi, who spoke to us from Paris), Queen Charlotte (Lyn Paolo and Laura Frecon) and the esteemed Colleen Atwood (Wednesday), who with this show continues her long partnership with filmmaker Tim Burton.
Behind the Scenes: Emmy nominees 2
46:21Two talented women talk about working on the long-running Netflix series The Crown: costume designer Amy Roberts and hair and makeup specialist Cate Hall. How does the challenge of replicating well-known figures from recent history affect their approach? Listen and find out.
Behind the Scenes: Emmy nominees 1
1:09:35Today we talk to some of the talented people who worked on the Netflix series Beef: costume designer Helen Huang, casting directors Charlene Lee and Claire Koonce, and editors Laura Zempel and Nat Fuller. You don’t have to be familiar with the show to enjoy hearing them describe their work and the passion they bring to each new project.
1:12:07Alan Silvestri’s credits as a film composer are a bit overwhelming: Forrest Gump, Who Framed Roger Rabbit, The Abyss, The Avengers, and on and on. He has just hatched his first Broadway show, a musical version of Back to the Future that will soon open in London as well. And when John Williams was unable to compose the music for Steven Spielberg’s Ready Player One, Alan was the one chosen to fill his shoes. (It’s a great story…) Leonard and Jessie knew this would be an exceptional interview because Alan and Leonard share a history: they graduated from high school in the same class!
59:23He acted in George Lucas’ first student film. He directed Honey, We Shrunk the Audience for Disney theme parks in 70mm 3-D. He made a virtual reality television series. He studied at USC with actress Nina Foch and “total filmmaker” Jerry Lewis. But as long as he lives, Randal Kleiser will be best known as the guy who directed Grease. He has a new book called Drawing Directors, based on his close encounters with notable colleagues, and has completed a documentary about his high school graduating class called Baby Boomer Yearbook. As Leonard and Jessie learned, Randal lives in the present, looking toward the future.
58:53His name may be most closely associated with Laugh-In, the television comedy phenom of the late 1960s/early 70s, but George Schlatter has spent a lifetime in show business, with countless credentials and friendships to show for it At the age of 94 he’s Still Laughing—which is the name of his newly published autobiography. He kept Leonard and Jessie laughing as he spun tales of working with Judy Garland, Frank Sinatra, and the stars he launched on Laugh-In like Goldie Hawn and Lily Tomlin. The stories never stop…...
31:29As president of Duplass Brothers Productions, Mel Eslyn has her finger in a number of creative pies. (She’s an executive producer of the underappreciated HBO series Somebody, Somewhere). The new theatrical release Biosphere bears her stamp as co-writer and director; she even got to direct her “boss,” Mark Duplass, who costars in this provocative comedy with Sterling K. Brown. Leonard and Jessie admire the way Mel and her colleagues work: offering opportunities and a helping hand to deserving beginners.