Behind the Scenes: Emmy nominees 3

A lifetime of acting, mostly on stage, finally paid off for Paul Raci when he earned an Oscar nomination for a part he was born to play in Sound of Metal. It has changed the trajectory of his career, and he is happy to talk about working with Nicolas Cage, Jennifer Lopez, and Colman Domingo on recent projects. But what Leonard and Jessie took away from our conversation is Paul’s admirable work ethic and total dedication to his craft.  

If you weren’t among the seven million people watching Melvin Gregg’s 7-second Vine videos online you may know him from such films and TV shows as Nine Perfect Strangers and the brand-new feature Share alongside Bradley Whitford and Alice Braga, now available on VOD. His acting ambitions brought him to Hollywood but unlike other young, struggling thespians, he devised a game plan to get him in the door with A-list filmmakers. Leonard and Jessie advise you to keep an eye on Melvin: he’s going places.  

Tony Anselmo’s face may not be familiar, but the whole world knows his voice—that is, when he speaks as his alter ego, Donald Duck! Tony inherited this unique job from its creator, Clarence Nash, and he feels very protective of the famously furious mallard. He is also a graduate of Cal Arts and has been an animator at the Walt Disney studio since 1980. Leonard and Jessie are longtime fans and friends, as they share a love of all things Disney.

Elizabeth Daley has served as the Dean of the USC School for Cinematic Arts for 30 years, which means she’s been Leonard’s boss for 25 of those years. Leonard and Jessie realized that they’d never sat and just talked to her for an hour—until now. Elizabeth studied theater and migrated to television early in her career, then answered the call from academia for what she thought would be a temporary assignment. Now she consults worldwide based on her vast experience dealing with students, teachers, and such alumni as George Lucas, who laid the foundation (literally) to rebuild the school in downtown Los Angeles. You’ll hear other names appropriately dropped, from Hitchcock to Zemeckis in the course of this wide-ranging conversation.

Just in time for Halloween, we reconnected with director and film aficionado John Landis for a wide-ranging, clearly spontaneous conversation about horror films past and present. John’s Halloween bona fides: he directed An American Werewolf in London, the underappreciated Innocent Blood, and Michael Jackson’s Thriller, about which Jessie was particularly curious. Leonard is always impressed with John’s vast knowledge of film history, especially in the horror/sci-fi/fantasy genres. Jessie’s nearly two-year-old daughter Daisy make a cameo appearance near the end of this episode.

The actor you know and love from the Evil Dead movies was an animated guest when Leonard and Jessie spoke to him in front of a lively audience at Fantastic Fest in Austin, Texas back in 2016. 

Having just wrapped Fantastic Fest 2023, Leonard and Jessie are thinking about past experiences at this unique gathering in Austin, Texas. Step back six years to enjoy an episode recorded at the Alamo Drafthouse Lamar’s lively Highball Lounge with the late, great comedian Gilbert Gottfried. He was one of a kind, and so is this raucous hour-long interview. 

Writer-director Greg Nava made his reputation with the unforgettable 1983 film El Norte, and then gave the world an exceptional musical biopic, Selena. He is happy to recount the stories behind those memorable films for Leonard, who witnessed El Norte’s breakout screening at the Telluride Film Festival, and Jessie, who has committed Selena to memory. This long-overdue conversation follows a happy reunion at this year’s Telluride fest. 

Harold Lloyd dangling from the hands of a clock on the side of a building is arguably the most famous single image from the silent-film era. The movie in which that scene appears, Safety Last, was made in 1923 and is being screened Sunday at 2pm at the Academy Museum, with a 27-piece orchestra playing the late Carl Davis’s original score. Leonard and Jessie are delighted to welcome back Suzanne Lloyd, who was raised by her grandfather and grandmother, and her longtime friend Rich Correll, who as a teenager began the process of preserving Harold Lloyd’s film collection. We owe them both a debt of thanks for keeping these movies safe for current and future generations to enjoy.

Gifted and versatile are two adjectives that describe the women responsible for creating costumes for Netflix’s Emily in Paris (Marylin Fitoussi, who spoke to us from Paris), Queen Charlotte (Lyn Paolo and Laura Frecon) and the esteemed Colleen Atwood (Wednesday), who with this show continues her long partnership with filmmaker Tim Burton.