Sean Beaver - "TECH-YES" from the 2020 self-released album Electric Turtle Dreams Sean Beaver is an indigenous Canadian electronic artist who is based in Calgary, Alberta. Originally from the Driftpile First Nation in northern Alberta and of Cree descent, Beaver is award-winning in the indigenous communities, with nominations for Best Instrumental Album at the Indigenous Music Awards in 2015 and 2017, Best Instrumental CD at the Aboriginal People’s Choice Awards in 2013, and Rap-Hip Hop-Electronica Album Of The Year at the 2021 Summer Solstice Indigenous Music Awards. In between producing his electronic work, Beaver was a key member of the distinguished Indigenous hip hop group REDDNATION, performing as DJ Hooligan and serving as tour manager / sound technician from 2002 until the group retired in October 2013. The group was influential in spreading music and inspiring Indigenous youth. Beaver’s Album of the Year nomination went to his fourth and most recent full-length, Electric Turtle Dreams. Today’s Song of the Day, “TECH-YES” is the second of fourteen throbbing, dancefloor-ready electronic tracks comprising the record. Moody and propulsive, the instrumental song glimmers whether there’s an actual disco ball radiating off it or not. Turn the lights down and the music up for a club experience wherever you are. Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
Więcej odcinków z kanału "Song of the Day"
Aeon Station - Queens
3:59Aeon Station - "Queens" from the 2021 album Observatory on Sub Pop. After 18 years of waiting for the Wrens to follow up their beloved 2003 triumph, The Meadowlands, we’ve finally received new music from them. Well, sort of. Frustrated with his bandmate Charles Bissell’s endlessly tinkering with his half of the planned follow-up record alongside a dispute over money cuts, Kevin Whelan is releasing his portion of songs under the name Aeon Station on December 10th. It’s a heartbreaking way to receive them, but we’ll take what we can get! The lead single and our Song of the Day, “Queens,” was unveiled in September and is so much more than we could’ve expected. A climactic five-minute epic, the song opens as a synthy slow-burner but builds into a propulsive, thrashing rocker only to crash to its emotional guitar-strummed ending. With lines like, “You said it was all in,” it’s difficult to not read the song as Whelan’s pointed message to his former bandmate. Whelan claims the song was inspired by one of his all-time favorite songs, “The Winner Takes it All” by ABBA. “It’s about betting on the real you,” he explains in the press release. “Like a game of high-stakes poker, you push all your chips to the center of the table and aren’t afraid to go “all in.” When the New York Times asked Whelan in their profile on his new project about whether the song was a breakup song, he responded “More like post-break-up,” Whelan said, “when you find the strength to get on with your life.” Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
J'von - Blacc Moses
2:24J’von - "Blacc Moses" from the 2021 album KING CHEETAH on Empty Planet. “I need something that sounds like a win,” J’Von announces at the beginning of “Blacc Moses.” And, indeed, the story he weaves is one of triumph. Starting at the beginning, with his childhood, the Seattle rapper paints a picture of a mother stricken with grief but keeping it together for her four boys and how that molded him into an empathetic but unassailable human who would look at life with a keen and level-headed lens. The song comes from J’Von’s 2021 album KING CHEETAH, his latest in a nearly annual record release string since 2015. More than solely a rapper, J’Von can count the titles of producer, animator, creative director, and father on his rapidly expanding resume. “They have that whole ‘jack of all trades master of none’… I hate that,” J’Von told KEXP’s Dusty Henry in 2019. “I don't want to be that. I don't want to be the dude that's alright at everything. I want to be amazing at everything.” That sounds like a win to me. Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
Tiawa - Life Is Not a Crime
2:38Tiawa - "Life Is Not a Crime" from the 2021 album Moonlit Train on Tru Thoughts. Brighton-based musician Tiawa fuses hip hop, neo-soul, and the Latin folk of her Portuguese heritage for an exploratory yet unhurried experience on her debut album Moonlit Train. Released at the beginning of the summer, the album features production by collaborator and multi-instrumentalist Jack-Chi aka Jack Kingslake and a thematic concept that maps a metaphorical train journey from relationships through to healing and liberation. Our Song of the Day, “Life Is Not a Crime” focuses on the liberation from oppression. A gorgeous Spanish guitar riff and lackadaisical electronic beat ground the song while Tiawa’s woozy vocals float in a nearly imperceptible tone to create more “vibe” than message. What does come through, though, - words like “frightened” and “silenced” coupled with “life is not a crime” - paints a clear picture of Tiawa’s story and intention. "Each song on the album is an emotion,” Tiawa explains. “I hope it helps to heal people in serious situations and make them feel better when they listen.” Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
Helixx C. Armageddon - Rollercoaster
3:49Helixx C. Armageddon - "Rollercoaster," a 2021 single on Creative Juices Music. While “Rollercoaster” might be the sole single one can currently find on streaming platforms by Helixx C. Armageddon, the New York-based artist has a wealth of songs, poems, and beats going back over 20 years. Probably best known as a member of The Anomolies, an all-women hip-hop supergroup founded in the late '90s NYC alongside Invincible, Pri the Honey Dark, Big Tara and DJ Kuttin Kandi, Armageddon is a treasure trove of creative energy that has emersed herself in nearly every medium of artistry one can engage with over the years. “Rollercoaster” comes from the anticipated forthcoming full-length House of Helixx and wrestles with the dips in the proverbial rollercoaster of life. The low lows are something Armageddon knows well. Sleep paralysis, depression, and social media addiction are a few of the demons that plague her but Armageddon keeps her perspective by acknowledging that “There isn’t one person on Earth that isn’t riddled with holes.” Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
Cleo Sol - Don't Let It Go to Your Head
4:20Cleo Sol - "Don't Let It Go to Your Head" from the 2021 album Mother on Forever Living Originals. If her name doesn’t sound familiar, her angelic vocals have been on full display here at KEXP as a contributor to the mysterious UK collective SAULT. But Cleo Sol is a star in her own right, with a penchant for intimate neo-soul that’s both heartwarming and spacious. Her latest record, August’s Mother, is especially personal as its subject matter is grounded in the beautiful yet overwhelming adventure of becoming a mother. Our Song of the Day, “Don’t Let It Go To Your Head,” is smack dab in the middle of the record and one of the funkier tracks on the album, with an intricate drum beat leading the way rather than the twinkling piano, sparse guitar, and shimmering strings that fill the majority of the songs. “Don't let it go to your head,” Sol croons. “Love is stronger than fear /Don't let it change who you are /You are meant to be here.” While the song was likely written as a lesson to her baby girl about the importance of being willing to love without compromising yourself, it’s something we all likely need to be reminded of from time to time. Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
Adeline - Stages (feat. KAMAUU)
3:48Adeline - "Stages (feat. KAMAUU)" from the 2021 album Adi Oasis on Unity Records. French Caribbean singer and bassist Adeline makes funk-fueled soul that’s as joyful as it is political. The Paris-born, New York-based artist might be best known for fronting the nu-disco band Escort but broke out on her own in 2018 with her debut self-titled album. In it, she tackles difficult subjects that are close to her heart, such as immigration and feminism, while still making your booty bounce. For her third record in almost as many years, Adeline channels the fear and confusion brought on by the pandemic but reveals those ideas in a groovy, dancefloor-ready way. The record’s opening track and our Song of the Day, “Stages,” blends a surfy guitar riff, funky bass line, and an exuberant verse from New York rapper KAMAUU for a song that touches on the challenges the music industry brings. Adeline says this about the song: “Stages” is about my journey in the music business as a young black woman, but it’s relevant to indie artists in general, and everyone who’s hustling to reach their goals. I’ve had many experiences of not being taken seriously, of people making me feel like I’m not good enough, and of being hit on by fake aspiring collaborators who turned out to have ulterior motives. ‘Stages’ is my self-affirming chant reminding me that ‘I’m not going to take sh*t from anybody anymore. I got this. I trust myself’. Having KAMAUU on the song felt perfect because not only is he talented beyond words, but he’s also been a great advocate for me as a female producer.” “Stages is also a reminder to myself that no matter where I am in my musical journey, I’m right where I’m supposed to be. When people discover a “new artist”, they often don’t realize they’re actually seeing the result of years and years of hard work. And while it’s tempting as an artist to compare ourselves to other artists who might seem to be having more success, every stage is a win -- a necessary step towards the next one. There are so many different ways of measuring success, and every artist’s journey is unique. I get to create this story in the way that works for me.” Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
Guazú & Terror/Cactus - Almita
5:11Guazú & Terror/Cactus - "Almita" from the 2021 EP Botanas: Guazú & Terror Cactus on Shika Shika Collective. “Almita” is one of three tracks on an EP that melds the simpatico genius of two Argentine-born producers living nearly seven thousand miles away from each other. With Lucas Page a.k.a GUAZÚ in Buenos Aires and Martin Selasco aka Terror/Cactus in Seattle, it should have been difficult to find each other. Luckily, with the help of social media, the two recognized their shared history and influences as well as their individual styles and started exchanging remixes. Via email, a collaboration was sprung and, with the help of Berlin label Shika Shika, Botanas was born. GUAZÚ’s dark and mysterious sound is centered around the rich percussive legacy of Latin America with ample use of marimbas, bombo legüeros, warm guitars, kalimbas and birdsong . Terror/Cactus’ more upbeat sound takes its main inspiration from cumbia with a modern electronic flair. Together, they’ve made something that seems like it could fit just as comfortably in the techno clubs of their label’s hometown as in the dancehalls of Buenos Aires. Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
Xenia Rubinos - Cógelo Suave
3:24Xenia Rubinos - "Cógelo Suave," a 2021 single on Anti-. Renowned for forging a sound that’s completely her own, with influences ranging from R&B to punk, you never know what you’re gonna get from Xenia Rubinos. The Brooklyn-based daughter of a Puerto Rican mother and a Cuban father uses her Berklee degree in jazz composition and early influences of classical music and opera to warp modern genres in unique yet timeless fashion. One of the handful of singles the past year, “Cógelo Suave,” is one of those left-field songs that only Rubinos could pull off so well. “It’s a gibberish spaceship ride, high speed chase, birds and stars whirring around your head at the end of a cartoon fight,” Rubinos said in a statement about the song and, really, it’s the most apt description. Made up primarily of swirling scat sounds, the few phrases dictated in the English language are “Well, I don’t know” and “I’m doing fine.” Which makes sense, considering the song was born during the height of the pandemic, Spring 2020, when despair and paranoia were the overwhelming feelings of the moment. “The more I think about it, the more I realize that the world was totally burning down around us while we were producing this track,” Rubinos shared on Twitter, “and in Cógelo Suave I guess I’m saying ‘I’m fine. THIS IS FINE.'” As the song whirls down from its psychedelic high, a vintage-sounding voice floats down from the heavens saying, “Penetrando los misterios del universo” - “Penetrating the mysteries of the universe” - which is part of a taped radio show that Rubinos found digging through her dad’s old cassettes. An appropriate addition considering when the present is so awful, it makes sense to turn to the past. Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
Quantic & Nidia Góngora - Macumba de Marea
5:12Quantic & Nidia Góngora - "Macumba de Marea," a 2021 single on Tru Thoughts. Since 2017, British producer Will Holland AKA Quantic and Colombian folk singer-songwriter Nidia Góngora have been joining forces to amplify each other’s respective crafts. Him, as a prolific expert in the art of electronic dance music. Her, as one of the foremost artists of the marimba music of the South Pacific region and a guardian of the oral tradition. Together, they’ve married their skills to offer something uniquely special. Four years after collaborating for the dancefloor-ready full-length Curao, the duo have joined forces again for a softer, more sultry single with “Macumba de Marea.” An offering from the pair’s forthcoming album Almas Conectadas, out October 22nd, the song swelters under the summer sun, stretching out languorously while a bevy of instruments shake, rattle, and moan. Góngora had this to say about the track: “This song speaks of the importance of the rituals to say goodbye to our dead, through actions, charged with mysticism, spirituality and beliefs that define our cultural identity.” Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.
Susana Baca - Sorongo
3:46Susana Baca - "Sorongo" from the 2021 album Palabras Urgentes on Real World Records. Singer, musicologist, writer, three-time Latin Grammy winner, and a former Minister of Culture in her native Peru, Susana Baca has been a treasure to the Peruvian people for five decades now. A champion of the revival of Afro-Peruvian music, Baca’s latest album “Palabras Urgentes,” is an enthralling 10 song set that pays homage to the heritage and tradition of those that once fought for a better world and features production by Snarky Puppy’s Michael League. The record’s lead single and our Song of the Day, “Sorongo,” is Baca’s take on a song by salsa composer Tite Curet Alonso. Alonso was a prolific writer, originally from Puerto Rico, who penned more than 2,000 songs in a thirty year career and “Sorongo” was first released by his friend Rafael Cortijo Y Su Bonche in the late 1960s. More recently the song was recorded by Calle 13 (who also collaborated with Susana Baca on the Latin Grammy-winning song “Latinoamerica.”) “Within ‘Sorongo’, one can find intuition, strength, feeling and enunciation,” says Baca of the song. “I spent many nights trying to find the right way of singing ‘Sorongo’… in the end it is only with the presence of the musicians that accompanied me that it found vitality. I am sure that Sorongo’ is faith found at the crossroad between feelings and rhythm.” Michael League added: “Sorongo is a very interesting track because of its history with Calle 13 and because it’s a powerhouse track on a record that doesn’t really have powerhouse tracks. This is like a freight train and stands apart from the rest of the record in that way but Susana was really, really adamant about feeling Africa in Sorongo, so we made a lot of really interesting decisions during the recording process about textures and sounds and structure to make you feel the connection between the sugar fields in Peru and the African roots of the people who were enslaved and working them.” Read the full post on KEXP.org Support the show: https://www.kexp.org/donate See omnystudio.com/listener for privacy information.