INTERLOCUTOR Interviews

In this interview, Grammy-winning, Tony-nominated composer John Du Prez and director Jay Levey discuss their cult-hit 1989 film UHF, starring "Weird Al" Yankovic. Du Prez’s brilliant, genre-hopping score has never been available to the public until now, released for the movie's 37th anniversary. On Saturday, October 31, the Greek Theatre in Los Angeles will host a special screening of UHF, with a live orchestra, plus Weird Al and Special Guests. Link for tickets. Yankovic co-wrote and starred in the film as George Newman, a misfit and a dreamer who can't find his place in life until his Uncle Harvey wins a little UHF TV station in a poker game and gives it to his nephew to run. The movie co-starred screen legend Kevin McCarthy, a pre-Seinfeld Michael Richards, a pre-The Nanny Fran Drescher, and SNL’s Victoria Jackson. Interlocutor Magazine presents Interlocutor Interviews, a podcast featuring in-depth conversations with creatives across art, music, activism, film, fashion, writing, and more. Enjoying our content? Help support us with a donation. Follow us on Instagram and subscribe to our newsletter for updates on our latest features. Hosted on Acast. See acast.com/privacy for more information.

Portland’s iconic artist and activist Logan Lynn has released the new courageous documentary The Pain and The Power by filmmaker Cai Indermaur, a personal portrait tracing a 30-year career forged at the intersection of queerness, faith, addiction, trauma, and self-reinvention. Watch the official trailer here.The film comes alongside a new album from Logan Lynn, featuring an original motion picture soundtrack. Structured around the songs from the record of the same name, the film treats music not as background but as a living character. The project is released under KNIK Records’ new LGBTQ+ imprint, PortuGAY, founded by Grammy Award-winning rock band Portugal. The Man.Interlocutor Magazine presents Interlocutor Interviews, a podcast featuring in-depth conversations with creatives across art, music, activism, film, fashion, writing, and more. Enjoying our content? Help support us with a donation. Follow us on Instagram and subscribe to our newsletter for updates on our latest features. Hosted on Acast. See acast.com/privacy for more information.

Rose Tang is a multidisciplinary artist, journalist, musician, and activist who went from being one of the leaders of the 1989 Tiananmen Square movement to reporting for CNN and the BBC. She later designed and taught a course on Chinese news media at Princeton University. She now fronts bands and organizes the Fuck Fascism Festival. She’s also a performer in Glowing, the new experimental ensemble feature film by director Beth B, and her latest LP, A White Horse Is Not a Horse (with Patrick Golden), is out now. In this extensive interview with Tyler Nesler, Tang discusses her long family lineage of artmaking, her discovery of Western music and culture as a teenager, her formative experiences as a student organizer during the 1989 Tiananmen Square movement, her early experiences as an investigative journalist in Australia and later Hong Kong, her disillusionment working for major media companies, her transition back into art and music-making, the formation of the Fuck Fascism Festival, her unique experience working with Beth B on Glowing, and much more. Interlocutor Magazine presents Interlocutor Interviews, a podcast featuring in-depth conversations with creatives across art, music, activism, film, fashion, writing, and more. Enjoying our content? Help support us with a donation. Follow us on Instagram and subscribe to our newsletter for updates on our latest features. Hosted on Acast. See acast.com/privacy for more information.

Playwright and Hybrid Collagist Pamela Enz discusses her new play AFTERWARDS, premiering Friday, September 11 at NYC's La MaMa Theater. Joining her in this conversation is the play's director, Danny Rocco. AFTERWARDS explores love, memory, forgiveness, and the enduring impact of grief, and it serves as a sequel to Enz's earlier work, City Girls and Desperados. Enz has spent 32+ years building an interdisciplinary practice across theater, film, performance, and visual art. Her work has played everywhere from IRT Theater and Dixon Place to the Cork International Film Festival, and her collaborators include Austin Pendleton and Julie Atlas Muz. She's also Artistic Director of Bad Rep, where her Salon Series has been colliding opera singers, poets, saxophonists, and visual artists in the same room since the Soho days.Danny Rocco is an internationally produced playwright and pioneer of the Script Writing Score. Rocco’s writing has been developed and produced in New York, Los Angeles, Cape Cod, Colorado, Romania, at the Williamstown Theatre Festival, Oregon Shakespeare Festival, and the Irondale Theater Center.Enz and Rocco also discuss Ève Laroche-Joubert, who worked on the play's scenic design and movement. Laroche-Joubert is a multidisciplinary artist who creates, engineers, sculpts, and performs her own work. She designs and hand-builds large biomorphic sculptures and kinetic structures that serve as sculptural environments for her and for professional dancers to explore movement and balance. Moving fluidly between sculpture, performance, drawing, design, and photography, her practice explores the body-mind continuum, which she conceives as a unified organism, through the perspectives of neuroscience, the humanities, and philosophy.Interlocutor Magazine presents Interlocutor Interviews, a podcast featuring in-depth conversations with creatives across art, music, activism, film, fashion, writing, and more. Enjoying our content? Help support us with a donation. Follow us on Instagram and subscribe to our newsletter for updates on our latest features. Hosted on Acast. See acast.com/privacy for more information.

Robert O. Leaver is an American writer, poet, musician, singer, and performance artist known for his solo musical project Birdthrower and endurance art pieces such as "Crawling Home," "Hole Earth", and "Man Down." He is also featured in Glowing, the new experimental ensemble anthology feature film by director Beth B. In this interview, he talks extensively with Tyler Nesler about his various creative endeavors and the motivations and conceptual ideas that drive them.Interlocutor Magazine presents Interlocutor Interviews, a podcast featuring in-depth conversations with creatives across art, music, activism, film, fashion, writing, and more. Enjoying our content? Help support us with a donation. Follow us on Instagram and subscribe to our newsletter for updates on our latest features. Hosted on Acast. See acast.com/privacy for more information.

Author Stephen O'Connor discusses his new novel, WE WANT SO MUCH TO BE OURSELVES. Günter Zeitz, psychoanalyst-in-training and the son of a Catholic country doctor, and Josine Rosen, Sigmund Freud’s patient and the daughter of a Jewish shipping magnate, first meet in 1924, in Freud’s Viennese waiting room. As their intense affair develops, Freud arranges for Günter’s appointment to the newly created Berlin Psychoanalytic Institute. Shortly after the move, their daughter Hannah is born. But less than a decade later, all their hopes and ideals are profoundly challenged by political realities so horrific that they are, initially, beyond comprehension.A heartrending story of love in a time of hatred, an absorbing investigation into the Nazis’ exploitation of psychoanalysis, and a cautionary tale about self-deception and the failures of a people to recognize the lies of their charismatic leader, We Want So Much to Be Ourselves examines the ways science can be corrupted and one’s very identity transformed by historical circumstance.Interlocutor Magazine presents Interlocutor Interviews, a podcast featuring in-depth conversations with creatives across art, music, activism, film, fashion, writing, and more. Enjoying our content? Help support us with a donation. Follow us on Instagram and subscribe to our newsletter for updates on our latest features. Hosted on Acast. See acast.com/privacy for more information.

GLOWING — directed by Beth B — is an immersive, genre-defying experience that blurs the boundaries between documentary, narrative, experimental cinema, and music video. Eight fearless artists step into the frame — their voices raw, their stories electric. As poets, musicians, and performers reveal deeply personal truths, their stories collide and intertwine, forming a powerful, living dialogue with the audience. What unfolds is not simply storytelling, but an invitation: to feel, to witness, to connect. Drawn from lived experience, Glowing journeys through darkness and into transformation — where pain becomes art, and struggle ignites into radiant self-expression. Through hypnotic visuals and an electrifying score by Jim Coleman, the film pulses with emotional intensity, reflecting the inner worlds of its subjects — raw, unfiltered, unforgettable. Yet even in its darkest moments, it refuses despair — illuminating flickers of resilience, liberation, and hope. Glowing is a cinematic awakening.​Featuring an extraordinary ensemble including Rose Wood, Nick Flynn, Little Annie, No Anger, Joseph Keckler, Robert O. Leaver, Rose Tang, and Evelyn Frantti.Glowing premieres at Roxy Cinema in NYC on Wednesday, May 27, at 8:00 pm, followed by a Q&A moderated by Sean Glass, and will also screen at the Roxy on Saturday, May 30, at 4:30 pm, with a Q&A moderated by Sandra Schulberg.Interlocutor Magazine presents Interlocutor Interviews, a podcast featuring in-depth conversations with creatives across art, music, activism, film, fashion, writing, and more. Enjoying our content? Help support us with a donation. Follow us on Instagram and subscribe to our newsletter for updates on our latest features. Hosted on Acast. See acast.com/privacy for more information.

Artist Spencer Vazquez discusses Glue Traps, his exhibition investigating the emotional, nostalgic, and archival dimensions of photography.In Glue Traps, Vazquez attempts to reckon with his own archive. Prompted by the discovery of a long-lost hard drive and the death of his father, a housepainter, Vazquez began asking how he might engage again with the sprawling photo diary he had assembled over the last decade. Faced with thousands of files—ranging from recent portraits of his father post-chemo to old family polaroids to rolls he shot as a teenager—Vazquez started contemplating the material future of these images. He sought a printing method that was at once ephemeral and tangible: a process that could get around the aesthetic and economic limitations of traditional fine art printing, and one that nodded to classic photographic conventions while also embracing the medium’s inherent contradictions.Interlocutor Magazine presents Interlocutor Interviews, a podcast featuring in-depth conversations with creatives across art, music, activism, film, fashion, writing, and more. Enjoying our content? Help support us with a donation. Follow us on Instagram and subscribe to our newsletter for updates on our latest features. Hosted on Acast. See acast.com/privacy for more information.

Asterism is a collaborative project between skewed beatmaker Daedelus, experimental drummer/producer Dan Drohan, and technological boundary-pushing label Holography Records. In this interview, Daedelus and Holography Records founder Brian Baumbusch discuss how Asterism will allow listeners to customize compositions in unprecedented ways, transcending the usual composer/listener dichotomy. Interlocutor Magazine presents Interlocutor Interviews, a podcast featuring in-depth conversations with creatives across art, music, activism, film, fashion, writing, and more. Enjoying our content? Help support us with a donation. Follow us on Instagram and subscribe to our newsletter for updates on our latest features. Hosted on Acast. See acast.com/privacy for more information.

For more than a decade, Claudia Bitrán has been remaking James Cameron's Titanic through an extensive collaborative process that spans film, painting, sculpture, drawing, animation, performance, and scenography. Using lo-fi materials, deliberately visible methods of production, DIY processes, and spontaneous casting, Bitrán meticulously reconstructs the original film scene-by-scene at an intimate scale. The project has involved more than 1,400 participants across the United States, Chile, and Mexico, who have contributed as actors, crew members, and collaborators, allowing the work to take shape and evolve through collective labor and improvisation.TITANIC, A DEEP EMOTION is up through March 28 at Cristin Tierney Gallery in New York. Interlocutor Magazine presents Interlocutor Interviews, a podcast featuring in-depth conversations with creatives across art, music, activism, film, fashion, writing, and more. Enjoying our content? Help support us with a donation. Follow us on Instagram and subscribe to our newsletter for updates on our latest features. Hosted on Acast. See acast.com/privacy for more information.