WB 3001 Marty Pasko 2015 pt 2

On this episode of Word Balloon, host John Siuntres continues his in-depth conversation with acclaimed artist Bryan Hitch in Part Two, focusing squarely on Superman, Lex Luthor, and the larger DC Universe. Bryan breaks down his visual approach to the Man of Steel, how he balances power with humanity, and why framing Superman correctly on the page is one of the hardest challenges in comics. The discussion also digs into Lex Luthor as a character — how Hitch visually communicates intellect, menace, and ego — and how those elements shape DC’s larger narrative world. Bryan shares behind-the-scenes insights into collaboration, continuity, and the realities of working at the center of DC’s flagship titles. It’s a creator-level look at superheroes, villains, and the visual language that defines the DCU — thoughtful, candid, and packed with craft talk.

On this episode of Word Balloon, host John Siuntres kicks off a wide-ranging conversation with legendary artist Bryan Hitch in Part One of an in-depth interview covering his career past, present, and future. Bryan talks about his creator-owned series Redcoat, the ideas and influences behind The Authority, and how those books helped redefine widescreen superhero storytelling. The conversation also digs into Bryan’s work on Superman, his approach to visual scale and cinematic pacing, and how blockbuster storytelling changed comics in the 2000s. Along the way, Bryan shares behind-the-scenes insights into collaboration, deadlines, and the evolution of his art style across Marvel and DC.

Today on Word Balloon, we’re diving into the legacy of Olan Soule — the original animated Batman — and the long, fascinating TV career that made him a cornerstone of early superhero entertainment. And there’s no better guide for this conversation than our guest, Dan Pasternack.Dan  is one of the great archivists and historians of television comedy and classic broadcast performance. Over the years, he’s worked with and documented some of the most influential talents in the medium, including Mel Brooks, Carl Reiner, Norman Lear, Betty White, Bob Newhart, and Jonathan Winters. His work preserving and celebrating these artists has made him a crucial voice in understanding how TV comedy and character performance evolved.Dan is also the producer behind the acclaimed Jonathan Winters Record Store Day release, Jonathan Winters Unearthed, a project built from both classic and newly uncovered recordings — a tribute to one of comedy’s purest improvisational geniuses.Beyond his archival work, Dan is shaping the next generation of creators as an educator at NYU’s Tisch School of the Arts, where he teaches graduate students the craft of developing television and digital storytelling.Today, he joins us to break down Olan Soule’s journey from Chicago radio actor to defining the animated voice of Batman in Filmation’s 1960s shows, The Batman/Superman Hour, and the Super Friends era — and how Soule’s understated, square-jawed vocal style helped create the template every animated Batman actor followed. It’s a deep dive into forgotten history, iconic performances, and the building blocks that shaped superhero animation long before the modern era.

A new talk with writer Jeremy Adams — digging into his personal takes on Flash Gordon, Green Lantern, and Aquaman, and what draws him to (and challenges him about) each iconic mythos. They get into how classic pulp energy, cosmic storytelling, and sea-soaked adventure inform his creative instincts, and how those sensibilities show up in his work.Jeremy also breaks down his upcoming animated adaptation of Batman: Knightfall — what he’s focusing on, how he’s handling Bane’s legacy, and what fans can expect from this fresh take on a brutal chapter of the Dark Knight’s history.Plus Jeremy shares stories from DC’s KO event — what it was like to contribute to a universe-shaking crossover, the narrative choices that mattered most to him, and the behind-the-scenes moments fans haven’t heard before. The epic matchup of Aquman Vs Hawkman, and the upcoming, The Kids Are All fight with many of the new sidekick heroes facing eacch other. 

Get ready — on this episode of Trek Watch, we break down the brand-new sneak preview for Star Trek: Starfleet Academy, dropped at CCXP 2025 before the official premiere on January 15.  We talk about what the clip reveals: the fate of the U.S.S. Athena as it comes under surprise attack, the first look at cadet life, and the ominous arrival of the villain Nus Braka — who’s part Klingon, part Tellarite, and played by Paul Giamatti.  We also break down the setup for the series’ central themes: young cadets forging friendships, navigating rivalries and first loves, and facing a new threat to both the Academy and the Federation Is this the fresh, high-stakes take Trek needs — or is theis show jumping the shark before it begins?  

Another great talk from this year  with acclaimed comics writer Al Ewing with deep-dives. First into two legendary mythic heroes: Thor and Metamorpho.Ewing explores the mythic roots, narrative shifts, and creative challenges behind modern takes on these icons — from thunder gods to chemical-powered shapeshifters. Deep dives into Norse Mythology and the shame that we only got six issues of a great modern spin on Rex Mason Simon Stagg Saphire and of course Java Hour two highlights  Venom and Absolute Green Lantern. We unpack the horror-tinged, high-stakes reinventing of legacy characters — from symbiotic monsters to cosmic-light mythos and what was the deal with the Paul hatred (lol) 

Two decades after it crash-landed into comics, Fear Agent is still one of the most ferocious, heartfelt, and inventively insane sci-fi adventures ever put to paper. For its 20th anniversary, we bring together the core creative team — Rick Remender, Tony Moore, and Mike Hawthorne — for a no-holds-barred panel looking back at the series that redefined pulp for a new generation. The trio walks through the origins of Heath Huston, the booze-soaked alien-blasting exterminator who somehow became one of the most unexpectedly human heroes in modern comics. They dig into the design choices, tonal shifts, heartbreaks, and hard left turns that shaped the series from its earliest issues to its explosive finale.

Pasko and I continue our wide-ranging discussion on comics, television, and animation — expanding into old-time TV, behind-the-scenes film and show business, and the sometimes surprising roots of comic-book properties. They talk about the portrayal of Wonder Woman — including the editorial pressures and controversies surrounding her early stories under creator William Moulton Marston.Pasko reflects on his role in cataloguing and curating the vast history of DC Comics — discussing how the company’s characters and features were compiled and preserved over decades. They reminisce about classic TV series and actors — stories involving old television stars like Gil Gerard (Buck Rogers), Jack Klugman (Quincy) , Clayton Moore (the original TV Lone Ranger), and the once-infamous playmate/actress Dorothy Stratton. There’s also talk about other showbiz ventures related to comics — old-school TV adaptations, live-action attractions (like the ones from Six Flags featuring DC characters), and the interplay between comics, film, and television in shaping popular culture.

For this landmark 3000th episode, we’re opening the vault for a special two-part conversation from 2015 with the late Martin Pasko — writer, editor, historian, and one of the sharpest, funniest minds ever to shape modern comics and genre television. In Part 1, Marty walks us through the foundations of his career, beginning with his time writing Superman in the Bronze Age. We get into the pressures and freedoms of handling the Man of Steel at a moment when DC was redefining itself, and Marty doesn’t shy away from talking about the artists, editors, and behind-the-scenes personalities who shaped that era.From there, we explore his work on Batman: The Animated Series, where he discusses the creative culture that produced one of the greatest superhero shows ever made — and why it demanded a different kind of storytelling discipline than comics. Along the way, Marty opens up about:His favorite artists and editors he collaborated withHis takes on the Superman films and their legacyWhat Tim Burton got right — and wrong — with Batman (1989)His lifelong fandom for Star Trek and classic Old Time RadioHis contributions to the 1980s Twilight Zone revival and the challenges of writing smart, eerie anthology televisionThis is Marty at his best: candid, witty, encyclopedic, and completely unfiltered. A perfect way to celebrate 3000 episodes of Word Balloon — with a creator who helped define so much of what we love.

We discuss Chris's books Out Of Alcatraz from Oni Press , Kid Maroon from Vault, and his upcoming season of The Terror Siler In Black on AMC next year