The IDW Twilight Zone Editors roundtable

For years, Word Balloon has celebrated comics, pop culture, and the creative voices that shape them. Now, I want to turn the spotlight home, to Chicago radio comedy, a tradition that doesn’t always get its due.Other cities produced comedy collectives that broke out nationally—groups like The Credibility Gap, The Committee, Ace Trucking Company, and The Firesign Theater. They built reputations that went far beyond their local airwaves. Chicago took a different path. Our radio comedy was more idiosyncratic, more personality-driven, and deeply rooted in the city itself. But make no mistake—we had stars, innovators, and voices that mattered.This series of Word Balloon episodes will explore that history by talking directly to the people who lived it. Writers, performers, hosts, and producers who made Chicago radio funny, fearless, controversial, and unforgettable. Today’s episode starts on a personal note. During my years at WSCR The Score, I was lucky enough to contribute parody songs and character voices during a time when bland sports radio stiffness made room for sketch comedy. I learned the sports street chatter from some of the best like Mike North and Dan McNeil but a guy who's persona stood out most was Terry Boers, one of the great Chicago newspaper men and radio voices.A mentor whose impact on this city’s airwaves can’t be overstated.Terry passed away last week, and on Tuesday, WSCR The Score aired a tribute show in his honor. I was deeply touched to be asked to participate. That led to this conversation. I sat down with Matt Spiegel, someone I worked closely with during those years. Someone who helped me shape those parody songs as both a performer and a comedy writer, and who has since become one of the most recognizable voices on Chicago sports radio. What followed was a warm, honest conversation about the creative chaos, the laughs, and the influence of a man who helped define an era.This episode is about remembering Terry Boers, celebrating Chicago radio comedy, and setting the stage for a deeper dive into a pop culture scene that deserves to be documented, and remembered.

Welcome back to E-Motion Sickness, the Love Boat rewatch podcast where we chart the smooth seas, the rough waters, and the truly baffling creative decisions behind one of television’s most unlikely hits.Today we’re tackling the third Love Boat pilot film,the one where things finally start to feel like The Love Boat we remember. This time around, the puzzle pieces are coming together. Gavin MacLeod and Lauren Tewes finally join the other regular crew members, and for the first time the show feels like an actual ensemble instead of a rotating experiment. The chemistry improves, the tone settles down, and you can sense the producers getting closer to the formula that would eventually make the series a monster hit. That doesn’t mean everything works, far from it. Some storylines still wobble, some guest stars are clearly testing the limits of what this show wants to be, and there are creative choices that didn’t survive the voyage. But this pilot is fascinating because it’s the turning point. It’s where The Love Boat stops guessing and starts committing. We’ll break down what finally clicks, what still doesn’t, which performances rise above the material, and how this pilot set the course for the series going forward. So grab your captain’s hat, steady your sea legs, and join us as we revisit a crucial moment in Love Boat history. All aboard.

The IDW Editors of The Twilight Zone Ellen Boener and Nic Nino talk to me about the new series. It's a great collection of one and done stories that honor the tone and spirit of the iconic show.Technical issues really messed up the majority of the talk.Apologies, the arctic weather has been screwing with my streaming ability

All aboard for a brand-new podcast that dives headfirst into smooth seas, wild guest stars, and peak pop-culture chaos. E-Motion Sickness: A Love Boat Re-Watch is hosted by John Siuntres and Franco from the Word Balloon Network, and it’s exactly what it sounds like: a loving, clear-eyed, occasionally seasick revisit of The Love Boat, episode by episode.This isn’t just a recap show. Each episode breaks down the guest stars, the bonkers storylines, and the real-world pop-culture moments happening the very week each episode originally aired. If you’ve ever wondered why this episode feels like 1978 in human form, this podcast has answers.In the debut episode, the guys start where the series itself stumbled: the two misfire pilot TV Movies, featuring different captains, different crews, and a show still trying to figure out what it even is? The results? Absolute Madness. Highlights include:A shirtless Gabe Kaplan aggressively pursuing a swimsuit modelDon Adams attempting to murder Florence HendersonAnd Hope Lange Seducing Lyle Waggoner to get even with her husband Robert Reed Before The Love Boat became comfort food television, it was a weird, experimental, celebrity-stuffed fever dream, and E-Motion Sickness is here to chart that journey, one questionable cruise at a time.So grab a drink with an umbrella, brace for turbulence, and join John and Franco as they set sail into TV history. Bon voyage...and try not to lean over the rail.

Today we’re breaking down Starfleet Academy, Episode 3, the episode that really tells us what kind of show this wants to be. The training wheels are off, the characters are starting to lock into focus, and the series finally leans into its core question: what does it actually mean to earn the uniform in a post-Burn, post-myth Federation?Wraslling with the finer points of the frat wars of the episode special guest Andy Price joins us. 

Today on Word Balloon, we’re joined by one of the true originals of independent cinema, Lloyd Kaufman, the co-founder and driving force behind Troma Entertainment, the longest-running independent film studio in the world and the home of cult classics like The Toxic Avenger and Class of Nuke ’Em High.For more than five decades, Lloyd has made movies completely on his own terms, low budget, high attitude, zero apologies. In this conversation, we talk about how Troma survived outside the Hollywood system, why embracing the underground still matters, what it really takes to stay independent, and how creativity thrives when you stop waiting for permission. This isn’t just a trip through cult-film history, it’s a master class in doing it yourself and sticking around long enough to prove it works

Taking a short break with ny voice and letting my colaborator and friend Eoin, host this edition of Word Balloon with an episode of his podcast Creator In Conversation.On this episode of Creator in Conversation, we’re sitting down with two voices from very different ends of the comics spectrum-Eoin McAuley, the head of Lightning Strike Comics out of Ireland, and a true legend of the medium, Frank Miller.This isn’t a nostalgia lap or a greatest-hits rundown. It’s a real conversation about storytelling, creative risk, influence, and how the medium keeps evolving,sometimes uncomfortably, sometimes brilliantly. We talk process, career arcs, the weight of legacy, and what it actually means to keep creating when expectations are sky-high and the industry never stops shifting.

Jeremy Haun joins Word Balloon for a timely, wide-ranging conversation about creator ownership, publishing independence, and the moment The Beauty is having right now. With The Beauty debuting this week as an FX/Hulu television series produced by Ryan Murphy, Jeremy breaks down how the show translates his original Image Comics series to the screen, what stayed true, what changed, and why those differences actually matter. It’s an honest look at adaptation, collaboration, and letting a story evolve without losing its core. From there, the conversation shifts to the launch of Ignition Press: why Jeremy helped build a new publisher, what gaps he sees in the current comics landscape, and how Ignition plans to support creator-owned projects from concept to long-term success. Jeremy is candid about the realities of adaptation, the lessons learned from The Beauty, and why betting on bold, creator-driven ideas is more important now than ever. If you care about where comics, TV, and creator ownership intersect, this episode hits the sweet spot.

Van Jensen joins Word Balloon for a wide-ranging conversation about genre, adaptation, and why the best stories don’t play it safe. We dig into God Fall, Van’s epic, faith-shaking fantasy novel series that’s now being developed as a television project by Ron Howard and Imagine. Van breaks down what drew Hollywood to the property, how the story’s mix of theology, rebellion, and cosmic war translates to the screen, and what he hopes survives the adaptation intact.From there, we zoom out on Van’s knack for genre splicing—stories that take familiar frameworks and twist them into something sharper and stranger. That includes his IDW comic Godzilla: Heist, which turns the King of the Monsters into the centerpiece of a crime caper, and his take on Pinocchio, which leans far closer to the original, darker fairy tale than the softened Disney version most people know. It’s a conversation about respecting myth, bending expectations, and trusting readers—and viewers—to follow bold ideas wherever they lead.

Today on the show, I’m joined by one of the most influential visual storytellers in modern comics, Charlie Adlard. Best known as the co-architect of The Walking Dead, Charlie helped redefine what long-form horror could look like on the page, grounding the apocalypse in raw humanity, brutal choices, and unforgettable imagery that fueled a global phenomenon across comics, television, and pop culture.Now Charlie is turning the page with a powerful new graphic novel, Altamont, a deeply personal and atmospheric work that strips everything down to essentials: memory, loss, place, and the quiet weight of time. Altamont was the location for the infamous tragic 1969 concert that claimed the life of a fan, by the hands of a security person. We’ll talk about the origins of Altamont,and how it reflects where he is creatively today. We’ll also look back at The Walking Dead itself: how lightning struck, why it connected so deeply with readers, what surprised him most about its rise, and how he views the legacy of the series now that the dust has settled.