Troilus and Cressida from Play On Podcasts

Enjoy this episode from Play On Podcasts. The lovesick Trojan prince Troilus is so consumed by his infatuation with Cressida that he refuses to fight in the endless Trojan war with the Greeks, lamenting his woes to Cressida’s uncle, Pandarus, who serves as the go-between for the lovers. Aeneas arrives with news that Troilus’s brother, Paris, has been wounded by Menalaeus in battle, persuading Troilus to rejoin the fight. Inside the Trojan Citadel, Cressida gets the gossip from her friend Alexandra before Pandarus arrives to sing Troilus’s praises. Together, Pandarus and Cressida watch the Trojan warriors return from battle. Pandarus keeps heaping praise on Troilus as Cressida remains aloof, but once alone, she confesses she’s only playing “hard to get” in order to keep Troilus interested. Meanwhile, in the Greek encampment outside Troy, the Generals Agamemnon, Nestor and Ulysses lament that the war has dragged on for years without victory. Ulysses blames it on a breakdown of hierarchy and order brought on by Achilles’ mocking their leadership, whipping the Greeks into a frenzy of anger and frustration. The PLAY ON PODCAST SERIES, “TROILUS AND CRESSIDA”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by LILLIAN GROAG. All episodes were directed by KIM MARTIN COTTON. Radio play by CATHERINE EATON. Executive Producer: MICHAEL GOODFRIEND This podcast was recorded under a SAG-AFTRA AGREEMENT. The cast is as follows: BENJAMIN BONENFANT    as  TROILUS AWNI ABDI-BAHRI           as  CRESSIDA JAMES UDOM             as  ACHILLES GEOFFREY ALLEN MURPHY  as  AJAX STEVEN RATTAZZI          as  PANDARUS and MENELAUS DAISUKE TSUJI             as  THERSITES ANNA SUNDBERG           as  ALEXANDRA, CASSANDRA and HELEN NOAH KEYISHIAN           as  AENEAS, MARGARELON and HELENUS ROB NAGLE                 as  AGAMEMNON LISA WOLPE                as  ULYSSES WAYNE T. CARR             as  HECTOR and CALCHAS EDWARD GERO             as  NESTOR and PRIAM EDDIE LOPEZ               as  PATROCLUS and PARIS JOHNNY WU                as  DIOMEDES KIM MARTIN COTTON        as  ANDROMOCHE Casting by THE TELSEY OFFICE: KARYN CASL, CSA. Voice and Text Coach: JULIE FOH Original Music Composition, Mix and Sound Design by LINDSAY JONES. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).  The Play On Podcast Series “TROILUS AND CRESSIDA ” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.  Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “The proud man eats himself”. See omnystudio.com/listener for privacy information.

What happens when William Shakespeare walks into a Yom Kippur service? We take a deep dive into how Shakespeare informs contemporary religious practices and faith traditions, and explore one of Shakespeare’s greatest plays—host Barry Edelstein's favorite—The Winter's Tale. Its focus on the idea of wonder ties all of the Bard's plays, and this season of Where There’s a Will, together.See omnystudio.com/listener for privacy information.

What happens when a regular person has to publicly speak Shakespeare for a wedding or funeral or bat mitzvah? Barry coaches two listeners through their moments in the spotlight, and along the way illuminates how Shakespeare’s language works. Also, we check out Shakespeare in the mouths of the baseball announcers for the San Diego Padres.     Take Me Out to the Ballgame - Military Band Edition courtesy of US Air Force Band of the West. Sonnets 18 and 116 Sonnet 18 by William Shakespeare                                                                                         Shall I compare thee to a summer’s day? Thou art more lovely and more temperate. Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date. Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed; And every fair from fair sometime declines, By chance or nature’s changing course untrimmed. But thy eternal summer shall not fade Nor lose possession of that fair thou ow’st, Nor shall Death brag thou wand’rest in his shade, When in eternal lines to time thou grow’st. So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. Sonnet 116 by William Shakespeare                                                                              Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds Or bends with the remover to remove. O, no, it is an ever-fixèd mark That looks on tempests and is never shaken; It is the star to every wand’ring bark, Whose worth’s unknown, although his height be taken. Love’s not Time’s fool, though rosy lips and cheeks Within his bending sickle’s compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error, and upon me proved, I never writ, nor no man ever loved.See omnystudio.com/listener for privacy information.

Is a Shakespeare-obsessed 15 year-old geeky, or totally cool? We meet a group of teens who’ve immersed themselves in Shakespeare to hear why they believe this writer speaks to them more clearly than any other. And we also hear about even younger kids with a very special relationship to the Bard: autistic children, who discover ways to express themselves through a writer from 400 years ago.See omnystudio.com/listener for privacy information.

To be, or not to be President? Shakespeare is a longtime ally of America’s Commanders-in-Chief, and for good reason: there's plenty to be found in his plays about leadership and how it works. We eavesdrop in the Oval Office to hear how Shakespeare shapes the thinking and feeling of political leaders, and how they draw on him for wisdom and solace. Just don't forget to keep an eye out for Brutus.See omnystudio.com/listener for privacy information.

Where men are women, women are men, and gender is As You Like It. Co-host Em Weinstein leads an exploration of how Shakespeare bent gender on the stage and in his writing, and how that inspired Em—and others—to step into their own truth.See omnystudio.com/listener for privacy information.

Today, we want to share a preview of another Shakespeare podcast we think you will enjoy, Play On Podcasts, which reimagines Shakespeare's timeless tales into epic audio adventures. Each episode explores plays from Macbeth to A Midsummer Night's Dream, created specifically for the podcast form by some of America's most exciting playwrights, directors, and composers and performed by stage and screen's best. This clip is from the fifth episode, In the Devil's Other Name, of their Macbeth series. In it, Edward Torres directs a Latinx cast into the dark corners of the human psyche through Migdalia Cruz's rendering of Macbeth. It features drag superstars Manila Luzon, Monét X-Change, and Ms. Peppermint as The Witches, with sound design and original composition by David Molina. For more about Play On Podcasts, visit https://ncpodcasts.com/playonpodcast.See omnystudio.com/listener for privacy information.

Hamlet is everywhere right now. But this isn't the same play you read in high school English. We meet the minds behind a singing Hamlet, The Northman's Amleth, and Pulitzer prizewinner Fat Ham's Juicy – and ponder what makes this Shakespearean tragedy speak directly to our time.See omnystudio.com/listener for privacy information.

Host Barry Edelstein takes us into California’s Centinela State Prison for a one-of-a-kind production of Shakespeare’s English history plays performed by incarcerated individuals. What makes Shakespeare a force of transformation and transcendence behind bars?See omnystudio.com/listener for privacy information.

The year is 1849, and a riot at a Shakespearean theater has left dozens of people dead. But as it always is with the Bard, there's more here than meets the eye. Why did some people think Shakespeare was important enough to die for? How did the work of one man writing in Victorian England capture the tensions brewing in a newly independent America? And who, if anyone, is Shakespeare really for?See omnystudio.com/listener for privacy information.