AINA

You’d think that some songs are written to be heard by the world, but in this case, some are written for one person first. “Heart On My Sleeve” from Leave the Bones sits somewhere in between and we think it’s all the better for it. Jeremy Bogen has shaped this track into an anthem of self-trust, a reminder that your own voice is worth standing behind, even when the people around you would rather you didn’t.Bogen calls the genre an “evolution” from song to song, but the sweet spot here is Americana, with folk storytelling, a slight country heart, and the wide open atmosphere of ambient indie folk. It’s a mix of a lot of genres and it feels slightly experimental at times, yet it’s so easy to connect with. Everything about it suggests a songwriter who has spent time in a lot of different places and absorbed a little from each one.

Some songs wait a long time for the right moment and “All Americans” definitely feels like one of them. Released September 11th, 2026, this deeply personal reimagining of a song Trey Bruce first wrote fourteen years ago arrives at a moment when its questions feel especially urgent. It’s a song that looks hard at the country around us and still manages to hold onto hope.Bruce has spent more than three decades writing songs and making records in Nashville, earning an Emmy and a string of ASCAP honors along the way, with ten number one singles to his name. Before any of that, he was a five-year-old in Memphis whose aunt handed him a copy of Meet the Beatles, and that early spark clearly never left. For years, many of his songs went to other voices. This one is his to sing and you can 100% hear how much it means to him.

There’s something infectious about a record that sounds like a band having the time of its life where you can viscerally feel it! The band’s latest, “No Worse For Wear” from Winchester 7 & the Runners is exactly that. It’s a joyful, energetic listen that pulls together classic rock, indie garage energy, and it lands with a wonderfully fresh sense of fun. Believe us when we say it’s one of those albums you’re going to want to listen to untouched from beginning to end.Sonically, this one is a slight change of pace from the band’s other releases, and it’s awesome. The band draws from indie rock with splashes of alternative, classic, and so much more coming through. This album threads and comes together in a way that feels both nostalgic and fresh. You get thrown into the mix on “Waitin’ Here For You, and from there, it’s an experience you won’t want to end.

You’ll find that some songs are about running away from your problems and others are about taking a short, glorious break from them. “Leavin’ It All Behind” from Dionya Marie belongs firmly to the second group. Just arrived on October 26th, 2026, this lively new single sets aside the overdue bills and the growing pile of responsibilities for one night of dancing, drinking, and pure charm. Prepare for a thrill ride!The story is surely a playful one. Marie’s character hustles a few cowboys at the local club, turning their pickup lines into drinks she doesn’t have to buy. It’s humorous and confident, with a little mischief running through every verse, and it captures that feeling we’ve all had on nights when life feels overwhelming and you just need to laugh, dance, and let loose. Beneath the fun there’s a relatable message about giving yourself permission to forget the pressure for a while.

Some songs ask you to lean in before they show you what they can do and “Stay” from the Los Angeles artist AINA is exactly that kind of track. It begins with just a piano and her voice, quiet and intimate, and then it blooms into something soo much bigger. By the time it’s over, you’ve been pulled through a whole emotional storm and come out the other side breathless.We felt that the song explored the universal longing for more time with the people we’re not ready to lose. Just the thought of that while listening through gave the whole song a legitimate ache. AINA writes and produces her own music independently and her work often focuses on young love, digital age romance, separation, and the complicated ways we connect. “Stay” carries that same emotional honesty, but it turns the volume up, moving from a tender opening into an alternative pop and rock thriller that ended up feeling super anthemic.

When an artist wins an award such as the Chicago Reader’s Best Pop Artist, it’d certainly be easy to coast on that forever. However, Sacha Mullin did the complete opposite. He used the moment to push his art-rock songwriting in a more pop-forward direction, and the result is “Social Touch,” his fourth album that just released on October 19th, 2026. Trust us when we say it’s an absolute blast of a record and worth enjoying untouched from start to finish.You’ll notice very quickly that the heart of it is in Mullin’s voice. The Chicago-based singer songwriter and educator has long been known for a singing style that’s commanding and vulnerable at once, and this album shows off that duality in the coolest way. He moves from hushed, precise passages to sudden, soaring moments of intensity without ever losing control. His voice is incredibly soulful and it bends to fit whatever each song asks of it. His range is equally impressive, but what really lands is how he uses it.

Cami Rose has kicked the door open with a brand new record that absolutely took us by hold on the first listen. Detroit-born country soul vocalist Cami Rose has given the world her self-titled five-song EP which is a fun, big-hearted debut that sounds like the work of someone who’s been waiting a long time to share her voice.That voice is what drives the whole record. Cami grew up singing in church and leading worship, and you can hear that foundation in every note. There’s gospel in the way she builds a phrase, Motor City soul in her swagger, and country’s storytelling tradition in how she shapes each song. When she started pursuing music professionally, country felt like a natural fit because of her love of a good story, and that combination feels timeless while still being completely her own. It’s the kind of voice that makes you feel something before you’ve even processed the lyrics, which seems to be exactly what she’s after.

We think it’s a major compliment when you listen to a record and actually feel like you’re standing in the room with the band. “Sounds of Seance” from Super Love is exactly that kind of listen! It’s warm, organic, and completely unfussy, the sort of record that invites you to relax, turn it up, and sing along for the ride.For those out of the know, Super Love is an alt-rock band on 88th Street Records, formed in New York City in 2019 by Constance Watkins on lead vocals and Jared Watkins on “every instrument he can get his hands on”. They call their approach “autonomous indie,” and it fits. Rock, pop, hip-hop, punk, and jazz all drift through their sound, but nothing ever feels forced or like a challenging genre exercise. Each track lands somewhere unique yet familiar, which is a tough balance to strike and one they’ve consistently made look easy over the years of us listening.

There’s something so unbelievably honest about a song that admits love isn’t always easy, and “When We Kiss” from Texas singer-songwriter Kathy Ross is built on that honesty in a perfect way. It’s a candid, emotional look at heartache and the effort it takes to find your way back to each other after a relationship loses its spark. It’s also a gorgeous showcase for one of the most expressive voices we’ve heard lately!To begin, Ross’s vocals are absolutely sensational here. There’s true beauty and real emotion in every line and she sings with a vulnerability that makes the song feel lived in. You can hear how personal the subject is, from the rocky stretches of a long relationship to the memory of a first kiss that reminds two people why they came together. It’s both polished and completely open and it pulls you in right away from those memorable opening notes.

Having firsthand experienced this rollout, it’s been an absolute blast getting to experience this EP come to life! "Never Been A Smooth Ride" wraps up Paul Frazer Clarke's Five Coordinates EP in the perfect way. We've been waiting on this final chapter for quite some time, and it absolutely delivers. It's an exceptional closer, one that feels like a celebration of everything that made this whole project so enjoyable in the first place!Throughout 2026, Clarke has paired himself with a different international collaborator on each track of this EP, and for the finale he's brought in Canadian artist Elle Sorren. Her vocals are outstanding here, sweet and angelic in a way that fits the vibe and groove of the song perfectly. There's a lightness to her delivery that floats right over the production and it 100% gives the whole track a dream quality that makes it easy to float right into.