Allan Clarke

Allan Clarke started The Hollies with Graham Nash as a teenager, copying other people’s records at Abbey Road. He left the group, came back, then left again, and along the way his voice carried the group through four decades. Jason Barnard sat down with Allan again to talk through his new single “Walking On Still Waters,” a decades-long search through faith, the stroke he’s been recovering from, his wife Jenny who got him through the hardest years, and what the future holds for The Hollies and their legacy. Clarke also explains how “Long Cool Woman in a Black Dress” came together with Roger Cook in half an hour, why he’s glad Carl Wayne was first to front The Hollies after he left, and how he ended up singing lead on tracks for Steve Howe, Alan Parsons, and Carla Olson. Further information “Walking On Still Waters” by Allan Clarke is out now Support The Strange Brew Podcasts also available: Allan Clarke – The Hollies (2023), Allan Clarke (2014) – Part 1, Allan Clarke (2014) – Part 2, Bobby Elliot – The Hollies, Mikael Rikfors – The Hollies, Roger Cook This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post Allan Clarke appeared first on The Strange Brew .

John Leckie joins The Strange Brew to talk through the Dukes of Stratosphear story, from his first sight of a young XTC through to the new Dolby Atmos edition of the complete Dukes recordings. Leckie was the Abbey Road staff engineer who cut XTC’s 3D EP in three days, then White Music at the Manor, then Go 2 and the dub experiments released as Take Away / The Lure of Salvage under Andy Partridge’s Mr Partridge alias (later gathered on the Explode Together compilation). He explains how that dub habit of pulling a mix apart and rebuilding it shaped his production work and the Dukes sound years later. He talks through the years between, freelancing after leaving Abbey Road in 1978, work with Simple Minds and Bill Nelson, the Lost Jockey orchestral project, a spell in the Rajneesh commune, and how a collapsed Mary Margaret O’Hara session left Andy Partridge with six spare weeks of studio time, which became 25 O’Clock. Leckie recalls the Chapel in Hampton Bishop, the sound effects tape run live during mixing so nobody knew what would come up when a fader was raised, and the move two years on to Psonic Psunspot at the boat-access-only Sawmills in Cornwall. Further information Psurroundabout Ride (Dolby Atmos) Support The Strange Brew Podcasts also available: John Leckie on producing Be Bop Deluxe, Terry Chambers, Colin Moulding – Part 1, Colin Moulding – Part 2, Dave Mattacks This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post John Leckie on XTC and The Dukes of Stratosphear appeared first on The Strange Brew .

Steve Hackett and Steve Rothery discuss their joint album The Roaring Waves. They explore creative process behind it, their individual artistic histories in Genesis and Marillion, and their respective plans for future work. The conversation ranged from the nautical themes of the album and how it was assembled, to the broader philosophy of progressive music, the influence of early prog and blues-rock guitar heroes, and the personal and professional circumstances that shaped their life in music. Further information The Roaring Waves Support The Strange Brew Podcasts also available: Steve Hackett – The Lamb Stands Up interview, Steve Hackett on Genesis Revisited and Hackett Highlights, Steve Hackett – on solo career and Genesis, Steve Rothery – Marillion This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post Steve Hackett & Steve Rothery appeared first on The Strange Brew .

Mari Wilson was the beehived voice behind “Just What I Always Wanted”, the Neasden Queen of Soul who fronted the Wilsations, supported Roxy Music and appeared on Top of the Pops. Then a second album stalled, and she could see where pop stardom was heading: cabaret, built around a medley of her hits. So she turned her back on it and walked away, into jazz clubs, Ronnie Scott’s, the West End stage, and eventually a solo career that has outlasted the pop machine she left behind. Four decades on, Mari joins Jason Barnard to talk about Girl About Town, her first full album of original songs since 2008, written with longtime collaborator Adrian York. They trace that reinvention from Top of the Pops to Ronnie Scott’s, with Mari talking openly about being pigeonholed by the beehive and why she still believes leaving pop at that time was the right call. Further information mariwilson.co.uk Support The Strange Brew Podcasts also available: Judie Tzuke, Kiki Dee, Dave Ball – Soft Cell, Martin Fry – ABC This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post Mari Wilson appeared first on The Strange Brew .

Ten years on, Jeremy Clyde is back. Chad Stuart left behind decades of unfinished Chad & Jeremy recordings. Jeremy and guitarist Jo Meacham have now finished them off, and the results are being crowdfunded as When All Is Said and Done. Jeremy calls it the album they always wanted to make and never got round to finishing. Before any of that, Jeremy takes us back to 1960 and Central School of Speech and Drama, where he met Chad, and to Tina’s Bar in London, where John Barry heard them and took a chance on Yesterday’s Gone. He talks about the mic technique lesson that gave them their sound, handing the Tina’s Bar residency over to Peter and Gordon, watching Paul Simon play songs in his flat before anyone knew who he was, and Peter Asher introducing him to a young James Taylor. Jeremy also covers the late 60s shift into psychedelic material, his second career as a British TV actor, plus the nine albums of solo work he made with lyricist David Pierce, the Bottom Drawer Sessions. Further information When All Is Said and Done – Kickstarter (closes 25 September 2026) chadandjeremy.com Jeremy Clyde 2016 podcast tracks Support The Strange Brew Podcasts also available: Jeremy Clyde – 2016, Peter Asher, Chris White – The Zombies – Inside The Vaults, Mike Vickers – Manfred Mann, Jenny Boyd This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post Jeremy Clyde – Chad & Jeremy appeared first on The Strange Brew .

Devo co-founder Gerald V. Casale joins us for a career spanning conversation, starting with his new protest single “Just Do It” and moving through nearly every chapter of Devo’s story. Casale explains his view on the current American administration and discusses the limits of music as a force for political change. From there the conversation moves through his collaboration with Czech act Die alten Maschinen, the songs taking shape for his forthcoming solo album Wetiko, and contributions from Steve Bartek and guitarist Steve Stevens. Casale traces Devo’s story from the Kent State killings in 1970 through the founding principles of de-evolution, the band’s run of producers (Brian Eno, Ken Scott and Robert Margouleff), the writing of “Whip It” via Thomas Pynchon’s Gravity’s Rainbow, David Bowie’s fascination with the group, and Casale’s video work alongside Kevin Godley and Lol Creme. Casale is direct about where Devo lost its way too, naming Shout and the Fairlight CMI as the point of “Devo suicide,” before explaining how a 2004 Dell commercial brought the group back to life. Further information Gerald V Casale’s new single “Just Do It” is out now Support The Strange Brew Podcasts also available: Kimono My House at 50, Prescott Niles – The Knack, Ellen Foley, Terry Chambers – XTC This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post Gerald V Casale – Devo appeared first on The Strange Brew .

Arthur Brown joins Jason Barnard, alongside his partner and collaborator Claire Waller, to talk through his new album Nature and a life spent chasing fire, water, air and earth through sound and theatre. Arthur and Claire describe the return to North Yorkshire, eight miles from Arthur’s birthplace in Whitby, after a decade of travelling together. They walk through how Nature took shape: around 100 fires tested to find a usable rhythm, a river thirty yards from the front door recorded for its rush over rock, and small creatures of the earth captured and worked into the mix. The conversation moves through Arthur’s history: his friendship with Alice Cooper, evenings spent jamming with Jimi Hendrix, a chance encounter with David Bowie, and the six years of work behind Arthur’s current live show. Further information Nature is released on 4 September Arthur Brown website Support The Strange Brew Podcasts also available: Arthur Brown on The Crazy World of Arthur Brown, Dennis Dunaway – Alice Cooper Group, Carl Palmer, Chris Slade – AC/DC, British Psychedelic Sounds of 1967 This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post Arthur Brown appeared first on The Strange Brew .

Robin Scott’s career spans from acoustic songs on the 1960s folk circuit to the sequenced synth-pop of ‘Pop Muzik’ – the 1979 hit single that took him to number one under the moniker M. On this episode, he traces that journey: studying at Croydon Art College, releasing his 1969 debut album Woman from the Warm Grass, managing pub-rock group Roogalator, co-founding Do It Records, and living and working with Malcolm McLaren and Vivienne Westwood. Robin also reflects on his pioneering records including New York · London · Paris · Munich, The Official Secrets Act and Jive Shikisha. Finally, the conversation brings us to the common thread through all these projects, the restless curiosity that continues to drive his work. Further information robinscott.uk Support The Strange Brew Podcasts also available:  The Action’s Rolled Gold, Al Stewart – Part 1, Bowie and Hutch, Glen Matlock, Glenn Gregory – Heaven 17 This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post Robin Scott – M appeared first on The Strange Brew .

Over fifty years ago, a teenager from Cleveland got talked into playing “Maggot Brain” at an after party, and soon after he was on stage with Parliament-Funkadelic. Michael Hampton, known as Kidd Funkadelic, joins us to tell that story properly, and to go through everything that’s followed it: five decades inside one of the wildest bands in American music, a run of guitar solos that hip-hop built entire records on, and his new solo project, the King Kong mini album. We start with King Kong itself: how a nearly hundred year old story about a giant ape ended up as an instrumental record moving between rock, jazz and spoken narration, and how loosely the whole thing came together. From there we go right back to the beginning: the guitarists who shaped him growing up in Cleveland, the after party where he first played for the band, and the call from drummer Tiki Fulwood that got him on a plane to Landover, Maryland, a fortnight later. Michael talks me through what recording with Parliament-Funkadelic was like, how songs like “Adolescent Funk” and “Who Says a Funk Band Can’t Play Rock?” earned him a writing credit, what he thinks George Clinton’s real gift was, and how he feels about hip-hop having sampled his solos for the past forty years. Further information King Kong is out now. Get it direct from Michael’s Bandcamp Support The Strange Brew Podcasts also available: Eddy Grant, Lynval Golding – The Specials, John Mayall, Sananda Maitreya This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post Michael Hampton – Parliament/Funkadelic appeared first on The Strange Brew .

Eric Barrett spent two years, from 1968 to 1970, as Jimi Hendrix’s road manager and one of the few people the guitarist trusted. In this conversation with Jason Barnard, Barrett talks in a rare interview about his new memoir Experienced: On the Road with Jimi Hendrix and Beyond. Barrett explains how a job roadying for The Koobas led him from the Beatles’ final UK tour to Keith Emerson’s stage antics with The Nice, and eventually to a chaotic gig in Rome that almost saw him walk away from Hendrix. He describes the two sides of the man he worked for: the guitarist who tore up stages, and the quiet, almost shy man backstage who didn’t see himself as a genius. There’s a lot here that hasn’t been told before. The racism Hendrix faced touring the American South. The night in Denver when tear gas broke up the show and ended the Experience. The split trousers at the Isle of Wight Festival, patched with a safety pin while Barrett vamped on guitar to cover the gap. And the grim job, after Hendrix’s death, of boxing up his belongings in two countries. Barrett went on to work with James Taylor, David Bowie and Madonna and many other artists. He also describes the moment he told Bowie the sound at a Diamond Dogs rehearsal wasn’t good enough, and ended up later collaborating with Bowie on his all white stage lighting. Further information Experienced: On the Road with Jimi Hendrix and Beyond by Eric Barrett with Lawrence Robinson is out now Support The Strange Brew Watch the video version Podcasts also available: Peter Asher, Carlos Alomar, Fresh Cream Revisited with Malcolm Bruce, Melanie, Leo Lyons – Ten Years After This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms The post Jimi Hendrix Didn’t Know He Was a Genius – Eric Barrett appeared first on The Strange Brew .