Under CTRL, the Epping migrant protests & why is ‘romantasy’ so popular?

First: the new era of censorship A year ago, John Power notes, the UK was consumed by race riots precipitated by online rumours about the perpetrator of the Southport atrocity. This summer, there have been protests, but ‘something is different’. With the introduction of the Online Safety Act, ‘the government is exerting far greater control over what can and can’t be viewed online’. While the act ‘promises to protect minors from harmful material’, he argues that it is ‘the most sweeping attempt by any liberal democracy to bring the online world under the control of the state’. Implemented and defended by the current Labour government, it is actually the result of legislation passed by the Conservatives in 2023 – which Labour did not support at the time, arguing it didn’t go far enough. So how much of a danger is the Act to free speech in Britain? John joined the podcast to discuss further alongside former Conservative minister Steve Baker, MP from 2010-24, and who was one of the biggest critics of the bill within the Conservative Party at the time. Next: should we be worried about protests against migrants?  This week, outside a hotel in Epping, groups amassed to protest against the migrants housed there, with counter-protestors appearing in turn. Tommy Robinson might not have appeared in the end, but the Spectator’s Max Jeffrey did, concluding that the protests were ultimately ‘anticlimactic’. Nevertheless, the protests have sparked debate about the motivations of those speaking out against the migrants – are there legitimate concerns voiced by locals, or are the protests being manipulated by figures on the political fringes? And what do the protests tell us about community tensions in the UK? Max joined the podcast to discuss alongside the editor of Spiked Tom Slater. And finally: why are ‘romantasy’ novels so popular?Lara Brown writes in the magazine this week about the phenomenon of the genre ‘romantasy’, which mixes romance with fantasy. While ‘chick-lit’ is nothing new, Lara argues that this is ‘literature taken to its lowest form’, emblematic of the terminally online young people who consume it. Nevertheless, it is incredibly popular and is credited by publishers as boosting the British fiction industry to over £1 billion. To unpack the genre's popularity, Lara joined the podcast, alongside Sarah Maxwell, the founder of London’s first romance-only bookshop Saucy Books, based in Notting Hill. Hosted by William Moore and Lara Prendergast. Produced by Patrick Gibbons and Megan McElroy.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts. Contact us: [email protected]

The soul suckers of private equity, Douglas Murray on Epstein and MAGA & are literary sequels ‘lazy’?First up: how private equity is ruining BritainGus Carter writes in the magazine this week about how foreign private equity (PE) is hollowing out Britain – PE now owns everything from a Pret a Manger to a Dorset village, and even the number of children’s homes owned by PE has doubled in the last five years. This ‘gives capitalism a bad name’, he writes. Perhaps the most symbolic example is in the water industry, with water firms now squeezed for money and saddled with debt. British water firms now have a debt-to-equity ratio of 70%, compared to just 4% in 1991. Britain’s desperation for foreign money has, quite literally, left Britain ‘in the shit’. Gus joined the podcast to discuss further, alongside the journalist Megan Greenwell, author of Bad Company: Private Equity and the Death of the American Dream. (00:46)Next: why is MAGA so incensed over Jeffrey Epstein?Six years after he died, the Jeffrey Epstein scandal is still haunting Donald Trump. Trump had vowed to release all files on various cases that attract conspiracy theorists – from JFK to Martin Luther King Jr. What makes the Epstein case different, as Douglas Murray writes in the magazine this week, is that the case was so recent and Epstein’s ties with the elites, many of whom are still in power. Trump appeared to backtrack on releasing files relating to Epstein, prompting ire from the MAGA world, and there is now mounting cross-party pressure to uncover who knew what. Mike Johnson, the House speaker, sent representatives home early for summer, and there is even talk of Ghislaine Maxwell testifying.  Why is the Epstein scandal such a lightning rod for MAGA rage? Douglas Murray joined the Spectator to discuss. The full interview can be found on Spectator TV. (15:49)And finally: are literary sequels ‘lazy’?It’s ‘sod’s law’, says the Spectator’s literary editor Sam Leith, that when a friend’s book is due to be reviewed in the pages of the books section that you edit, the review will be bad. Mike Cormack reviews Men In Love by Irvine Welsh this week, calling the decision by Welsh to pen another sequel to Trainspotting ‘lazy’. At the Spectator this made us ponder whether this is true of all literary sequels, and what motivates authors to stick with characters and stories that they know.Sam joined us to discuss further alongside Lucy Thynne, the Telegraph’s deputy literary editor. (33:59)Hosted by William Moore and Lara Prendergast.Produced by Patrick Gibbons and Megan McElroy.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcasts. Contact us: [email protected]