The Pole Dance Performer podcast

32. The Dolphin Problem (Yeah. And What Else? Part 2)

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Resources mentioned:

Free video, How to Create Compelling Pole Routines

https://www.poledancefoundations.com/compellingroutines

want to see EVERYTHING:

https://www.poledancefoundations.com/everything

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Last week we met the dolphins. This week I show you how to build a routine with a point of view. A concept is not a feeling and it is not a screenplay. It is a character, in a place, at a moment, doing something. And you cannot play an emotion.

In this episode I walk through what a concept is, why every choice has to belong, and the four questions I ask in every choreography session.

What you'll learn:

  • Why "sad" is a weather report, not a concept
  • Character, place, moment, action: put a "to" in front of it
  • Why the same fireman spin can stab or embrace
  • Cohesion: why every choice has to audition for its place (when in doubt, cut it out)
  • Why having an opinion on stage is scarier than a big trick
  • The four questions I ask in every choreography session

Note: Pole dance was created by skrippers and sex workers. Full stop. They built this art form from the ground up, the studios, the moves, the culture, all of it. I would not be here without them. I honor that history and I stand in solidarity with sex workers and their rights. Always.

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