Ep 164: New Videos, Loading Dock Invite & What’s Next

Watch a short highlights video of this episode on the TWP YouTube channel  In this special International Women’s Day episode I speak with acclaimed artist, and previous podcast guest, Ann Thomson about building a career in the male-dominated art world of the mid-20th century. Born in 1933, Ann’s art education took place during the 1950s and early 60s, a time when male artists like Arthur Boyd, Sidney Nolan, John Brack and Charles Blackman dominated the Australian art scene. Today Ann Thomson is one of Australia’s most respected and internationally acclaimed artists. A painter and sculptor, she has held more than 60 solo exhibitions, won numerous awards, and her work is represented in major public collections. As this episode is released, an exhibition of her work is also showing at Messums Gallery in London. Links Ann Thomson on Instagram Ann Thomson at Messums Talking with Painters YouTube channel Talking with Painters on Instagram Talking with Painters on Facebook Maria Stoljar on LinkedIn Sign up for the Talking with Painters newsletter Podcast interview with Thomson on her life and art Podcast interview with Thomson on Ian Fairweather Podcast interview with Thomson in her 90th year Video highlights of this episode https://youtu.be/94aHBnKwR2w?si=SCWA0GDPvevSDMyM

Watch highlights from this conversation on the Talking with Painters YouTube channel I loved this conversation with Mary Tonkin at the S.H. Ervin Gallery in Sydney, before the start of her survey exhibition Among the Trees (opening 3 January 2026). The show brings together paintings, drawings and ceramics dating from 2008, works that reflect Mary’s deep relationship with her family farm in Victoria’s Dandenong ranges and with painting from life.  Her painting ‘Ramble Kalorama’, measuring almost 19 metres long, is a magnificent meditation on what it is to be in the Australian landscape and was a huge hit at the 2022 Sydney Contemporary Art Fair. Mary Tonkin has won many awards and her works are held in major public institutions and private collections. She is represented by Australian Galleries. NB: When Mary speaks about her teacher Geoff in this conversation she is referring to Geoff Dupree. Links Mary Tonkin on Instagram Mary Tonkin at Australian Galleries ‘Among the Trees’, S.H.Ervin Gallery, 3 January to 1 March 2026 Highlights YouTube video My instagram reel of ‘Ramble, Kalorama’ at Sydney Contemporary (2022) https://youtu.be/84JSU210-38?si=78SsLYUPGalbja-g ‘Ramble, Kalorama’ (2017–2019) at Sydney Contemporary, 202218.9m x 1.8m (21 panels)Oil on linen   ‘Coprosma Madonna, Kalorama’ 2021-22oil on linen 320 x 610cmPhotographer Matthew Stanton ‘Madre, Kalorama’ 2008oil on linen 244cm x 508 cmPhotographer John Brash ‘A scream, Kalorama’ 2023oil on linen 214 x 366cmPhotograph Matthew Stanton ‘Regent, Kalorama’ 2012 charcoal on paper 241 x 271cm Photographer John Brash ‘Saint Anthony Beaten By Devils’ 24.5cm x 39.5cmSassetta, c1423, 1424Pinacoteca Nazionale  

A highlights video from this episode will also be coming soon to the Talking with Painters YouTube channel In this episode, I visit the studio of acclaimed abstract painter Aida Tomescu just days before the opening of her exhibition Messiaen at Fox Jensen Gallery in Sydney. The exhibition continues until 20 December 2025. Aida Tomescu on Instagram Aida Tomescu website Aida Tomescu at Fox Jensen Gallery  Talking with Painters website Talking with Painters on Instagram Subscribe here for my monthly newsletter Previous TWP YouTube videos of Aida Tomescu: Aida Tomescu – extended interview Aida Tomescu talks with Maria Stoljar (uncut) Aida Tomescu in her studio (2017) Aida Tomescu talks with Maria Stoljar about ‘Tuckson: the abstract sublime’ Aida Tomescu’s 2019 show ‘The Open Wounds of White Clouds’ Previous podcast conversations with Aida Tomescu: Episode 33 – Aida Tomescu Episode 63 – Aida Tomescu on Tony Tuckson Episode 116 – Aida Tomescu (uncut) Messiaen II 2024200x460cmoil on Belgian linenPhoto: Jenni Carter Messiaen III 2025200 x 306cmOil on Belgian linenPhoto: Jenni Carter Messiaen 2013oil and pigments on canvas184 x 153 cmThis is the work Tomescu refers to at the beginning of the episode  

Watch an edited video version of this episode on the Talking with Painters YouTube channel here Podcast listeners see the works we talk about here or go to talkingwithpainters.com (ep 169) When I travelled to Hobart for the announcement of the Hadley’s Art Prize, I not only interviewed the winner, Sophie Cape (you can hear her in the previous episode), but also had the privilege of speaking with twelve of the other outstanding finalists (see images of works below) At $100,000 the Hadley’s is Australia’s richest landscape art prize, and the calibre of work this year was outstanding. With 29 finalists in total, I would have loved to talk with every single one, but time was short in the lead-up to the celebrations! Even so, these conversations give you a  cross-section of artists and approaches to depicting the Australian landscape — from bold abstraction to meticulous realism. In this episode, you’ll hear from the following artists: Michaye Boulter, Belinda Street, Neil Haddon, Valerie Sparks (Honourable Mention), Peter Griffen, Harrison Bowe (People’s Choice winner), Melanie McCollin Walker, Denise Lamby (Residency Prize winner), Julz Beresford, Raymond Arnold, Richard Klecociuk and Melissa Kenihan. Links YouTube video highlights of this episode YouTube video of interview with winner Sophie Cape Podcast interview with winner Sophie Cape  Talking with Painters Newsletter Talking with Painters on Instagram Talking with Painters on Facebook Maria Stoljar on LinkedIn Hadley’s Art Prize website Michaye BoulterAtmospheres,oil on linen 102 x 153 Neil Haddon‘A view of water’Acrylic oil and lacquer on aluminium140 x 130 Valerie Sparks (Honourable Mention)‘The Long View’Pigment inkjet print on paper Peter Griffen‘Small Rocks and Wild Grass’Mixed media on canvas 91 x 122cm Belinda Street‘Newcastle Harbour’Oil on canvas 90 x 90cm Harrison Bowe (Winner People’s Choice Award)‘Of Peaks and Tides’Oil and enamel and beeswax on linen Melanie McCollin Walker‘Quiet Refuge’Acrylic on linen 156 x 156cm Denise Lamby (Winner Residency Prize)Memory of the LandRecycle tea bags canvas 90 x 90cm Julz Beresford‘A Stillness at the Water’s Edge’Oil on canvas 93 x 93 Raymond Arnold‘The ‘blue,yellow’ Red Gum’Digital print Richard Klecociuk‘Ancient light’Coloured pencil and ink108 x 83cm Melissa Kenihan‘Living Memory’Oil on linen 55 x 155 cm

Watch an edited video version of this conversation on the YouTube channel here Sophie Cape has just taken out the $100,000 Hadley’s Art Prize for landscape with her powerful painting Thunder Shifts the Shivering Sands. It’s a raw and visceral work on canvas made using rust, charcoal, soil, pigment and binder. In this episode I talk with Sophie about what winning the prize means for her at this point in her career. She also tells me about her incredible path to painting — from training as an elite athlete with Olympic ambitions to finding her way into the art world after injury changed the course of her life. Sophie has received multiple awards and residencies over her career. She has exhibited in over a dozen solo shows and her work is held in many public and private collections. She is represented by Olsen Gallery. A highlights video from this conversation will be up on my YouTube channel soon. I also spoke with 12 of the other finalists, and those conversations will be heading to YouTube shortly as well. During my time in Hobart, I was a guest of Hadley’s at the beautifully restored Hadley’s Orient Hotel (built in 1834) and is the venue for the exhibition. The show runs until 21 September, accompanied by a series of talks – you can find more information on their website here . Links Podcast listeners –  see images of the works we talk about here Sophie Cape on Instagram Sophie Cape at Olsen Gallery Australian Story: Adrenaline Brush: Sophie Cape Sign up for the Talking with Painters newsletter  Talking with Painters on Instagram Talking with Painters on youTube  Talking with Painters on Facebook Thunder Shifts the Shivering SandsRust, charcoal, soil, pigment and binder on canvas2024148cm x 160cm Romper Stomper, 2014, oil, acrylic, bitumen, charcoal, and soil on canvas, 209 x 203cmWinner, Portia Geach Memorial Award, 2014

Australia has lost one of its great painters. William Robinson has passed away at the age of 89. I was lucky enough to meet Bill in 2020 when I interviewed his close friend, artist Davida Allen. At Davida’s suggestion, Bill joined the conversation —and what unfolded was something special. In this re-released episode you’ll hear Bill’s warmth, humour and generosity as the two artists reflect together in his Brisbane studio.

Watch an  edited video version of this conversation on the YouTube channel here It’s one of the most thrilling days on the Australian art calendar—and this year, Julie Fragar has taken out the Archibald Prize with a captivating portrait of fellow artist and colleague Justene Williams. Her large scale portrait of Justene, appearing to float in space and surrounded by model figures and structures drawn from Justene’s creative universe, commands the viewer’s attention.  Julie talks with me about the portrait and its elements, her approach to colour and her tips for a productive sitting. This episode also includes Julie’s moving acceptance speech. Also announced today: Jude Rae, winner of the Wynne Prize (and two-time podcast guest) Gene A’Hern, winner of the Sulman Prize (video interview coming soon!) Scroll down for images of the winning works Podcast listeners click here to see images of the works Julie Fragar’s website Julie Fragar on Instagram Ep 28: Jude Rae Ep 97: Jude Rae ‘424-428’ My chat with Sulman winner Gene A’Hern  TWP on Instagram TWP on Facebook Maria Stoljar on LinkedIn Sign up to the TWP monthly newsletter https://youtu.be/h4NfQDN803I Julie FragarFlagship Mother Multiverse (Justene)oil on canvas240 x 180.4 cm Jude RaePre-dawn sky over Port Botany container terminaloil on linen200 x 150.4 cm Gene A’HernSky paintingoil and oil stick on board240 x 240 cm  

Watch this interview on the Talking with Painters YouTube channel here  Step into the gripping world of Richard Lewer — where drawing, painting, and video meet the raw edges of human experience. Richard doesn’t look away from life’s toughest stories. From the deeply personal — like the final days of his father’s life — to the harrowing and socially charged, including the tragic death of an Indigenous child in custody and the haunting Snowtown murders, he takes it all on. But never with shock tactics. His work is quietly powerful — full of feeling, sensitivity, and a surprising touch of humour. And the surfaces he paints on? Anything but traditional — think steel, aluminium, formica table tops, even billiard tables. Richard is a multi-award-winning artist whose work has appeared in major public and private collections. He’s been a finalist multiple times in the Archibald and Sulman Prizes, and his recent acquisition by the National Gallery of Australia will soon be part of an upcoming exhibition and tour. This was the perfect time to sit down for a deep conversation — just ahead of his new show ‘The stories that persist are not always true’ opening on 10 April at Hugo Michell Gallery. Richard is also represented by Jan Murphy Gallery in Brisbane and Suite Gallery in New Zealand. Links Art work mentioned in this episode (for podcast listeners) Richard Lewer on Instagram Exhibition opening on 10 April at Hugo Michell Gallery  YouTube video- Richard Lewer talks with Maria Stoljar about his commissioned work at the Art Gallery of NSW  Boxing match Richard Lewer vs Luke Sinclair 2001, video, documentation of performance as art Worse luck I’m still here, 2014, video and animation Never Shall be Forgotten – A Mother’s Story, 2017, video and animation Talking with Painters on Instagram Join me on LinkedIn  Sign up to the TWP newsletter https://youtu.be/4bei8rp-Tto?si=VJHHvFMwMcg6_2oU ‘We have grave concerns for your father’s health’oil on epoxy-coated steel80.5 x 141 cmFinalist Sulman prize 2019 I’m not the boy who cried wolf, 202580 x 120 cmacrylic on laminate tabletop Richard’s medical disastersacrylic on linen181.5 x 152.7cmFinalist Sulman prize 2023 NGV Confessions (one wall of several)Acrylic on pegboard The serpent was more crafty than any of the wild animals that God had made. He said to the woman ‘Did God really say that you must not eat from any tree in the garden?’. She replied ‘We may eat fruit from all the trees in the garden except for the…, 2022, acrylic on canvas, 153 x 153 cm ‘The 2006 Granny’ 2024acrylic on linen200.0 x 200.0 cm ‘The 2006 Granny’ 2024acrylic on linen& 41.0 x 31.0 cm https://youtu.be/Du-Lad05_vk?si=lW4hXdAYI9jmNEfo   Body of work ‘Steve’ acquired by the National Gallery of Australia

Catch up on the latest YouTube videos and Instagram reels, and don’t miss the chance to be part of my next Loading Dock interview at the Art Gallery of NSW! Justin Williams (video) Justin Williams – ep 60 podcast interview Robert Malherbe and Keith Burt (video) Loading Dock Interviews Playlist  Nic Plowman (Instagram reel) Sam Eyles (Instagram reel) The Art Room  Sign up to the TWP newsletter Join me on LinkedIn  

See the video version of the interview on YouTube here My conversation with two remarkable Australian artists, Robert Malherbe and Keith Burt was in front of a fabulous audience at the Tweed Regional Gallery. Robert and Keith completed residencies at the gallery’s Nancy Fairfax Artist in Residence Studio, drawing inspiration from objects in Margaret Olley’s recreated home studio at the gallery. The result of their residencies is A Dictionary for Painting, a stunning exhibition on display until March 2, 2025. In this episode, Robert and Keith share their creative highs and lows, offering an intimate glimpse into the making of their works. Special thanks to Tweed Regional Gallery for recording this event and sound engineer Dan Harcombe for his expertise. A video version of this interview will be online soon – and don’t miss my earlier interview with Robert from 2021, linked below. Links Podcast listeners click here to see images of the works Robert Malherbe Keith Burt Tweed Regional Gallery and Margaret Olley Art Centre Ep 162 – Ingrid Hedgcock  Ep 161 – Sophie Perez and Sarah McDonald  Ep 120 – Robert Malherbe Robert Malherbe on the YouTube channel John Honeywill  Sarah MacDonald Instagram reel – what to take on a residency Sign up to my monthly Newsletter TWP Instagram TWP Facebook https://youtu.be/qbeENrJo6Nc?si=ZpIcNoNDKF7276_fMy LinkedIn https://youtu.be/qbeENrJo6Nc?si=ZpIcNoNDKF7276_f Selection of work by Robert Malherbe Selection of work by Keith Burt Robert Malherbe (b.1965)Olley’s table 09 2024oil on linen81 x 66 cmCourtesy of the artist and Jan Murphy Gallery© The artist Keith Burt (b.1969)Bird 2024oil on canvas30 x 25cmCourtesy of the artist and Jan Murphy Gallery© The artist Keith Burt (b.1969)Floral jug 2024oil on canvas40 x 40cmCourtesy of the artist and Jan Murphy Gallery© The artist Robert Malherbe (b.1965)Olley’s table 06 2024oil on linen81 x 66 cmCourtesy of the artist and Jan Murphy Gallery© The artist Margaret Olley (1923–2011)Still life with cornflowers 1995oil on board66.9 x 90.1 cmOn loan from University Art Collection, Chau Chak Wing Museum, The University of SydneyDonated through The Hon R P Meagher bequest 2011© Margaret Olley Art Trust Keith BurtUrban ArtistsOil on canvasWinner 2020 Brisbane Portrait Prize84 x 66cm Robert MalherbeThe Stoic, 2011oil on linen76 x 61cm(Portrait of Nicholas Harding) Keith Burt (b.1969)Jar 2024oil on canvas40 x 40cmCourtesy of the artist and Jan Murphy Gallery© The artist Keith Burt (b.1969)Vase 2024oil on canvas40 x 40cmCourtesy of the artist and Jan Murphy Gallery© The artist Robert Malherbe (b.1965)Olley’s table 12 2024oil on polyester51 x 41 cmCourtesy of the artist and Jan Murphy Gallery© The artist