Nidhi Srinivas

Nidhi Srinivas, Professor of Management at the New School, discusses his latest book, Against NGOs: A Critical Perspective on Civil Society, Management, and Development (Cambridge University Press, 2025), which brings together management and development studies to offer a critical perspective on NGOs, describing how they emerged as key agents of development. Analysing the historical and shifting roles that NGOs play as agents of development and disseminators of management doctrines, Srinivas elaborates how these organisations function in this current epoch of capitalist crisis, where universities today retain direct links to NGO managerialism and policy creation. He reviews the current age where we are on the verge of another global recession and world war while relying on Gramsci’s Prison Notebooks as a beacon for reading how we might see the world “differently” which he views as a political task, stating: “I would argue that the problem today is that a lot of education and the spheres of civil society where NGOs are based are not actually eager to offer that kind of a critique.” Observing how NGOs are often intimately connected to the system of power and delineating how the earliest definition of an NGO had nothing whatsoever to do with international development, Srinivas examines the mechanisms between governments, international agencies and civil society interrogating the relationship each holds to power, shying away from simplifying the role of NGOs as merely bad actors or glorifying the role of civil society. Srinivas emphasises the importance of critical theory and the Frankfurt School in his analysis of NGOs, confirming how ideas are shaped by history and that, in order to tackle the stages of capitalism, it is incumbent upon us to interrogate capitalism’s commitment to wealth, inequality, and how these ideas work within our souls. Get full access to Savage Minds at savageminds.substack.com/subscribe

Alison Gaffney, a mother of two from Corby, Northamptonshire, discusses how she and her partner, Andy Hinde, learned in 2018 that their seventeen-month-old son was diagnosed with a rare cancer, which they believe was caused by the botched disposal of millions of tonnes of contaminated waste after the closure of Europe’s largest steelworks in Corby, Northamptonshire, in 1980. While a 2009 civil case linked the council’s negligent clean-up of the site to a cluster of birth defects in local children in the 1980s and 1990s, dramatised earlier this year in the Netflix series Toxic Town, Gaffney tells a different part of this story which addresses the environmental contamination in Corby and those who have experienced childhood cancer dating back to 1984. Now, leading a campaign which represents approximately 50 families, Gaffney recounts the group’s struggle to access environmental information and how recently these families have been denied valuable data by the council after requesting a list of sites in Corby that were potentially contaminated following the steelworks’ closure in 1980, through the reclamation of the steelworks that began in 1984 and continued through the 1990s. Expounding the group’s ongoing struggle to have the local council cooperate with the parents’ request to reveal the areas of contaminated land in and around Corby, to test for contamination, and for the government to create a national registry that records the precise locations of environmental damage as per Zane’s Law, Gaffney maintains that her mission is to ensure that there will never again be cases of childhood cancer due to preventable ecological damage such as that which occurred in Corby. Get full access to Savage Minds at savageminds.substack.com/subscribe

Maung Zarni, UK-exiled Burmese dissident, scholar, rights activist, and Nobel Peace Prize nominee, discusses his role within the Jury in the Permanent Peoples Tribunal on Sri Lanka, observing the similarities between the use of starvation perpetrated in Sri Lanka against the Tamil minority and the exercise of starvation used against Palestinians in Gaza. Zarni also discusses his participation in two separate delegations to Gaza and the West Bank (August 2024 and January 2025) witnessing first-hand Israel’s ongoing genocide in Palestine, as he elaborates the freedom he and other members of the delegation had to roam and to discover—unscheduled and unchoregraphed visits—the reality of Palestinians living in the West Bank and Gaza and of Israelis living in Israel. Zarni describes the myriad human rights violations, starvation, and conditions of genocide in Gaza, in addition to attesting to the violent attacks by settlers and the threat of genocide already in vigour in the West Bank. Interrogating a vast system of colonial occupation and repression exercised by the state of Israel against Palestinians for the past 78 years, Zarni notes how this is a “collective genocide” whereby many countries and their politicians are “directly participating in Israel’s genocide” through political, military, and economic contributions. Zarni discusses how people need to be educated about genocide, especially “when it is done by our own country, in our own name,” as he connects his work in educating the Cambodians about the “Killing Fields” and their own history of genocide at the hands of the Khmer Rouge between 1975 and 1979. Maintaining that this genocide is “far worse than what was happening in Nazi Germany and Nazi-occupied Europe,” Zarni remarks how “the entire ecosystem of corporate and public legacy media is performing” what the Ministry for Public Enlightenment and Propaganda under Joseph Goebbels did to create the political ethos to destroy European Jewry. Get full access to Savage Minds at savageminds.substack.com/subscribe

Fabio Vighi, Professor of Critical Theory and Italian at Cardiff University, discusses dominant themes from latest books, Emergency Capitalism: Financial Hubris, Economic Collapse, and Systemic Manipulation (2024) and Unworkable: Delusions of an Imploding Civilization (2022), that address the “age of crisis capitalism” and the post-productive hyper-financialised stage of capitalism that is driven by debt and the loss of work society. Relating how the acceleration of the emergency paradigm is maintained by a constant flux of “states of exception” that exclude people while also allowing for the creation of credit and debt which have become the prime motors of capitalism today, Vighi narrates how just before the pandemic in 2019, we were already approaching a gigantic financial crisis, observing, “The system needed what then Covid allowed the system to have, which means massive injections of credit.” Vighi historicises the acceleration of the emergency paradigm over the past decade, which is fundamentally connected to debt and the creation of credit “out of thin air” to balance a system that is both inherently inflationary and increasingly “imbalanced and out of control.” Noting how the release of emergencies has become the mechanism to balance the economy—first with the pandemic in 2020 and then immediately thereafter with the war in Ukraine—Vighi characterises what is happening today as an “apocalyptic, eschatological type of mood where war is always immanent…and therefore that justifies the rearmament of entire continents like Europe,” while underscoring how modern wars have always been mechanisms for creating credit while also the vehicles for connecting the arms and financial sectors. Criticising the perception management systems that are more focused on the personalisation of struggles rather than critiquing systemic structures, Vighi scrutinises how, as a result, we are incentivised into very simplistic polarisations and conflicts that are, in themselves, ideological forms of destruction, distracting us from examining the deeper causes of conflict. Get full access to Savage Minds at savageminds.substack.com/subscribe

Hala Shoman, a Palestinian PhD researcher in Sociology at Newcastle University, discusses her life in Gaza before 7 October 2023, the conditions under which Gazans have been living since, and the physical and political realities on the ground for Palestinians today. Shoman elaborates how Israel’s violence since 2023 has left Palestinian society shattered, since the aggressions are so vast and profound that, unlike previous decades of aggressions that did not wipe out entire neighbourhoods and communities, the current genocide has left few able-bodied bodies alive who are can help their communities after each attack. Observing the harsh reality for Gazans today under the daily threat of murder, Shoman appraises how not only does every Palestinian personally know hundreds of people murdered over the past two years, but Israel’s aggressions and control over every aspect of Palestinian life—their access to food, water and vaccines—have become so intensified that Palestinian infants are dying from the lack of drinking water necessary for baby formula. Confirming the direct links between Israel’s violence and the increase in domestic violence in Gaza, Shoman recounts how the structural violence of colonialism and genocide has been reproduced: from the Israeli theatre of occupation and murder to the intimate space of family life within Palestinian communities. Expounding upon Israel’s pathological desire to control Palestine, Shoman remarks that the very war criminals directing this genocide are the same individuals who are asked to lead Palestine in what is this latest farce of a “peace plan.” Shoman also elaborates her academic research that explores decolonial feminist frameworks and the concept of reprocide while also distinguishing between adapting to the horrors of this genocide and surviving it. Get full access to Savage Minds at savageminds.substack.com/subscribe

Rebecca Ruth Gould, Distinguished Professor of Comparative Poetics and Global Politics, School of Oriental and African Studies (SOAS) and author of Erasing Palestine: Free Speech and Palestinian Freedom (Verso, 2020), discusses the political reframing of “antisemitism” by the International Holocaust Remembrance Alliance (IHRA) which tailored a new definition designed specifically to silence criticism of both Zionism and the state of Israel. Recalling how she was caught within the radar of the IHRA’s definition of antisemitism in 2017 while an academic at the University of Bristol for a short article she had written years earlier, Gould analyses how the IHRA definition has very clear implications far beyond Israel and Palestine, even to the extent that it exists as a quasi-law that is treated as law while never having gone through any kind of democratic parliamentary vetting process. Moreover, Gould observes how the IHRA definition of antisemitism basically set out to define what we can and cannot say about Israel while also serving to foreshadow how free speech on Palestine would be persecuted for the following decade. Considering the language of mass starvation and famine within the media, Gould confirms how the famine of the Holodomor, in a 1933 New York Times piece, was narrated in an eerily similar way to how the famine in Gaza is currently represented. Articulating how “Never again” has never really been true, given the numerous genocides since the Holocaust, Gould describes how older generations have internalised the state-based nationalist “Holocaust memories” which have blinded them from seeing, much less understanding, that Israel is currently carrying out a genocide of Palestinians. Get full access to Savage Minds at savageminds.substack.com/subscribe

Dario Guarascio, Associate Professor of Economic Policy at the Department of Economics and Law at the Sapienza University of Rome, discusses two articles he co-authored with Andrea Coveri and Claudio Cozza, “Big Tech and the US Digital-Military-Industrial Complex” and “Monopoly Capital in the time of digital platforms: A radical approach to the Amazon case.” Coveri examines the power of digital platforms whose systemic size rivals that of nation-states, positioning them as counterparts to national authorities. Revisiting social sciences history, especially economic and imperialism theories, Guarascio highlights John Hobson’s contributions that illustrate the reliance of large capital and financial corporations on new markets as national markets become saturated. He details how the intertwining needs of states and monopolies drive a strategic internationalisation essential for competitiveness, a concept reflected in Vladimir Lenin’s work influenced by Hobson, which connects international competition with states’ imperialistic strategies aimed at expanding trade routes and eliminating competitors. Guarascio posits that amidst economic strains, military means have historically facilitated market penetration, forcing foreign governments to capitulate to external capital while obstructing competitors. He draws parallels between the intense competition for market dominance leading to the world wars and present dynamics characterised by monopoly capitalism and the dominance of multinational corporations that now dictate economic policies, thus transforming states into instruments of corporate interests. Furthermore, Guarascio argues that contemporary corporate imperialism promotes capital internationalisation and fosters economic dependencies, while militarisation becomes integral to these economic narratives. This relationship outlines a modern imperialism defined by collusion among the state, military, and multinational corporations, particularly between the US and China, alongside Big Tech’s growing influence and strategic military affiliations. Get full access to Savage Minds at savageminds.substack.com/subscribe

Penny Arcade—poet, actress, essayist, spoken word, video and theatre maker—discusses her trajectory from an immigrant family, originally from Basilicata, Italy, to her upbringing in a working-class Connecticut town to her entry into the art world of New York’s East Village. Looking back on her life as a homeless teen in the Village, her discovery by Jamie Andrews who introduced her to John Vaccaro’s Playhouse of The Ridiculous, becoming a Warhol Factory Superstar, and her departure to Amsterdam, Arcade narrates the story of how she set off for Formentera, in Spain’s Balearic Islands, where she started a school for children there, some of whom were children of drug smugglers. Recounting her return to New York City in 1981 and her split from Vaccaro, which marked the beginning of her independent work, Arcade recollects the state of the various art scenes in New York City during the Reagan era, the loss of friends to AIDS, and the censorship of the era. She vituperates the class divisions within the art world and the Manhattan Downtown art scene into which she never fit neatly, while underscoring her desire to “create theatre for people who had no theatre,” a fact which made her extremely unpopular within academia and among arts administrators because her work challenges these very elite systems. Pondering the values she espouses in her art and the fact that her audience has always been unique in maintaining a shared investment in her performances, Arcade considers how the catharsis in reaction to her art takes place well beyond the theatre hall. As an outsider to the art scene, noting how she hasn’t received institutional support and has operated without funding, legacy media coverage, or any form of academic sponsorship, Arcade criticises the state of art funding from even before the 1980s, when the Moral Majority took aim at the art world and at the NEA (National Endowment for the Arts) funding structures. Calling out the academic art world as a “pyramid scheme,” Arcade observes how the academic-produced genre of “emerging arts” has become a way for the elite class to ensure that their children would have a guaranteed “entry level position” post-graduation in the arts akin to the professional tracks for finance and law, proclaiming: “Art is not a profession—it’s a vocation.” She also delves into the problems of identity politics that have permeated into arts funding and the art world and culture at large, remarking how these institutions recycle not only the same personas and narratives, ultimately limiting the “professionalised” scope of art. Responding to the recent “queering” of Marsha P Johnson, Arcade argues that Johnson was not transgender but was a drag queen, contending that the only reason why Johnson was recategorised as “trans” is because “Marsha is dead and black.” Get full access to Savage Minds at savageminds.substack.com/subscribe

Catherine Liu, Professor of Film and Media Studies at UC Irvine, discusses her forthcoming book, Traumatized: The New Politics of Suffering (Verso, 2026), wherein she elucidates the emergence of trauma culture, tracing it back to psychoanalysis and the reification of mental health in post-war America. Analysing the fetishisation and recognition of feelings, Liu historicises the explosion of psychoanalysis in the United States in the 1950s and the rise of New Left in the 1960s, which advanced “the personal is political,” an idea quickly adopted by second-wave feminists. Observing how the discourse of trauma has permeated all areas of society, such that feelings have been prioritised over knowledge and “centering feelings” has replaced scientific inquiry, Liu critiques how the professional managerial class thrives on rebranding, promoting credentials, and creating new identities, all in order to advance the collapse of the separation between work and leisure. Noting how workers have fought for years to maintain a separation of work from leisure time, Liu muses on the invasive, destructive force of the Silicon Valley New Left and professional middle-class feminists who have driven the insistence of a non-differentiated space where “we are always at work”, therefore our private lives are expected to be “on display through our performance virtue.” She examines the dynamics of how anti-normativity and transgression function within the writings of Michel Foucault, since they invariably strengthen normativity. Nonetheless, Liu vituperates the bastardisation of these valences under the scope of identity politics, which forces the merging of one’s personal life, politics, and intellectual practices. Get full access to Savage Minds at savageminds.substack.com/subscribe

Alex de Waal, executive director of the World Peace Foundation and Research Professor at the Fletcher School, Tufts University, historicises the way “famine” in the postcolonial era was an extremely emotional word for which, fifty years ago, there were no appropriate structures nor any objective scientific metric for understanding where or when famine was occurring. By 1984-1985, however, the neoliberal governments of Thatcher and Reagan became deeply embarrassed by the famine in Ethiopia, de Waal narrates. From this embarrassment, an industry of refining the metrics of understanding what counted as famine, and what did not, was born, and from this, the IPC, or Integrated Food Security Phase Classification, was developed as the standardised UN system used to classify the severity of food insecurity and malnutrition in a specific area. De Waal discusses how the international aid system has been shackled into into viewing famine in a very apolitical way, refusing to exam the structural causes driving famine largely because international NGOs steered away from criticising governments in order to maintain cooperation for their relief work and that Western publics give assistance to victims of natural disasters as part of the “white saviour” theatre which depends upon eliding the political causes. Declaiming the importance of photography in chronicling the history of famine—from the Warsaw Ghetto, to the famine in Ethiopia (1983-1985), and Gaza—de Waal observes the dual role of these photos: first, that the perpetrator of famine was not only absent from the frame, but was often the person taking the photo; and second, that because the perpetrator was rarely within the frame, the subjects of these photos were often blamed as the true perpetrators of famine, such that Jews attempting to preserve a “veneer of normality” in the Warsaw Ghetto or Palestinians in Gaza who are more portly, were ultimatley inculpated as the cause of the famine. Considering the merits of Famine Early Warning Systems Network (FEWSNET), he notes that it lacks the key element of examining the policies and intention of those doing the starvation. De Waal underscores that “to starve” does not just refer to the experience of people starving, but it also means the act of starving people, as he goes on to describe how the East India Company, through onerous taxation from 1769 to 1770, created a famine in Bihar and Bengal, ultimately killing one-third of the population. Get full access to Savage Minds at savageminds.substack.com/subscribe