Competition does wonders for reflecting on what might have been as Wentworth observes another man noticing Anne. The Elliot’s cousin, and heir to Kellynch Hall, has coincidentally arrived in Lyme and is staying at the same hotel as the Uppercross party. Having previously rejected the Baronetage, and a family plan to engage him to Anne’s sister Elizabeth, his estrangement from the Elliot’s is still raw for Anne. However, opportunities arise for conversation and clearing of air. Girlish tomfoolery results in injury and the ever-noble Captain Wentworth reflects on his culpability in seeking Anne’s counsel; yet his demeanour is staid. How different this man is from the Wentworth Anne knew all those years earlier! Could she ever have loved THIS Wentworth?
This episode covers Chapter 12 of Jane Austen's Persuasion.
We hope you enjoyed this episode of Ballarat National Theatre’s adaptation of Jane Austen’s Persuasion and will join us each week until all the episodes have been released. This production is directed and narrated by Liana Emmerson, with Sarah Barlow as assistant director for sound design and composition.
This episode features the voices of:
Alix Roberts as Anne Elliot
Jack Emond as Captain Frederick Wentworth
Breanna Geer as Mary Musgrove
Emil Freund as Charles Musgrove
Casey Bohan as Louisa Musgrove
Eleanor Golding as Henrietta Musgrove
Nicholas Barker-Pendree as Male Servant
This podcast features original compositions within the chapters by Sarah Barlow, Liana Emmerson and Helen Gibson which has been mastered by Charli Hughes.
This podcast was produced by Ballarat National Theatre on the lands of our traditional custodians the Wadawurrung people. Further sound production and cast recordings were made in the lands of the Wotherong, Wurundjeri, Woi-wurrung, and Boon Wurrung peoples of the Kulin Nation and the Gadigal People of the Eora Nation. Ballarat National Theatre acknowledges and pays respect to the traditional custodians and to their leaders, past and present.
This podcast was made possible because of the financial contributions of the following patrons: Aparajita Raychaudhury, Josh Illichmann, Elaine Tso, Tessa Braun, Sean Rundell, Brianna Cook, Shelley Barnes, Xuan-Trang Nguyen, Sue Skewes, Sarah Macgregor, Lynne Gibbs and Rod Skewes. Thank you from the director for supporting access to technology that allowed this podcast to be made.
This podcast was possible because of collaborative support for recording and music performance from Ballarat Grammar Academy: Sound and Performance. It is also supported by grant funding from the City of Ballarat.
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