Episode 27: Soje

Jehanne Dubrow reads from and discusses her essay "Red Monsters," about Anne Carson's Autobiography of Red, bisexuality, and how hybrid literatures can teach us to face the monstrous parts of ourselves. Like the essay, her conversation with podcast hosts Hamilton Smith and Sydney Smith ranges over the topics of literary analysis, personal narrative, theater camp, and mythology. "Red Monsters" appears in in NER 45.3.

Host Charlotte Roberts chats with author and professor Trudy Lewis about Lewis’s short story, "Morado." Set in a fictional seed research institute in Kansas, "Morado" explores what it means to queer both our own bodies and the natural world in order to survive. Featured throughout the episode are three brief excerpts from the story, read by the author. "Morado" was originally published in NER 45.2 (summer 2024).

Hosted by Hamilton Smith and Sydney Smith, episode 27 features Soje reading their translations of Song Seung Eon's "To Dig in the Forest" and "Twisted Landscape Inside a Kind Heart," followed by a brief conversation. Soje's reading of the poems, in both Korean and English, is met with a deep inquiry of translation's potential to effect radical change. Soje's translations appear in NER's Korean Poetry Feature, titled "Where on Earth Did You Come From?—Seven South Korean Poets and Their Translators" of NER 45.2.

A reading from the play "Clara Thomas Bailey," followed by a conversation between Katie Futterman and playwright Caridad Svich. Maya Bargdorf, Rowan Heffelfinger, and Kate Ryan read an excerpt of "Clara Thomas Bailey," a play by Caridad Svich published in NER 44.3. After the reading, podcast host Katie Futterman talks to Svich about how she came to write plays, her approach to audience, and the multiple anxieties that influence this play. "Clara Thomas Bailey" is a portrait-in-motion that takes place over the course of one hour in a person's life—and hour that spans years of feeling. It is a figure in three, or a triptych.

Hosted by Gavin Richards and Cali Jantzen, this episode features Joan Leegant reading an excerpt of her story "Wild Animals," followed by a short interview. The conversation explores the volatile nature of family, Leegant's unique syntax, loyalty to the sentence, the writer as an "unconscious" medium, and the author's advice on discovering one's own process. "Wild Animals" was first published in NER 44.2 (summer 2023).

Irish poet Nessa O'Mahony reads her poem "Cillín," published in NER 44.2, followed by an interview with summer interns Cali Jantzen and Gavin Richards. Their discussion traverses the “hidden histories” of Ireland, the politics of memory, and the role of poetry in reckoning with the past. The poem appears in NER's special feature "The Door Left Wide: Poets in Tribute to Eavan Boland."

El Williams III reads his poem "There Was a Brood," followed by an interview with Yardena Carmi. Their discussion explores writing about place and personal experience, as well as the poet's inspirations for this piece, which turns car trouble, summer heat, and a brood of cicadas into poetry.

Katie Moulton reads an excerpt from her essay "The Elvis Room" (NER 43.3), followed by a conversation with host, Becca Clark. The author discusses her writing and editing processes, memorializing her dad, her family's fascination with Elvis Presley, and more.

Fiction writer A. E Kulze reads from her story "The Ladybugs," followed by a conversation with podcast hosts Andrew Grossman and Kate Sadoff. Kulze talks about her writing process, the role of the unconscious in forming the whole, and the joy of a perfect editorial cut. She also speaks more broadly about gender and domesticity, the failures of contemporary feminism, and the Desert Mothers, who've been largely forgotten to history. "The Ladybugs" was published in NER 43.2 (summer 2022).

Hosts Andrew Grossman and Kate Sadoff present an excerpt from the play "Splits/kin," co-authored by Milia Ayache and Amina Hassan, followed by a conversation with the authors. They talk about their process of collaboration, the influence of fairy tales and founding myths, and the global love affair between fathers and their television sets. The excerpt from the play is performed by Leslie Sainz and Andrew Grossman. "Splits/kin" was originally published in NER 43.2 (summer 2022) as part of the international feature on Lebanese writers.