Episode 838: The Wreck of the Queen Thomasina

Nick has a large collection of theatre programmes which acts as a wonderful topic generator! Nick digs through it to discuss, with Hannah, many shows from the past. Shows discussed include Let it Be, Forbidden Planet, Riverdance, Derren Brown, Saturday Night Ever, Mary Poppins, Rock Hamlet, Grand Hotel, Sweeney Todd and others!

What is musical theatre?  It's a big questions and Thos is asking it. Can a show be a musical without words? Can a show be a musical without music? Is there any point in actually trying to define what makes a musical anyway?  And as an illustration of how wide musical theatre can really be, Thos talks to the talented people behind five-star EdFringe show, The Wreck of the Queen Thomasina, which is a verse play with songs and definately plays with the form in a delicious way.  Vivat Regina!

Join Nick Hutson as he sits down with composer Alan Menken to discuss Hercule's current production in Hamburg, Germany.  Learn about the new songs, direction and history of the show.  You can also hear Alan talk about collaborating, processes and the legacy of the late Howard Ashman

In this episode, Thos talks to the multi-talented actor, writer and composer, Asher Muldoon, about his wonderful five star show, Mine - A Solo Ghost Story Musical - a multi-layered masterpiece of musical story telling. How do you make a ghost story also function as a comedy? How do you read an audience to amend your performance? And how do both Sondheim and Dear Evan Hanson repackage songs in different ways?  All this and some delightful and evocative music will make Mine forever yours!

With the joyous news of the return of Potty the Plant to the EdFringe in 2024, join Thos as he talks to the three people behind this quirky, subversive and hiliarous musical to discuss all things Potty. Find out about its journey from short film to five-star theatre musical cult and what made it the MusicalTalk's Pick of the Edinburgh Fringe in 2023. With songs and laughter, and a special "sneak peak" of the creative team's latest musical this episode, this is the "potty-cast" for you.

Join hosts Nick Hutson and Hannah Budd on a captivating journey through London's theatrical landscape as they dive into the vibrant worlds of Opening Night at the Gielgud Theatre and Priscilla: The Party at the Outernet Venue. In this episode of MusicalTalk, Nick shares his first impressions of Priscilla, delving into the glitz, glamour, and unexpected surprises of this iconic musical. Opening Night, a new musical starring Sheridan Smith, featuring music and lyrics by Rufus Wainwright with a book and direction by Ivan Van Hove, takes center stage in their discussion, as they examine its adaptation from the film by John Cassavetes.  Should a musical about a play that makes no sense also make no sense?   As they contrast the two productions, Nick and Hannah explore the polarities between the shows, from the classic elegance of Opening Night to the flamboyant extravagance of Priscilla. Nick's fresh perspective on Priscilla sparks an engaging discussion on the unique appeal of the production and its enduring popularity. Amidst the exploration of themes and performances, the hosts ponder the question: Does promenade theatre lend itself to musicals? Drawing from their experiences and observations, they analyze the immersive nature of Priscilla and its impact on audience engagement.  

Join host Nick Hutson as he delves into the soul-stirring world of gospel music in musical theatre, in a captivating conversation with renowned YouTuber and gospel enthusiast Jaron M. LeGrair. In this episode of MusicalTalk, they explore the powerful impact of gospel music on various Broadway shows, from the unexpected twists in "Little Shop of Horrors" to the divine energy of "Hercules." Together, they traverse the rich tapestry of musicals like "Showboat," "Ragtime," and "Once on This Island," uncovering how gospel infuses these narratives with depth and resonance. From the high-octane rhythms of "Starlight Express" to the socially conscious themes of "Hairspray" they unravel the threads of gospel's presence, highlighting its role in storytelling and character development. Tune in to this episode of MusicalTalk for a harmonious journey through the spiritual and theatrical realms, as Nick Hutson and Jaron M. LeGrair celebrate the transformative power of gospel music in musicals.

So, here we are with our long awaited conversation about Sondheim's last new musical (probably), appropriately called "Here We Are" and the big question is - is it a success?  Thos chats to MusicalTalk's resident Sondheim expert, Colm, who saw the show twice in New York at its off-Broadway venue, the Shed, and who certainly thinks so.  But is absurdist theatre now so obscure that it seems pretentious instead of satirical?  Is this show the equivalent of Schubert's Unfinished Symphony? And is Sondheim merely pastiching himself in his swansong? Well, it is what it is - but find out if the show really does make for a perfect day in this wonderful episode.

It's time to walk in the joint to see what those big spenders, Tom and Thos, have to say about the evergreen musical, Sweet Charity, and in particular the 1969 big screen version directed and choreographed by Bob Fosse - all part of their in-depth delve into his amazing career. Is the Rich Man's Frug the most Fosse-esque dance sequence ever committed to celluloid?  What is the Rhythm of Life scene all about, really? And wasn't the late Chita Rivera an astoundingly good actor? And then Tom and Thos finally crack how to give the Sweet Charity story a suitable ending - so you can live optimistically ever after!

What good is sitting alone in your room when you could do it in the company of Tom and Thos? This week, they continue their in-depth look at the career of the legendary Bob Fosse, movie musical director and choreographer, by looking at his amazing 1972 film, Cabaret.  Why is it so different to the original stage production? Who is the film really about? And is Sally Bowles actually a monster?  Will you find out the answers?  Maybe this time!