Squarepusher - Hard Normal Daddy | 90s Album Review

The 1990 self-titled album by Social Distortion marked a significant turning point for the band, showcasing a more refined and mature sound compared to their hardcore roots. Frontman Mike Ness emerged from a turbulent period in the 1980s, including a stint in rehab that deeply influenced the album’s themes of struggle, redemption, and personal reflection. The album saw the band evolve from hardcore beginnings into a more melodic blend of punk rock infused with rockabilly, country, and roots rock. Tracks like “Ball and Chain” and their cover of Johnny Cash’s “Ring of Fire” highlighted this shift, combining punk’s edge with a distinctly American roots sensibility. The album's lyrical content often reflected Ness’s battles with addiction and the search for meaning, giving it a gritty authenticity that helped the band reach a larger audience and keep them on the charts throughout the 90s.   Songs In This Episode Intro - Sick Boys 19:35 - Ring of Fire 29:10 - Ball and Chain 35:00 - Story Of My Life 40:49 - Drug Train Outro - She's a Knockout   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Canadian electro-industrial band Front Line Assembly, led by Bill Leeb with longtime collaborator Rhys Fulber, released their eighth album Hard Wired in 1995. The album blends harsh electronic beats, cinematic synth textures, distorted vocals, and heavy guitar riffs, all characteristics of the industrial and cyberpunk aesthetics of the mid-'90s (think Hackers, Strange Days, Johnny Mnemonic). Lyrically and thematically, Hard Wired explores dystopian, technological, and transhumanist topics, reflecting fears and fascinations with the digital age, surveillance, and the loss of humanity in a mechanized world. Polished yet gritty production, mixing cold mechanical rhythms with a dark, atmospheric intensity, the album bridges the gap between their earlier EBM (Electronic Body Music) roots and a heavier, more industrial rock-influenced style.   Songs In This Episode Intro - Neologic Spasm 33:47 - Condemned 40:12 - Modus Operandi 50:29 - Infra Rec Combat 1:01:52 - Circuitry Outro - Barcode   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Kill Holiday, formed by members of San Diego hardcore band Unbroken, made a surprising shift from aggressive post-hardcore to dreamy shoegaze with their 1999 album Somewhere Between the Wrong and the Right. Released on Revelation Records, the album channels British influences like Ride and The Stone Roses, with shimmering guitars and laid-back, melancholic melodies. Despite its shoegaze and Britpop sound, the album resonates with the emotional core of the emo genre, more in feeling rather than form, standing out as a reflective, genre-crossing record from a label known for hardcore.   Songs In This Episode Intro - Somewhere Between the Wrong Is Right 11:49 - Someday You Will Lose and I Will Win 18:21 - Know You Your Friends Are Outro - In Closing (Memorial Day)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Pavement's 1992 debut album Slanted and Enchanted is a landmark in 1990s alternative music. Featuring cryptic lyrics, jagged guitar riffs, and a laid-back, DIY aesthetic that defined the band's early sound and the emergent lo-fi movement. The low budget recording contributes to its raw and unpolished sound, blending noise rock, pop hooks, and experimental structures with an ear for unusual melodies and hooks. While not everyone's cup of tea thanks to out-of-tune guitars and the unpolished recording quality, even those not familiar or fans of lo-fi might still find something to check out.   Songs In This Episode Intro - Conduit for Sale! 15:35 - Perfume-V 18:35 - Here (alternate mix) 24:05 - Two States 30:51 - No Life Singed Her 34:57 - Loretta's Scars Outro - Trigger Cut/Wounded-Kite at:17   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

A groundbreaking fusion of drum and bass, jazz, and experimental electronic music, the 1997 album Hard Normal Daddy by Squarepusher showcases Tom Jenkinson’s virtuosic bass playing and intricate programming. Blending frenetic breakbeats with lush, jazz-inspired melodies, tracks like “Coopers World” and “Beep Street” highlight his unique ability to balance chaos and groove, creating an experience that’s both cerebral and rhythmically infectious. Dense and detailed production reward repeated listens revealing new textures and layers bold, resulting in a genre-defying record that pushed the boundaries of IDM at the time.   Songs In This Episode Intro - E8 Boogie 22:00 - Beep Street 26:03 - Papalon 32:05 - Coopers World 39:22 - Fat Controller 46:06 - Chin Hippy Outro - Rebus   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

​"Point #1," Chevelle's 1999 debut album, showcases the Chicago-based Loeffler brothers' fusion of alternative metal and indie rock. Produced by Steve Albini, known for his work with Nirvana and PJ Harvey, the album delivers a raw, unrefined sound that captures the band's early energy. Coming in at the end of the decades, it's not surprising to hear similarities to bands like Tool and Helmet, particularly in tracks such as "Skeptic" and "Anticipation," which feature syncopated riffs and dynamic shifts between aggressive and mellow passages. While the album's repetitive structures and lack of big hooks pin this is a debut, , "Point #1" definitely laid the groundwork for Chevelle's evolving sound and hinted at their future success in the alternative metal scene.   Songs In This Episode Intro - Black Earth 19:08 - Mia 29:32 - Open 37:49 - Anticipation 42:23 - Long Outro - Peer   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Upon its release in 1992, Beautiful Mess by Thelonious Monster received plenty of critical acclaim yet not the sales or media exposure to launch the band into the new alternative explosion. Lead singer Bob Forrest’s deeply personal lyrics explored themes of addiction, relationships, and self-destruction, not all that different from other bands at the time, but musically the band sounds more in step with Minneapolis bands like The Replacements and Soul Asylum the late 1980s. Featuring a slew of notable names from bands like the Red Hot Chili Peppers, Tom Petty and the Heartbreakers, Porno for Pyros, and more as his backing band, the band succeeds at bringing Forrest's stories to life even if a few lyrics choices didn't stand the test of time.   Songs In This Episode Intro - Song For A Politically Correct Girl From The Valley 28:33 - Vegas Weekend 35:36 - Body and Soul 39:20 - Adios Lounge 46:57 - I Live In A Nice House Outro - Bus With No Driver   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

With 2024's 3-part documentary LOLLA: The Story of Lollapalooza, and our own Lollapalooza episode many years ago, you might wonder what's left to learn about the famed traveling music festival of the 1990s. Turns out, a lot. Thanks to the hundreds of interviews and thousands of hours of work by authors Tom Beaujour and Richard Bienstock completed for their second book "Lollapalooza - The Uncensored Story of Alternative Rock's Wildest Festival," this extensive oral history talks with everyone involved: artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more.    Songs In This Episode Intro - Terrible Lie by Nine Inch Nails (Live at Lollapalooza 1991) Outro - The Last Beat Of My Heart by Siouxsie and the Banshees (Live at Lollapalooza 1991)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

In our second installment of Surviving the 90s, we're revisiting one of the hitmakers from the first half of the 80s - Billy Squier. Responsible for such hits as The Stroke, Lonely Is The Night, Everybody Wants You, My Kinda Lover, and Rock Me Tonite, to name a few, Squier was all over radio and early MTV. Albums like Don't Say No, Emotions in Motion, and Signs of Life each went Platinum, and while musical trends changed, Squier still managed radio airplay into the early 90s. But by 1998, he was done, releasing his final record, Happy Blue, an all acoustic affair. We revisit his greatest hits, his 90s releases, and try to determine if Billy Squier thrived, adapted, or died in the 90s.   Songs In This Episode Intro - The Stroke (from Don't Say No) 10:32 - 42nd Street by Piper (from self-titled) 17:41 - The Big Beat (from The Tale of the Tape) 28:19 - Rock Me Tonite (from Signs of Life) 38:28 - Young at Heart (from Creatures of Habit) 1:02:42 - Happy Blues (from Happy Blue) Outro - Angry (from Tell The Truth)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Previously we revisited Idlewild's 2000 breakthrough sophomore album 100 Broken Windows, but for this episode we're going backward to their 1998 debut. The punkier, more aggressive Hope Is Important leans into noisy, almost unpolished intensity, while moments of introspection hint at the more refined songwriting the band would develop on following albums. Frenetic guitars and urgent vocals create a chaotic yet compelling sound, with tracks like "When I Argue I See Shapes" showcase their knack for anthemic hooks. Though it may lack the polish of their later work, Hope Is Important captures Idlewild’s youthful spirit and unfiltered passion.   Songs In This Episode Intro - Everyone's Says you're so Fragile 19:58 - You've Lost Your Way 25:54 - I'm Happy to be here Tonight 30:27 - A Film for the Future 34:34 - When I Argue I See Shapes Outro - Paint Nothing   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.