Psicología, Música e Historia

Sean todos bienvenidos a Psicología, Música e Historia. Hoy retomamos desde donde lo dejamos en el episodio anterior para hablar del Réquiem de Verdi.Musica utilizada:Messa per Rossini – Varios compositores, Helmuth Rilling, Orquesta Sinfónica de la Radio de Stuttgart y Coro Filarmónico de Praga.https://open.spotify.com/intl-es/album/6VZaKh9R5MmGy2L3rK5lgN?si=zeXH9VVVRgOIedCsS_lqvQLiber scriptus -  Sofia National Opera House Orchestra and chorus, Peter Tiboris (dir.) https://open.spotify.com/intl-es/track/3p6Nsvbc2y4mkKQh70kADS?si=7bfdae192cc34a76Verdi – Requiem: Filarmónica de Berlín, el Coro de la radio de Suecia y el Coro de Cámara Eric Ericson. Angela Ghoerghiu (Soprano), Daniela Barcellona (Mezzo-soprano), Roberto Alagna (Tenor) y Julian Konstantinov (bajo), Claudio Abbado (dir.).https://open.spotify.com/intl-es/album/1Svvhsb1rnRmPMxo1h0jY6?si=6yKj10HQT7q9Z126Aw_3ZQThis podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia de la Viena del siglo XVIII viajamos hasta la Italia de finales del siglo siguiente para hablar de uno de los pináculos de la música dramática y sacra, apodada jocosamente como ‘La mejor ópera de Verdi’. Hoy hablaremos del Réquiem.Musica utilizada:Messa per Rossini – Varios compositores, Helmuth Rilling, Orquesta Sinfónica de la Radio de Stuttgart y Coro Filarmónico de Praga.https://open.spotify.com/intl-es/album/6VZaKh9R5MmGy2L3rK5lgN?si=zeXH9VVVRgOIedCsS_lqvQMessa Solenne – Giuseppe Verdi, Ricardo Chailly, Coro y Orquesta Sinfónica de Milán.https://open.spotify.com/intl-es/album/5KgseNBhqewZ46OCP6UDff?si=sAcHsSMKSkCvFYuXXS5zOwVerdi – Requiem: Filarmónica de Berlín, el Coro de la radio de Suecia y el Coro de Cámara Eric Ericson. Angela Ghoerghiu (Soprano), Daniela Barcellona (Mezzo-soprano), Roberto Alagna (Tenor) y Julian Konstantinov (bajo), Claudio Abbado (dir.).https://open.spotify.com/intl-es/album/1Svvhsb1rnRmPMxo1h0jY6?si=6yKj10HQT7q9Z126Aw_3ZQThis podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. Hoy retomamos desde donde lo dejamos en el episodio anterior para hablar de los dos últimos movimientos de la última sinfonía de uno de los genios más grandes de la historia: la Sinfonía número 41 en Do mayor, conocida como «Júpiter», KV 551, de Wolfgang Amadeus Mozart.Musica utilizada:Sinfonía No. 1 en Mi bemol K. 16 - The Northern Chamber Orchestra, Nicholas Ward (dir.)https://open.spotify.com/album/0Hweu3ZqSrqMta5fZYTtmD?si=xKe-m2CTR9KzAehFbxrwEASinfonía No. 39 en Mi bemol K. 543 - Wiener Philharmoniker, Leonard Bernsteinhttps://open.spotify.com/intl-es/track/2T41FOMqyWK87Hh4Z5uIW1?si=ba4783b2abfa4d32Missa Brevis in F Major, K. 192: Credo - l'Orchestra Filarmonica di Moss Weismanhttps://open.spotify.com/intl-es/track/0gem20bdNoV50sgaUHjM2C?si=38219ab718af4825Symphony No. 33 in B-Flat Major, K. 319: II. Andante moderato, Sir Neville Marriner, Academy of St Martin in the Fieldshttps://open.spotify.com/intl-es/track/0yykGOMFzn2Y9P8zw476AR?si=d49061fe73594282J.S. Bach: The Well-Tempered Clavier, Book 2: Prelude & Fugue No. 9 in E Major, BWV 878 - András Schiff https://open.spotify.com/intl-es/track/0v4TPajBQYPFeTPuLLcH1p?si=dbcfc3f94dfc4defSinfonía No. 41 en Do K. 551 - Orchestra Mozart, Claudio Abbadohttps://open.spotify.com/intl-es/album/5NkJMC9njCOYqV8XuESdty?si=a6b3027ad1b04699This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. Hoy haremos un viaje del Reino Unido de finales del siglo XX a la Viena del período clásico, para hablar de la última sinfonía de uno de los genios más grandes de la historia: la Sinfonía número 41 en Do mayor, conocida como «Júpiter», KV 551, de Wolfgang Amadeus Mozart.Musica utilizada:Sinfonía No. 1 en Mi bemol K. 16 - The Northern Chamber Orchestra, Nicholas Ward (dir.)https://open.spotify.com/album/0Hweu3ZqSrqMta5fZYTtmD?si=xKe-m2CTR9KzAehFbxrwEASinfonía No. 40 en Sol menor K. 550 - Berliner Philharmoniker, Herbert von Karajan.https://open.spotify.com/intl-es/album/25ydGD8SDCSltZETeRV4yu?si=7AeWS-orS7GFve3SMxbFDAEin Deutsches Kriegslied: Ich möchte wohl der Kaiser sein, K.539 - Dietrich Fischer-Dieskau, Vienna Haydn Orchestra, Reinhard Peters https://open.spotify.com/intl-es/track/1vlijRZ3vvEj9Y1RDpefaw?si=d8570e70ad9b4a8dMozart: Beim Auszug in das Feld, K. 552 - Meinard Kraak, Dalton Baldwinhttps://open.spotify.com/intl-es/track/2ruxOuJiXLot3KkPjng7YN?si=8bf6135554d746eeUn Bacio di Mano K. 541 - Dietrich Fischer-Dieskau, Vienna Haydn Orchestra, Reinhard Petershttps://open.spotify.com/intl-es/track/6OETjusSEpVPpUcuDyjyaw?si=1bd1bbf8428c4547Sinfonía No. 41 en Do K. 551 - Orchestra Mozart, Claudio Abbadohttps://open.spotify.com/intl-es/album/5NkJMC9njCOYqV8XuESdty?si=a6b3027ad1b04699This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. Retomamos desde donde lo dejamos en el episodio pasado para abordar la segunda mitad de  The Armed Man, una misa para la paz.Música Utilizada:Karl Jenkins: The Armed Man (Ensemble Version) - Hertfordshire Chorus, David Temple (dir.), London Orchestra da Camera, Kathryn Rudge (mezzo-soprano), Jamal Aliyev (violonchelo), Osama Kiwan (muezzin).https://open.spotify.com/intl-es/album/0gcJOqSNqGwyQPyzlCk6y6?si=a407ec81e8314265The Armed Man: A Mass for Peace - Nicholas Merryweather (Barítono), Philip Shakesby (Bajo), Rachel Lloyd (Mezzo-soprano), Elizabeth Witts y Susie Parkes (Soprano), London Philharmonic Orchestra, The National Youth Choir Of Great Britain, Mike Brewer (Dir.)https://open.spotify.com/intl-es/album/1CgJvRQcoKATvHRis0T3He?si=3b922936ff8041dbThe Eternal Knot - Karl Jenkins (Adiemus Project)https://open.spotify.com/intl-es/track/49VaaIPXgwNH7XeIdco3pu?si=fe661b249c7340aaFor the Fallen: In Memoriam Alfryn Jenkins - Karl Jenkins. LSO y Bernard Cribbins (dir.)https://open.spotify.com/intl-es/track/5kfCVjHKzazEosspVHTY7s?si=39a2751eee764337This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. De la Italia Barroca viajamos al Gales de 1999 para hablar de una de las misas más espectaculares que se han compuesto. The Armed Man, una misa para la paz.Música Utilizada:Karl Jenkins: The Armed Man (Ensemble Version) - Hertfordshire Chorus, David Temple (dir.), London Orchestra da Camera, Kathryn Rudge (mezzo-soprano), Jamal Aliyev (violonchelo), Osama Kiwan (muezzin).https://open.spotify.com/intl-es/album/0gcJOqSNqGwyQPyzlCk6y6?si=a407ec81e8314265The Armed Man: A Mass for Peace - Nicholas Merryweather (Barítono), Philip Shakesby (Bajo), Rachel Lloyd (Mezzo-soprano), Elizabeth Witts y Susie Parkes (Soprano), London Philharmonic Orchestra, The National Youth Choir Of Great Britain, Mike Brewer (Dir.)https://open.spotify.com/intl-es/album/1CgJvRQcoKATvHRis0T3He?si=3b922936ff8041dbOckeghem: Missa L’homme armé: L’homme armé - Oxford Camerata, Jeremy Summerly (Dir.)https://open.spotify.com/intl-es/track/2GZMgBIWbVtr9iK87UiA6U?si=9c607cfea0cb4a6aElastic Rock - Nucleus https://open.spotify.com/track/1kDgVBQv8uR6NUv2LBIDU8?si=M4EJe7IFSjqMntuILe060QCarol Ann - Soft Machinehttps://open.spotify.com/track/3BMpfut1fhytdChxJCABEU?si=aq7fjVBTTjKDqLfyBDvVdgMissa L’homme Armé: Kyrie - Palestrina (The Sixteen, Harry Christophers)https://open.spotify.com/track/0QqWrQejFzO47gML8BXoto?si=yC__TX-tSySYwMJIMh-xvQThis podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia, ¡último episodio del año!Retomamos desde donde lo dejamos en el episodio anterior para hablar del segundo y tercer acto de la ópera Motezuma de Vivaldi.Música UtilizadaMotezuma - Il Complesso Barroco - Alan Curtishttps://open.spotify.com/intl-es/album/2ID7dtWRJovjJ8CeLIVnMx?si=zBCfTR16R_GGcgZ9oNL9iAThis podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia.Desde Alemania, viajamos hasta Italia, sin salir del barroco para hablar de la ópera más famosa de Vivaldi. Motezuma.Música UtilizadaMotezuma - Il Complesso Barroco - Alan Curtishttps://open.spotify.com/intl-es/album/2ID7dtWRJovjJ8CeLIVnMx?si=zBCfTR16R_GGcgZ9oNL9iAThis podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

(Re-subido por copyright)Sean todos bienvenidos a Psicología, Música e Historia, el día de hoy volvemos del pequeño paréntesis que hicimos para hablar de la historia de la liturgia en occidente para retomar la biografía de Florence Price aunque, hoy nos centraremos también en la Era de la Reconstrucción de los Estados Unidos y en la transición e impacto de las Leyes Jim Crow. Dado el contenido de este episodio, recomiendo a los oyentes tomar precauciones pues se abordará una de las épocas más violentas de la historia reciente.Música utilizada:Sonata in E minor : Andante - Allegro · Kirsten Johnson · Florence Pricehttps://open.spotify.com/intl-es/track/2VTEmSkZ4M9AxMpHVhyjdt?si=039d321dee424522Treemonisha: Overture (Scott Joplin)- The Paragon Ragtime Orchestra and Singers - Rick Benjamin, conductorhttps://open.spotify.com/intl-es/track/6XdlUMlbSocS4RNcmnEM0X?si=66beb34d3ae142e6Black Face Performance // Jim Crow Laws Project - Nathalie Zamora https://youtu.be/xG2zd6NCzJ8?si=A2dY4SWcijk0t-ToSong Of The Roustabouts (From "Dumbo"/Soundtrack Version) · Chorus - Dumbohttps://open.spotify.com/intl-es/track/17Bx0bjNmejts7iE6MdXyP?si=c19a1e8ceb5a41b8Black and Tan Fantasy - Duke Ellingtonhttps://open.spotify.com/intl-es/track/5iltwljBW1H5ScLeeiB9ZB?si=8ec51a8fdf7c4bbbSt. James Infirmary - Louis Armstronghttps://open.spotify.com/intl-es/track/6qbXCgb4v1absGvuQVaB5M?si=8b9d73dcd31a4814Shadrack - Louis Armstronghttps://open.spotify.com/intl-es/track/3FceAAUVLW7OaKetiUrg9e?si=79bf0898c0634f38Go down Moses - Louis Armstronghttps://open.spotify.com/intl-es/track/4I35WzEGfQz5BPicnxcwP6?si=30a6e9e047eb4415Summertime - Ella Fitzgerald and Louis Armstronghttps://open.spotify.com/intl-es/track/2gNjmvuQiEd2z9SqyYi8HH?si=0ed318e2bfa743e6In the Land O’ Cotton - Kirsten Johnsonhttps://open.spotify.com/intl-es/album/1v4k5soHkVhEQoKZe9Yp1d?si=hkYPMmuoRZ2GJC4fJ6opUATo my little son - Michelle Kennedy, Henry Lebedinskyhttps://open.spotify.com/intl-es/track/3KR3CtLPYEqCJKpW6hQyK9?si=07f712687c634d6aImpromptu - Michael Clarkhttps://open.spotify.com/intl-es/track/0edBFRMb9lI2jTnUB5kEPG?si=beabd73490004b6aTickin’ Toes - Lin Shumeihttps://open.spotify.com/intl-es/track/1tSjHKhKDeEMneYWc5GgfT?si=871a0db3c3784670Placid Lake - Kirsten Johnsonhttps://open.spotify.com/intl-es/track/14MQVTUXZvNzghtIGzZMtm?si=832bc8eee8604b8fThe old Boatman - Althea Waiteshttps://open.spotify.com/intl-es/track/5laaTWdDhjswyn0NeJMneK?si=7866a25199024086Strange Fruit - Billie Holidayhttps://open.spotify.com/intl-es/track/1CTex49P0iWwzUGsMNjgaV?si=39a76b03ce6e49bcThis podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. Después de este pequeño descanso estoy de vuelta con una colaboración con la Sociedad J. S. Bach de Suiza.De antemano quiero agradecer a la Fundación por su apoyo y darle un agradecimiento especial a Alice Noger por su tiempo y esfuerzo. Habrá una entrevista en este episodio, pero antes, hablemos brevemente sobre J. S. Bach. Como último paréntesis antes de empezar, invito a todos los oyentes a visitar Bachipedia.org. Tiene una versión en español en la que podrán aprender sobre el trabajo de Bach y de la Fundación. Si bien, la vida de Bach da para una serie para ella sola, intentaré traer a colación algunos de los elementos que considero más importantes de ella.Música utilizada: (Todas las grabaciones son de la orquesta y coro de la Bachstiftung, dirigidos por Rudolf Lutz)BWV 196 II. Chorhttps://open.spotify.com/intl-es/track/5DvcWfwAJvA09g8A8T0HxZ?si=ce241920dbcb4efdBWV 232 XII. Et in unum Dominum https://open.spotify.com/intl-es/track/5NJZPL0ETxPwYOqhUsB3fX?si=8c399ce2f69a4876BWV 1 III. Arie (Sopran)https://open.spotify.com/intl-es/track/2uuCTfAjnsF2zwfVYVZ9vU?si=30ba5737342e44fdBWV 232 XVI. Et in Spiritum Sanctum https://open.spotify.com/intl-es/track/3MJI0dqlW4rWBGBejMQ38E?si=657f3d200a8f4e8aBWV 244 VIII. Arie (Sopran) – Blute nur, du liebes Herzhttps://open.spotify.com/intl-es/track/1eqEeDpvTmYvBQ2Le9Td2k?si=b486872f226d4898BWV 169 I. Sinfoniahttps://open.spotify.com/intl-es/track/5jQlseCDNG8d9BBwXLHUgR?si=12cdc79ade1e4cc1BWV 232 XX. Confiteor https://open.spotify.com/intl-es/track/1r1yPCyREfvq8iCs6H3Tup?si=f6247ad9afb542f0BWV 18: Sinfoniahttps://open.spotify.com/intl-es/track/0kyItujJdzJqOXGR0JksU2?si=73f72a0c1d014002Fugue in G Minor, BWV 578, "Little" - The Swingle Singershttps://www.youtube.com/watch?v=PudCB4YGlYoBourré - Son of a Bachhttps://www.youtube.com/watch?v=e6Kyap5BTfoCumbia Barroca - Bardinerie (AllCARAZ)https://www.youtube.com/watch?v=521W5vadSUwConfiteor (Remix) (GHOSTS & SHADOWS)https://www.youtube.com/watch?v=0Aad6QXbSjgBWV 232 I. Kyrie eleison https://open.spotify.com/intl-es/track/26BeyqvvHHrZOCIeYzPY7u?si=353566cacf3e4935BWV 228 Fürchte Dich nichthttps://open.spotify.com/intl-es/track/1N2lwDaAEV0OqMkKKouWAd?si=5c598aa33f63491fBWV 27 V. Arie (Bass)https://open.spotify.com/intl-es/track/4E12MaHbfkGPyYcMtuBK2r?si=bc01be7752884570BWV 35 V. Sinfoniahttps://open.spotify.com/intl-es/track/4xqV0hbBNk5HxlQ0so4q1Y?si=8f8aae75c34542a9BWV 244 XLIX. Arie (Sopran) – Aus Liebe will mein Heiland sterbenhttps://open.spotify.com/intl-es/track/0Z8MQqXs2bphsHWdMCl7TO?si=8f2153ad7ab14436BWV 244 XXXIX. Arie (Alt) – Erbarme dichhttps://open.spotify.com/intl-es/track/1b3ZZOxCMJo9z1OZb4BzXh?si=a4ec63b68a954f04BWV 60: ‘O Ewigkeit, du Donnerwort’ II. Arie (Sopran)https://open.spotify.com/intl-es/track/5HYqo3Dw8lOLj85DJ3EvQj?si=6e631213ce5b4ca5This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.