My Boyfriend's Record Collection

Finally uploading this one after another strong bout of procrastination but hey, at least the audio sounds good this time. The audio is what really matters here because we're covering one of the biggest albums we've done on the show so far and that's Tyler, the Creator's Igor. Igor cemented Tyler as an all around creative force to be reckoned with. Someone who at one point was seen as an edgy internet rapper was now being touted as a generational talent. Winning grammies, selling out tours, getting partnerships, etc. It started to shift with Flower Boy but this album catapulted Tyler into the stratosphere where he's been able to remain since.The vinyl I have for this album is actually one of the more valuable pieces in my collection. An exclusive standard weight mint green record housed in a standard gatefold package with with some alternate album artwork done by Lewis Rossignol. This version was exclusive to Tyler's merch online merch store for the only 24 hours the day of the album's release and I managed to snag a copy. It sounds great and features a vinyl only track "Boyfriend" which also available on the other pressings.In the news corner this week we spend most of it talking about Jack and Sharon Osbourne actively trying to profit off the memory of Ozzy in the most ghoulish ways they possibly can, as quickly as they possibly can. We also talk about some of the more insane reactions to Caleb Shomo of Beartooth coming out as gay. Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSVHosted on Ausha. See ausha.co/privacy-policy for more information.

Our old friend, echoey audio, rears it's ugly head again on this episode. Not quite as bad as the Childish Gambino but you can't say I didn't warn you. One of these days I'll learn to consistently work a noise gate so this stops happening.This week we're covering titans of the early 2010's indie pop/rock scene, Sleigh Bells and their sophomore album Reign in Terror. Simultaneously more catchy and clean and pop focused than their debut, Treats, while also being decidedly more guitar focused. We discuss what the music scene was like at the time, as well as how this band was insanely ahead of their time and would end up being one of the influential pillars for what would eventually become hyperpop.The vinyl I have is the standard release as far as I'm aware. This album came out right around when I started collecting so I bought it near release at a record store, probably Horizon Records or maybe Earshot if they were still around by this point. The jacket is slightly taller than your average record which may be an aesthetic choice or it may be to house the collection of art prints the album came with that I sadly lost over the years. Either way it's a great sounding, 180g black vinyl.News corner this week is a little all over the place. Bouncing around from MIA getting herself fired from the Kid Cudi tour, to talking about the recent epidemic of shows and tours getting canceled due to low ticket sales, and we even briefly mention the very real and serious feud between Earl Sweatshirt and JPEGMAFIA.Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSVHosted on Ausha. See ausha.co/privacy-policy for more information.

Well we did it. we made it to 50 episodes and to celebrate we're covering one of the darlings of underground hip hop. Aesop Rock's 3rd studio album, Labor Days, is one of the more consequential records for backpack rap/nerd rap/underground hip hop/whatever you wanna call it. Aesop Rock really developed his unique, ultra wordy lyrical style and off-kilter, esoteric flow on this album and manage to make a few relative hits in the process with "Daylight" being considered a corner stone of not only his discography but also the genre as a whole to this day.The version of the vinyl I have is the most standard standard can get. Standard weight dual LPs in standard paper sleeves (which I replaced with poly-lined) housed in a very standard single sleeve jacket. No frills, no bells or whistles, just the album presented as it is. Sounds good though and that's what really matters.In the news corner this week we mourn the death of the music blog, specifically metal blogs, specifically MetalSucks and Metal Injection, at the hands of their corporate overlords.Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSVHosted on Ausha. See ausha.co/privacy-policy for more information.

Extremely good news, the audio is actually fixed on this one. Even better news, this is maybe our best episode yet. We're covering the Texas bred post-hardcore infused prog rock legends The Mars Volta and their debut album De-Loused in the Comatorium. We delve into the concept of this record surrounding the comatose dreams of a man named Cerpin Taxt as well as discuss the real life friend of Cedic Bixler-Zavala, Julio Venegas, whose death the story is loosely based on.The version of the album I have is the Vinyl Me Please exclusive re-press on 180g gold and black marbled vinyl with completely remastered audio that honestly sounds fantastic. One of the best sounding pressings I personally own on vinyl. Their packaged in a nice gatefold sleeve with unique tip-on detailing around the artwork and an alternate cover. It also came with an exclusive 12x12 print done by photographer Robin Laananen. The whole package makes me nostalgic for the hay day of VMP.In the news corner this week we cover the onfolding serious allegations made against Katy Perry by Ruby Rose as well as several others, and then to counter balance that serious story with some silly drama, we discuss the quitting and/or firing of drummer Eric Morotti from death metal band Suffocation so he can join different death metal band, Sanguisuggabog.Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSVHosted on Ausha. See ausha.co/privacy-policy for more information.

***EDITOR'S NOTE***Some settings got messed up with this episode so the audio isn't our best. Both mics, especially Jason's, have a lot of echo going on. I did what I could to make it as listenable as possible but if it's too annoying I'll understand. I promise to have this fixed before we record the next one.For better or worse, Childish Gambino's Because the Internet acts as a time capsule of 2014 internet and pop culture. The album simultaniously feels nostalgic and also dated. Some stuff on this album has aged really well and still sound pretty fresh over a decade later. Lets just say the other stuff really feels like a product of its time. Regardless we had a lot of fun doing this episode and revisiting 2014 while discussing the album Donald Glover left Community for.The album I have is the deluxe edition with the holographic slip cover and the full script Glover wrote to accompany the album. The records themselves are a very nice 180g black pressing with a nicely trimmed flat edge around the disc. My only real gripes with this pressing are the fact that the LPs aren't labeled with side a/b markers and the slip cover makes it VERY easy to just straight up drop everything the second you pick it up. Other than that it's a very cool pressing that I like a lot.In the news corner this episode we talk all about the former guitarist of Turnstile who attempted to do a teensy bit of vehicular manslaughter on Turnstile's vocalist's dad and sister and a small child. Note that this episode was recorded before the guitarists recent court appearance.Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSVHosted on Ausha. See ausha.co/privacy-policy for more information.

We're finally back for our first proper main episode in almost a full year so of course to make up for it we're doing a double album. Yellow & Green was a pretty ambitious and risky album for Baroness to put out in 2012, straying away from their sludge metal into something a little more spacey and chilled out.The version of the vinyl I have here is one of the many many many Relapse Records represses they pumped out for this album over the years. Specifically a yellow and green merge that merged a little too much and turned into a sorta pea soup color. Standard weight on the vinyl itself and nothing too special about the packaging outside of John Baizley's ever incredible artwork.In this episode we talk about where metal culture was at the time this album came out, I wax nostalgic about picking up this album from the FYE in the mall based on packaging alone a week after release, and we discuss the concept of "Elevated dad rock"The news corner this episode is all Chappell Roan and her brutal assault of a child in a public restaurant. Someone really has to do something about this lady. Hosted on Ausha. See ausha.co/privacy-policy for more information.

Ok this one might be a litttttle late but better late than never right?! That's right your eyes don't deceive you, you are seeing a brand new episode of MBFRC after nearly a year and what better way to come back than counting down our individual top 10 albums of last year. Even if it's not very timely it just felt like the right place to start. So help us get this podcast ball rollin again by looking back at the incredible music that came out in 2025.Hosted on Ausha. See ausha.co/privacy-policy for more information.

Oh we're back and it's probably the meanest we've been to an album on the show. Stone Sour's self titled debut is an ego-driven butt rock opus designed from start to finish to make you go "hey it's the guy from Slipknot." This album exists for one reason and one reason only; to make Corey Taylor a celebrity. Corey Taylor was upset that he had very little say in the writing process for Slipknot and he was alos upset that the meteoric success of Slipknot didn't come with my real celebrity because of the anonymous nature of Slipknot at the time. To fix this he decided to reform is original bar rock band Stone Sour with the dual goal of getting his name and face out in the public while also racking up radio hits that he could then take back to Slipknot to prove that he can write a successful song. A truly bizarre album that seems more like a marketing play to jump-start Corey Taylor as a brand rather that a pure artistic expression.The vinyl pressing I have here is a Record Store day repressing with alternate album artwork and a bonus live CD (which we did not listen to for this episode). It's a 180 gram pressing that sounds about as clean as you can hope for with a standard quality gatefold jacket. I picked it up from the half-off bin at Horizon Records years ago thinking it would be fun to revisit for nostalgia reasons and see if it holds up to my non-teenage ears. My conclusion? The second album was better. In the news corner today we take aim at the various bad actors, industry insiders, and of course Sharon Osbourne all coming together to tank the career of Irish rap group' KNEECAP for the crime of opposing the Israeli genocide of the Palestinian people during their Coachella performance. All of the usual "keep politics out of music" takes are here and just like always, they're dumb as hell and only seek to stifle speech that dares to question the imperial core. It's a fun one!Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSVHosted on Ausha. See ausha.co/privacy-policy for more information.

Finally. An episode that is less than 2 hours long. It helps that this week we're covering Seizures in Barren Praise by grind/crust band Trap Them. The album is only 10 tracks and 25 minutes total. Compared to the last few episodes this one just BREEZES by! It also helps that Seizures in Barren Praise by Trap Them happens to be one of my favorite albums of all time. Illegally downloading this album from some guy's blogspot page when I was 16 started a snowball effect that would alter how I listened to heavy music going forward which made this a bit of a nostalgia trip for me. We also do our best to parse through the loose plot that makes up the concept of not only this album but all of Trap Them's music up to this point. \The vinyl I have here I believe is a second pressing, standard weight on ultra clear vinyl. It comes in a nice enough trifold jacket which shows off the album's full artwork done by Converge vocalist Jacob Bannon. The album sounds perfectly fine. Minimal surface noise but if we're being honest, any surface noise would get lost in the chaos of the album anyway. I picked this up a few years ago used from Pharmacy Records in Greenville which is, for my money, the best place in the upstate to find metal/punk/hardcore records. We're lucky enough to have a few decent record stores here in the upstate but if you're into heavy music at all, Pharmacy is the one you wanna go to. In the news corner this week we check in with our old pal Tim Lambesis and see what his old band members are saying about him. Hint: it's not good. We also check in with what's going on with Death Grips and Andy Morin to see what a new band member is saying about him. Hint: It's not good.Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSVHosted on Ausha. See ausha.co/privacy-policy for more information.

This week we're talking about probably the most consequential album in Nine Inch Nails' history. The Downward Spiral was a monumental success, widely considered to be a masterpiece. The Fragile was largely panned as being too bloated and self-indulgent (even if it is their best album imo). After that Trent Reznor took a full 6 years to produce an album and it needed to be a hit. With Teeth is a sharp, focused, lean product compared to The Fragile, and because of that was a massive success spawning many of their biggest hits. If you're around our age and just a casual listener, most of the NIN songs you know are probably from this album. In the news corner this week we cover a viral tiktok of some white kids being obnoxious during a rap concert. So business as usual.Instagram - @MBFrecordspodAmanda's IG/TikTok/YouTube - @MothraLunaJason's Discogs - https://www.discogs.com/user/FrequencyShift/collection Theme music by SHADE08 x 80root on YouTube: https://www.youtube.com/watch?v=bewQPpTnfgg&list=PPSV Hosted on Ausha. See ausha.co/privacy-policy for more information.