
We argue that A Clockwork Orange forces the viewer to feel sympathy for a violent protagonist and then strips that sympathy away to examine human nature, free will, and rehabilitation. I find the film powerful but uneven because Stanley Kubrick’s visuals sometimes pull focus from the core themes. I also say that Malcolm McDowell carries the film and makes us feel both repulsion and pity. We discuss the film’s realistic dystopian hints and how those hints make us uncomfortable about the state of society. I recommend reading the book for more nuance, because it deepens the themes and makes the mirror the film holds up feel even closer. We conclude that the movie is a lasting conversation piece that makes you feel and think, even when it makes you feel gross.
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