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What did Tolkien himself say The Lord of the Rings was about?In this episode of Do Not Be Hasty, we explore Tolkien’s forewords to The Lord of the Rings — because there are actually two very different versions.
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- 00:00 — What Did Tolkien Say The Lord of the Rings Was About?
- 02:15 — The Original 1954 Foreword
- 03:43 — The Red Book of Westmarch
- 09:45 — Tolkien as “Translator” and Middle-earth as History
- 13:20 — Why Tolkien Replaced the First Foreword
- 15:24 — The Second-Edition Foreword
- 20:17 — Why Tolkien Wrote The Lord of the Rings
- 21:21 — No Hidden Message or World War II Allegory
- 22:12 — What the Story Would Look Like If It WERE About WWII
- 26:09 — Allegory vs. Applicability
- 30:11 — So What Is The Lord of the Rings About?
- Published with The Fellowship of the Ring in 1954
- Tolkien presents The Lord of the Rings almost as an authentic historical document
- The story is supposedly drawn from the Red Book of Westmarch
- Bilbo and Frodo appear as memoirists whose accounts were preserved by Sam’s descendants
- Tolkien plays with the idea that he is discovering or translating Middle-earth rather than simply inventing it
- Why Tolkien later rejected this foreword
- The role of the unauthorized Ace Books edition and the U.S. copyright situation
- The first foreword’s possible spoiler concerning Frodo and Sam
- How The Lord of the Rings grew out of The Hobbit
- Why the story was drawn toward the older world of The Silmarillion
- Tolkien’s long process of composition through the late 1930s and 1940s
- The extraordinary amount of work involved in completing and revising the book
- Tolkien’s stated purpose: to tell a long story that could hold readers’ attention, delight them, excite them, and move them
- Tolkien rejects the idea that the book has a simple hidden message
- Why the War of the Ring should not be read as an allegory of World War II
- Tolkien imagines what the story might have looked like if WWII really had dictated the plot
- His skepticism toward political power and his concern for ordinary people
- Why the Scouring of the Shire is not simply commentary on contemporary England
- Tolkien’s famous declaration that he “cordially” disliked allegory
- Allegory depends upon the author imposing a particular meaning
- Applicability depends upon the freedom of the reader
- Real history and personal experience can influence storytelling without turning a story into allegory
- The importance of remaining faithful to the artistic vision rather than writing merely to make a topical point
- John R
- Kaitlyn of Tea with Tolkien
- Melkor27
- KG
- SaberSystems
- Jeremy D
- Emilio P
- Jonathan D
- Richard K
- Paul D
- Julia
- Werty
- Chris B
- Tuor91
- Carolyn S
- Emiel K
- Brian O the 2nd
- Jonathan R
- Matthew W
- Daniel D
- Harrison C
- Seb M
- Willbo Baggins
- Ms. Anonymous
- Andrew T
- Redhawk
- Shannon S
- Brian O (the 1st)
- Zeke F
- James L
- Chris L
- Asya V
- Ish of the Hammer
- Teresa C
- David of Pints with Jack
- Eric B
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