‘WWE Unreal’: Chris Weaver & Bianca Belair On Pulling Back The Curtain, John Cena’s Final Run, & The Reality Behind Wrestling’s Grind [Bingeworthy Podcast]

On this episode of Bingeworthy, host Mike DeAngelo is joined by Director Chris Weaver and Wrestling Superstar Bianca Belair to talk about “WWE Unreal,” Netflix’s new docu-series that finally takes fans inside the machine behind professional wrestling. For the first time, WWE allows cameras into its most sacred spaces, including the writer’s room, backstage before matches, and the constantly shifting road to WrestleMania, showing the creative chaos and real emotional toll that powers one of the most watched weekly dramas in the world.The series comes from NFL Films (“Quarterback,” “Receiver”), with Chris Weaver serving as director. Weaver didn’t consider himself a die-hard wrestling fan going in, but that distance became part of the creative advantage. “I wasn’t this huge fan dropping in and trying to overdo it, but our other showrunner Erik Powers is an encyclopedic fan,” Weaver said. “It was a good dynamic. I could be the outsider voice, and he could be in the weeds.”

On this episode of Bingeworthy, host Mike DeAngelo is joined by Michael C. Hall and Krysten Ritter, stars of “Dexter: Resurrection” - Paramount+ with Showtime’s gritty revival that continues the twisted journey of serial killer Dexter Morgan - yes, he lives! The new series picks up shortly after the events of “Dexter: New Blood”, with Dexter waking from a coma, presumed dead, and setting out across New York City in search of his estranged son Harrison. He instead finds a smorgasbord of "like-minded" individuals and a mountain of killer trouble. The show also stars Peter Dinklage, David Dastmalchian, Uma Thurman, Neil Patrick Harris, Eric Stonestreet, and Krysten Ritter.

On this episode of Bingeworthy, host Mike DeAngelo is joined by Lee Pace, who returns as Brother Day in season three of "Foundation" — Apple TV+'s sprawling adaptation of Isaac Asimov's legendary sci-fi saga. The show resumed July 11, picking up as empires crumble, timelines splinter, and the Cleon dynasty faces collapse from within. The show stars Lee Pace, Jared Harris, Terrence Mann, Lou Llobell, Cassian Bilton, and Laura Birn.In the new season, Pace's Brother Day finds himself disconnected - emotionally, politically, and spiritually. Stripped of purpose and clarity, he wanders his palace gardens like a burned-out prophet, high on spores and nursing existential dread. According to Pace, that chaos is exactly what drew him back in.

On this episode of Bingeworthy, host Mike DeAngelo is joined by Taron Egerton, the star of "Smoke," a gripping new Apple TV+ series inspired by the real-life crimes of arsonist-turned-investigator John Leonard Orr. Created by Dennis Lehane ("Black Bird"), the series explores the chaos and duality of a man split between duty and destruction.Egerton stars as Dave Gudsen, a small-town arson investigator who appears to be a dependable family man. But as the series progresses, a darker truth is revealed.According to Egerton, one of the biggest acting challenges came in those early episodes, where Dave must suppress his true self. The series also stars Jurnee Smollett, Greg Kinnear, Rafe Spall, John Leguizamo, and more.‘Smoke’ Review: Dennis Lehane’s Latest Apple Collaboration With Taron Egerton Plays Like A B-Side To ‘Black Bird’

There are few comedies more universally beloved or endlessly quotable than "This Is Spinal Tap", the 1984 mockumentary that redefined musical satire. Directed by Rob Reiner, who also appears as fictional documentarian Marty DiBergi, the film follows a hilariously inept British metal band on a disastrous American tour. It's a film so committed to authenticity that real-life rock stars, from Ozzy Osbourne to Sting, famously thought it was real.With the 41st anniversary of "This Is Spinal Tap" around the corner, Reiner joined The Discourse to reflect on the film’s origins, legacy, and long-gestating sequel. “What we did with this film—we tried to be as honest as we could about what really happens on rock and roll tours,” Reiner says. “Every band that we’ve ever run into, every rock star, comes up and says it’s a staple on their tour bus.”READ MORE: ‘Bring Her Back’: Michael & Danny Philippou Discuss Their Horror Evolution, Crying With Sally Hawkins, ‘Street Fighter,’ & ‘Talk 2 Me’ [The Discourse Podcast] That commitment to truth, even in absurdity, is what gives the film its staying power. “Tom Petty and the Heartbreakers got lost backstage. Van Halen had the crazy rider. We used it all,” Reiner adds. “That’s why I think it works.”

Beau Willimon, one of the writers on the “Star Wars” series “Andor” joins our The Rogue Ones podcast for a long and in-depth chat about “Star Wars,” the period of unrest, rebellion and revolution that “Andor” is set in and helping create this immense tapestry of beings trying to live their lives, maintain relationships, and survive during the upheaval of wartime. Willimon spoke about his favorite character to write for, Saw Gerrera, the “Star Wars” movie he is co-writing with James Mangold, the possibility of staying longer in the “Star Wars” galaxy on a potential “Andor” spin-off show and more.

Celine Song made waves with her semi-autobiographical debut "Past Lives," a gentle gut-punch of a romance about fate, longing, and the people we could have become. With her follow-up, "Materialists," Song trades whispered regrets for sharp banter, high-end fashion, and the ruthless calculus of the New York City dating scene. But beneath the couture and comedy lies another deep dive into the contradictions of modern love.In this episode of The Discourse, Song discusses the journey from her first film to her second, and how a real-life stint working as a matchmaker in her twenties inspired the biting, beautiful love triangle at the center of "Materialists." “I worked as a matchmaker for six months in my twenties,” Song says. “And that was what really inspired the whole story. I just feel like I learned so much in those six months that I will carry with me for all of my life.”“It really is about what it's like to live and love in New York City,” she continues. “And it's also personal in that, you know, love is one of the great mysteries. It's the thing I’m most fascinated by.”READ MORE: ‘Materialists’ Review: Celine Song Crafts A Soulful Drama About The Romantic Capital Of Being Valued

Screenwriter Dan Gilroy talks about working with his brother Tony Gilroy and 'House Of Cards' writer Beau Willimon on crafting the nuts-and-bolts revolution story of the acclaimed 'Star Wars' series 'Andor.'Gilroy also talks about the possibility of doing more 'Star Wars,' and the upcoming 'Miami Vice' remake he is writing for 'Top Gun: Maverick' director Joseph Kosinski.

David Dastmalchian is having one hell of a year. Whether you know him as Polka-Dot Man from "The Suicide Squad," Piter from "Dune," or Jack Delroy from last year’s sleeper horror hit, "Late Night with the Devil," the actor/writer/comic book creator has made a habit of stealing scenes and bringing unhinged yet human characters to life. And in 2025, that streak continues across a dizzying lineup of passion projects.In this episode of Bingeworthy, David Dastmalchian joins the show to dig into his wide-ranging work, starting with the new Apple TV+ series "Murderbot," where he plays Gorathen, an augmented human struggling with control, jealousy, and a deep need to protect his crew—even when they don’t listen. The show, created by Paul and Chris Weitz and based on the beloved comedic sci-fi book series by Martha Wells, stars Alexander Skarsgård as the titular security unit: a rogue robot just trying to live and watch its stories in peace.

For the latest episode of "The Rogue Ones", hosts Mike DeAngelo and Rodrigo Perez sat down once again with Tony Gilroy, the creator and showrunner behind "Andor", to unpack the ambitious second season in full spoiler-filled detail.Created by Tony Gilroy and starring Diego Luna as Cassian Andor, “Andor” is a prequel to “Rogue One: A Star Wars Story” (which Gilroy co-wrote and famously helped reshape during reshoots). Set five years before the events of Rogue One, the show focuses on the origins of the Rebellion and how ordinary people — not just Jedi or Chosen Ones — stand up against oppression. Season two picks up a year later in the first three episodes and jumps one year ahead with each block of three afterwards, leading directly to the beginning of “Rogue One” by the end (read our review of season two here).READ MORE: The 75 Most Anticipated TV Shows Of 2025