Student Protests in India: Breaking the Media Blackout w/ Suchitra Vijayan, Raaz & Sarthak

“I think one of the things that we have to acknowledge and repeat over and over again is that the general narrative that there has been no resistance or protest to the current regime is absolutely untrue. People in India have been protesting and protesting consistently across the country. What we've seen is a lack of media attention. But what you've also seen is a kind of violent, disproportionate crackdown by the state, accompanied by a legal regime that now makes it absolutely possible to disappear anyone into the legal system.” – Suchitra VijayanThe so-called “Cockroach” protests that erupted in India this past July grew quickly, gathering around them a number of different activist groups and individuals from various walks of life. These protests were met with tremendous state repression and censorship. In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Raaz and Sarthak, two student activists and organizers from Delhi, about the broad background to the struggles for education and a decent life, and how the fight has grown to encompass broad sectors of Indian society. Despite the attempts of the State and mainstream media to disappear these protests from the global mediascape, we learn how and why the protests and organizing has continued unabated, and what some of the key goals are.  Along with Raaz and Sarthak, we are joined once more by Suchitra Vijayan, director of the Polis Project and seasoned activist and journalist, who was also there as the protests unfolded.(0:00) The Myth of No Resistance(4:44) Media as an Arm of the State(8:49) The Origins of the Cockroach Protests(17:03) Education as a Commodity(19:13) Centralization and Unemployment(21:44) The Erasure of Data and Jobs(25:16) Caste, Capital, and Marginalized Students(29:15) Anti-Establishment Youth & United Front Politics(33:31) The Strategy of Imperfect Allies(40:23) A Shared Struggle Against Imperialism(43:39) The Rejection of PropagandaEpisode Websitewww.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“You can see how important storytelling is to fascism and to MAGA and to ICE. And that type of narrative is seductive to a whole lot of people, not just white people but to a lot of other people as well, and it's yoked to many other narratives around what is the United States, what is American power, what is going to benefit American power, what's going to erode American power. So there's a tremendous amount of phobia around who constitutes the other or the others to the United States, and it goes way, way back, obviously, to the origins of the country.” –Viet Thanh Nguyen“This really is such a thread throughout the book. Solo el pueblo salva al pueblo, only we the people can save the people, has become a theme. Because what happened in 2025 through now is people were realizing, Who's coming to save us? The state is attacking us. When the state is attacking us, who do we turn to? We can only turn to one another. This was really remarkable, and I think it was such an important aspect to showcase because what it did was it gave people confidence. –Sonali KolhatkarIn this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Sonali Kolhatkar and Viet Thanh Nguyen about a new book edited by Sonali entitled Breaking ICE: Community Defense Against State Terror and MAGA Fascism. The book is comprised of interviews Sonali conducted with activists, organizers, intellectuals and artists from a rich diversity of locations—from Chicago, Los Angeles, Minneapolis, and other major cities, to small towns in Georgia, Maine, the Carolinas, and elsewhere.  We talk about the broad ideological formations that support State Terror and Fascism, as well as the ways people have wielded soft power with tactics and strategies such as mutual aid, Know Your Rights, power mapping, networking, and rapid response. Viet specifically talks about the power of counter-narratives that tap into radical imaginings and utopian thinking. We speak of the ways people from all walks of life have risen to the task of keeping each other safe.(0:00) ICE, MAGA, Fascism, and American Power(3:34) The Origins of the Anti-ICE Movement(11:47) Soft Power and the National Day Laborer Organizing Network(15:15) The Role of Social Media in Humanizing Immigrants(19:43) Demographic Shifts and the Rise of Authoritarian Panic(26:15) Individualism vs. Collectivist Culture(32:19) Reevaluating Democratic Party Platforms and Abolition(38:57) Challenging the United States in the Inter-American Courts(42:40) Divesting from Militarism and Investing in Safety(46:11) The Cyclical Nature of History and Enduring ResistanceEpisode Websitewww.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“I think that Jews have become extremely solipsistic in a way that is embarrassing. It's very much contrary to the way I was brought up, which was not to talk about yourself, which was to talk about other people and to serve other people. That was part of the heritage that I received from the Holocaust and from my family's background as refugees was, “You're not a refugee. You've got it pretty good. You live in America.” We were very much exhorted against that and exhorted to serve other people and to try to do something good in the world. And so I hope this will be one tiny little part of something that will make a change for the Palestinians.”In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Benjamin Moser about his new book, Anti-Zionism: A Jewish History. A book of immense historical and geographic reach, Anti-Zionism conveys its arguments through the lives of twelve Jewish anti-Zionists. From the 19th century Polish-Jewish rabbi Aaron Samuel Tamares to the contemporary photographer and activist Nan Goldin, we learn how Jews have fought against the reduction of the traditional, expansive notion of Jewishness open to and in service to the world, to a form of narrow ethno-nationalism, closed off to all how do not subscribe to its genocidal settler colonial logic. We learn how many of these figures foretold precisely the perpetual cycles of violence Zionism has unleashed. One of the reasons Moser wrote this book is contained in this statement. I offer it as a contribution to the movement by so many noble people who are working to construct an alternative vision of Jewish life, one that is free from racism, nationalism, and militarism. It is an attempt to say, especially to younger people, that we are not the first, and that we do not need to start afresh.(0:00) The Jewish Heritage of Service vs. Solipsism(8:10) Theodor Herzl's Zionist Writings(16:29) The Sensitive Rabbi: Aaron Samuel Tamares(22:16) The Tragic Fate of Jacob Israël de Haan(27:53) Hannah Arendt and the Backlash to Eichmann(41:25) A Spiritual Catastrophe for JudaismEpisode Websitewww.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

“I think first of all that in order to have disillusion, you need to have illusion and I really want to sort of take a stand in the name of being a delusional person, you know? I do think illusions are necessary to our sense of creativity, and we need to fall in love with extreme projects, and we need to have ideas that are sometimes unsustainable. We need to dream big in order to be creative and feel alive. The illusions that are a part of Aqua are larger illusions. They're illusions that have to do with my adult life. They're connected to nature and the presence or absence of water, the illusion that we can keep sustaining a city even though the water has run out.”My guest today, Chiara Barzini, has spent her life navigating the literal and cultural fault lines between Italy and California. Today we will discuss her book, Aqua: A Story of Water and Lost Dreams, and her life as an artist living between two countries. In her acclaimed 2017 novel, Things That Happened Before the Earthquake, she wrote about arriving in the San Fernando Valley just weeks after a catastrophic natural disaster and the illusions of the '90s.In Aqua, she examines nature, the California water crisis and the broken dreams of the Hollywood machine. We talk about family, film, art as an act of faith and our collective ecological coming of age, where the end of empire meets the end of abundance, and the consequences of hypercapitalism and colonialism. What does it mean to stare our illusions in the eye and find the courage to imagine a better future?(0:00) The Necessity of Illusions(1:40) Chiara Barzini, Author, Screenwriter(4:44) The End of Empire and Ecological Anxiety(12:15) The Allure and Cruelty of Capitalism(16:07)   Aqua: A Reading - On Hollywood and Water(21:02) Screenwriter Robert Towne and the Legacy of Chinatown(26:20) AI Consumption and Water Bankruptcy(30:23) The Edge of Apocalypse and Bombay Beach(33:41) The Etruscans and the Art of Dying(42:33) Translation and Creativity(44:28) Raising Children in a Crazy World(47:30) Poetry, Ruins, and The Waste Land(57:33) Scents and Sounds of Rome and Los Angeles(01:04:17) The Connection with Animals and Nature(01:07:35) The Evolution of Love and Compassion(01:09:17) The Memory Museum(01:13:00) We Are in This Lifetime TogetherEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Chiara Barzini has spent her life navigating the literal and cultural fault lines between Italy and California. Today we will discuss her book, Aqua: A Story of Water and Lost Dreams, and her life as an artist living between two countries. In her acclaimed 2017 novel, Things That Happened Before the Earthquake, she wrote about arriving in the San Fernando Valley just weeks after a catastrophic natural disaster and the illusions of the '90s.In Aqua, she examines nature, the California water crisis and the broken dreams of the Hollywood machine. We talk about family, film, art as an act of faith and our collective ecological coming of age, where the end of empire meets the end of abundance, and the consequences of hypercapitalism and colonialism. What does it mean to stare our illusions in the eye and find the courage to imagine a better future?(0:00) Water as Power(2:17) The Necessity of Illusions(4:24) Aqua: A Reading - On Hollywood and Water(7:51) The Edge of Apocalypse & Writing(9:10) The Etruscans and the Art of Dying(13:13) Translation and the Creative Spark(14:38) Raising Children in a Crazy World(16:18) Poetry, Ruins, and The Waste Land(18:48) Scents and Sounds of Two Cities (Rome and Los Angeles)(20:43) The Connection with Animals and Nature(22:54) The Evolution of Love and Compassion(24:12) The Memory Museum(27:04) We are in this lifetime togetherEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Today, we have a conversation about time, memory, and the bittersweet geography of human sorrow. Georgi Gospodinovis widely considered one of the most daring voices in contemporary European literature. His acclaimed novel, The Physics of Sorrow, won the prestigious Jan Michalski Prize in 2016, blending ancient myth and quantum physics to chronicle the delicate realities of post-socialist Eastern Europe. Joining him is Angela Rodel, a brilliant linguist, musician, and translator whose profound artistic empathy carries the flowing cadences of the Bulgarian language into vivid English. Together, this extraordinary creative duo made history by winning the 2023 International Booker Prizefor Time Shelter—the first book written in Bulgarian to ever receive the honor.Time Shelter is a masterfully dark, funny, and prescient novel. It begins with an enigmatic psychiatrist opening a clinic that treats Alzheimer’s patients by meticulously recreating past decades to match their internal clocks. But the experiment quickly escapes the clinic walls, triggering a pan-European crisis where entire nations hold democratic referendums to choose which era of the past they will retreat into. It is a book that holds up a mirror to our own world, exploring what happens when a civilization faces a deficit of meaning and tries to weaponize nostalgia.(0:00) The Trap of Nostalgia(1:22) The Nonlinear Approach to Storytelling(3:53) Translating the Atmosphere(4:31) The Pandemic of the Past(6:37) Death and the Gardener(9:49) The Translators Calling(11:00) Slowing Down Time(13:14) Storytelling vs Propaganda(15:54) Translating the Atmosphere(18:19) What makes a good life? What has given your life meaning?(20:56) Reflections on God and the Stories His Grandmother Told Him(23:43) The Importance of Hugging, Empathy and StorytellingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We are in the middle of a labyrinth which suggests to us many fake corridors. What's the superpower of literature? Literature is like an antidote against propaganda. Propaganda explains the world easily in a two-dimensional way.  Literature gives you a more complex explanation. Literature tells personal stories.”Today, we have a conversation about time, memory, and the bittersweet geography of human sorrow. Georgi Gospodinovis widely considered one of the most daring voices in contemporary European literature. His acclaimed novel, The Physics of Sorrow, won the prestigious Jan Michalski Prize in 2016, blending ancient myth and quantum physics to chronicle the delicate realities of post-socialist Eastern Europe. Joining him is Angela Rodel, a brilliant linguist, musician, and translator whose profound artistic empathy carries the flowing cadences of the Bulgarian language into vivid English. Together, this extraordinary creative duo made history by winning the 2023 International Booker Prizefor Time Shelter—the first book written in Bulgarian to ever receive the honor.Time Shelter is a masterfully dark, funny, and prescient novel. It begins with an enigmatic psychiatrist opening a clinic that treats Alzheimer’s patients by meticulously recreating past decades to match their internal clocks. But the experiment quickly escapes the clinic walls, triggering a pan-European crisis where entire nations hold democratic referendums to choose which era of the past they will retreat into. It is a book that holds up a mirror to our own world, exploring what happens when a civilization faces a deficit of meaning and tries to weaponize nostalgia.(0:00) The Trap of Nostalgia(2:13) The Art of Translation(5:44) The Pandemic of the Past(11:30) Reading from ‘Time Shelter’(14:28) Death and the Gardener(19:34) The Translator's Calling(26:05) Cultural Rhythms of the Bulgarian Language(30:00) The Nonlinear Approach to Storytelling(34:30) Separating Personal and Historical Pasts(42:55) Storytelling vs Propaganda(47:19) Bodies, Animals and the Loneliness of the Minotaur(56:00) Reading ' Eight Minutes and 19 Seconds’(1:00:28) What makes a good life? What has given your life meaning?(1:04:18)   Childhood, Memory and Imagination(1:10:38) Reflections on God and the Stories His Grandmother Told Him(1:17:20) Education and the Empathic Imagination(1:23:25) The Museum of Memory(1:26:15) The Importance of Hugging and Empathy(1:28:02) AI and the Future of HumanityEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Lincoln Center is multiple stages. I think probably over three dozen stages across 16 acres. It is a vast canvas in and of itself. And then we have this beautiful plaza that leads to this beautiful campus, and that’s the visual I think that most people have when they think of Lincoln Center is this beautiful fountain in the center and these three gorgeous buildings.It’s New York’s biggest plaza, and it feels very vibrant and beautiful. In the summer, we really take that plaza and we transform it into a dance floor. So this idea of also interrupting what people’s notion of Lincoln Center is because it’s a space that is very aspirational, which is a great thing.”Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(0:00) Reimagining Lincoln Center(2:27) Art and the Human Experience(4:40) The Curiosity of Childhood(5:44) Alvin Ailey and the Pivot(8:29) The Invisible Arts(9:06) The Power of Public Theater(17:03) Curation, Programming and the Art of Listening(23:42) San Juan Hill and The Wall(31:23) Art as the Oldest Technology(35:02) globalFEST: Music and Connection(38:20) Finding Universal Belonging(41:20) The Gift of Pause(54:27) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"I really do believe that the arts are critical to how we move forward together, and live performance in particular, I think, is a way of us practicing how to move across our ideological boundaries and find one another and imagine these new worlds together and create together."Shanta Thake is the Chief Artistic Officer at Lincoln Center for the Performing Arts—the nation's largest performing arts complex. Before stepping into this role, she spent nineteen years at The Public Theater, shaping the city's cultural landscape through Joe's Pub and expansive community initiatives. Today, she is tearing down walls—both the literal barriers separating Lincoln Center from its neighbors, and the figurative ones that dictate who belongs in our cultural spaces. She views the arts not as a luxury, but as essential civic infrastructure. We are pleased to have Shanta Thake to discuss her journey, the power of radical curation, and the future of public performance.(00:00) Reimagining Lincoln Center(03:09) A Collective Caretaking(03:47) The Technology of Human Creation(04:20) The Curiosity of Childhood(09:25) San Juan Hill and The Wall(14:20) globalFEST: Music and Connection(16:06) The Gift of Pause(17:20) A Collective CaretakingEpisode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Today, we examine how we will adapt to a changing climate and learn to listen to the Earth.(0:00) Abrahm Lustgarten(Reporter, ProPublica) (3:00) Jon Gertner (Author, The Ice at the End of the World) (5:32) Bill Hare (CEO, Climate Analytics) (6:35) Rob Nixon (Prof. Environmental Humanities, Princeton) (8:12) Louis de Jaeger (Co-founder, Food Forest Institute) (10:06) Kathleen Rogers (Pres., EarthDay.org) (11:31) Rebecca Tickell (Filmmaker, Groundswell) (13:42) Ben Goldfarb (Author, Crossings) (14:56) Jane Madgwick (CEO, Plantlife International) (19:23) Jason deCaires Taylor (Sculptor, Underwater Museums) (21:02) William McDonough (Architect, Cradle to Cradle) (23:19) Euan Nisbet(Scientist, Royal Holloway) (26:06) Roland Geyer (Author, The Business of Less) (28:15) Ron Gonen (CEO, Closed Loop Partners) (29:34) Paul Shrivastava (Co-President, Club of Rome) (30:14) Carlo Ratti (Architect, Dir., MIT Senseable City Lab) (31:24) Osprey Orielle Lake (Founder, WECAN) (32:38) Liza Featherstone (Journalist) (33:41) Yolanda Kakabadse (Fmr. President, WWF)For more, listen to their full interviewsEpisode Site: https://www.creativeprocess.info/interviews-featured/anth-regen