Episode 332 with Jordy Rosenberg, Author of Night Night Fawn and Master of the Poetic, the Profound, the Hilarious, and the Satirical

Notes and Links to Keith O’Brien’s Work     Keith O’Brien has written five books, won the PEN America award for best biography, and has contributed to multiple publications over the years.    Keith's work has appeared in the New York Times Magazine, the Atlantic, Rolling Stone, the Wall Street Journal, and on National Public Radio. His radio stories have aired on All Things Considered, Morning Edition, and Weekend Edition, as well as Marketplace and This American Life. His latest gem is Heartland: A Forgotten Place, an Impossible Dream, and the Miracle of Larry Bird.   Buy Heartland: A Forgotten Place, an Impossible Dream, and the Miracle of Larry Bird    Keith O'Brien's Website   Review for Heartland from The Wall Street Journal   At about 1:50, Pete shouts out his brother as a huge Larry Bird fan At about 2:30, Keith talks about his book tour for the launch of Heartland and gives a summary of the book at about 4:40, Keith responds to Pete asking about the time period covered in the book and how he figured out his angle for the book at about 7:55, Keith talks about his attempts to talk to Larry Bird for the book at about 10:00, Pete sets the record straight grammatically, and Keith expands on Indiana State University President Dick Landini's persona  at about 11:20, The two discuss the book's opening sequence, and Keith explains why he started the book where he did, with an Indiana State NIT loss and Larry Bird fracas  at about 16:25, Keith talks about Larry Bird's treatment as "The Great White Hope" and the ways in which he was talked about and treated in the late 1970s at about 19:00, Larry Bird's childhood is discussed, including his father's military background, and Larry talks about his research and work to make Joey Bird "three-dimensional"  at about 22:40, Keith gives background on the poverty and hardship in Larry Bird's upbringing at about 23:40, Dave Bliss, Bobby Knight, and Larry Bird's college recruitment are discussed at about 24:20, Keith recounts an amazing story involving Denny Crum and Larry Bird's recruitment  at about 26:45, Larry's short time at Indiana University and Northwood Institute are highlighted at about 29:40, The two discuss important recruits for Indiana State to team up with Larry Bird, including Harry Morgan and his upbringing in a racist town/society at about 33:00, Larry responds to Pete's asking about the college basketball Magic Johnson/Larry Bird dynamic, and the racial dynamics and popularity of the NBA in the late 1970s at about 36:30, Keith gives background on the Celtics drafting Larry Bird after his junior year of college at about 37:10, Pete discusses the "glue guys" that Coach Hodges brought in to ISU for Larry's third year and the novelty of nationally-televised games  at about 39:00, Keith reflects on the fact that while Magic Johnson is crucial to the book's events, he was at the time of the book's action, largely unknown to Larry, and vice versa at about 41:30, Keith responds to Pete's referring to the book's last section, a sort of "Where are they now?" by calling it his favorite section and how the players and connections to ISU were irrevocably-changed    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 334 with Lisa Lee. She is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, and elsewhere. Her essay on racial invisibility and erasure in the writing workshop was featured on Bitch Media’s feminism & pop culture podcast Popaganda, on the episode “Writing About Race.”     The episode airs on March 31, Pub Day for her novel American Han.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Jordy Rosenberg’s Work   Jordy Rosenberg is the author of the novel Confessions of the Fox, a New York Times Editors Choice selection, shortlisted for the Center for Fiction First Novel Prize, a Lambda Literary Award, a Publishing Triangle Award, the UK Historical Writers Association Debut Crown Award, longlisted for The Dublin Literary Award, and named one of the best books of the year by The New Yorker, Kirkus Reviews and others. Jordy’s work has been supported by MacDowell, The Lannan Foundation, The Banff Centre, and The Ahmanson-Getty Foundation. He is a professor in the Department of English and Associated MFA Faculty in the Program for Poets and Writers at UMass-Amherst. His latest work is Night Night Fawn, published in early 2026. Buy Night Night Fawn   Jordy Rosenberg’s Website   Review for Night Night Fawn from The New York Times At about 0:45, Jordy responds to Pete’s questions about the feedback Jordy has received since Night Night Fawn has come out At about 2:50, Jordy talks about tour events and purchase info At about 4:15, Jordy talks about his background in reading and writing, especially the influence of the Marxist tradition  At about 6:50, Jordy responds to Pete’s questions about what draws him to sci-fi, and Jordy expands on his interesting view of genre as “collective” At about 9:00, Jordan cites contemporary writers whom he appreciates in his "omnivorous" writing, including Lara Sheehi At about 12:30, Jordy reflects on seeds for his novel, which started out as memoir  At about 16:10, the two discuss the narrator, Barbara, and the book’s exposition, and connections to Marx At about 18:50, Jordy discusses how he wanted to explore Marxism through the voice of someone with a passing knowledge of it At about 20:45, Part II of the book, a letter from Barbara, is discussed At about 22:45, Jordy reflects on how he satirizes those so obsessed with anti-trans vitriol At about 25:00, Jordy expands on Barbara’s antiquated and biased world view and victim mentality  At about 26:45, Jordy discusses a pivotal scene at a funeral and the importance of a photo At about 31:00, Jordy responds to Pete’s question about meta-writing and  At about 35:00, Barbara’s job and it providing “ammunition” for her homophobia is the basis of discussion  At about 36:00, Neil, a family friend, is discussed as a trope and anti-trope At about 38:00, Pete compares Neil’s Marxism to “a la carte Catholicism” At about 38:50, The beginnings of discussions of Israel and 1980s viewpoints and a “public relations nightmare” and a broken friendship are highlighted At about 42:40, Jordy talks about the importance of the “carrot scene” and ideas of Jewish masculinity At about 47:15, Pete cites Deni Avdija's story and Jordy expands on ideas of BDS and narratives of “the most moral army in the world” At about 52:00, Jordy and  Pete posit some ideas about the adult daughter in the novel and talk about Jewish leadership in the BDS movement  At about 54:10, The two discuss the scene in which Barbara reunites with her old friend and how Jordy uses satire in the scene At about 57:15, Jordy reflects on real-life connections to Barbara sending her daughter to Israel for “support work” At about 59:15, Jordy cites the book as adding to conversations that come from “bedside rants”        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 333 with Keith O’Brien. Keith has written five books, won the PEN America award for best biography, and has contributed to multiple publications over the years.    Keith's work has appeared in the New York Times Magazine, the Atlantic, Rolling Stone, the Wall Street Journal, and on National Public Radio. His radio stories have aired on All Things Considered, Morning Edition, and Weekend Edition, as well as Marketplace and This American Life. His latest gem is Heartland: A Forgotten Place, an Impossible Dream, and the Miracle of Larry Bird.    The episode airs on March 29 or thereabouts.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.  

Notes and Links to Davina Agudelo’s Work        Davina Agudelo-Ferreria is a Colombian-American bilingual poet, writer and the founder of her independent publishing company, Alegría Publishing. Agudelo-Ferreira was born in Miami and raised in Medellín, Colombia until the age of 17.    Alegría Publishing was created in 2020 to spotlight modern Latino/x stories and give a special opportunity for upcoming writers to have a platform to present their work.     She also runs the bilingual Alegría magazine, which was founded in 2012 and is published digitally and printed quarterly.  2021 Article in Remezcla: “With Alegría Bilingual Media, Colombiana Davina A. Ferreira Is Uplifting Latine Storytelling   Publishing on Instagram At about 1:40, Davina shares some good Medellin, Colombia slang At about 3:20, Davina expands upon her upbringing and her language and literary lives and literature and writing were places of “refuge” for her At about 6:10, Davina talks about “gatekeepers” and difficulty in getting to read diverse writers and publish; she talks about her publishing company as a response to that  At about 7:50, Davina responds to Pete’s asking about her early writing-poetry, journals, etc. At about 9:50, Pete cites Ingrid Rojas Contreras in asking Davina about connections between Colombian cultures and magic realism At about 11:35, Davina responds to Pete’s wondering about her take on diversity in publishing and any positive changes in recent years At about 14:15, Davina reflects on the usage of Latine and Latinx At about 16:05, Davina talks about the name of her publishing company and its significance  At about 17:45, Davina expands on alegria vs. joy and their power At about 18:20, Davina talks about the publishing company and its mission and challenges around the COVID pandemic At about 23:05, Davina responds (en español) to Pete asking about her own writing-likes and specialties  At about 26:00, Pete asks Davina (en español) about balancing the personal and the universal, and the balance between the romantic and the cheesy  At about 28:20, Davina outlines the year-round work at a publishing company  At about 30:15, Davina discusses future projects for Alegria Publishing       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 332 with Jordy Rosenberg, the author of the novels Confessions of the Fox (2018) and Night Night Fawn (2026). Confessions of the Fox was a New York Times Editors Choice selection, shortlisted for the Center for Fiction First Novel Prize, a Lambda Literary Award, and has been recognized by The New Yorker, the Huffington Post, among other places, as one of the Best Books of 2018. Jordy is a professor in the Department of English and Associated MFA Faculty in the Program for Poets and Writers at The University of Massachusetts-Amherst.    The episode airs on March 24.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Gaspare Randazzo’s Work   Gaspare Randazzo is a NYC high school teacher in his 13th year in the classroom. When he’s not in the classroom, you can find Gaspare doing Stand Up Comedy all around the country where he talks about his life as a teacher and his experiences dealing with students from all walks of life. In addition to stand up comedy and teaching, Gaspare recently starred in the Netflix show “The Trust” and co-hosts “The Social Studies Podcast” along with Joe Dombrowski. You can find him on all social media platforms at StandUpRandazzo. Gaspare Randazzo’s Instagram   Gaspare’s Website   Tickets for Gaspare’s Shows   At about 1:35, Gaspare relates the incredible story of him buying an Egyptian sarcophagus  At about 7:50, Pete shouts out the connections between Gaspare and his AOL screen name At about 9:00, Gaspare talks about his early connections to the comedy world, some tangential  At about 10:15, Gaspare responds to Pete’s questions about catalysts for his comedy career At about 12:00, Gaspare shares an anecdote about his first headlining show and how he stretched eight minutes of material into an hour of material   At about 14:50, Gaspare talks about how he is “just him[self]” on stage At about 15:45, Gaspare responds to Pete’s question about the “clip culture” of contemporary comedy At about 16:30, Gaspare talks about “clean comedy” At about 17:55, Gaspare talks about connections between teaching and comedy, and his public persona making it necessary to be a good teacher  At about 19:00, Gaspare expands on his usage of costumes in his history classes At about 21:00, Gaspare responds to Pete’s questions about privacy concerns and how he is “mindful” of not giving specifics  At about 22:00, Gaspare discusses his evolving classroom management over the years  At about 23:15, Gaspare reflects on the comment boards and positive and negative comments  At about 26:10, Gaspare lays out his weekend schedule that integrates family time and comedy At about 28:10, Gaspare talks about his time on Netflix’s The Trust and lays out his early experience and the concept of the show  At about 31:00, Gaspare explains his mindset on the show  At about 32:30, Gaspare talks about the shared experience with his castmates  At about 33:25, Gaspare shares how the byzantine way he “resigned” from his teaching job in order to be on the show At about 35:15, Pete asks Gaspare about “go-to” jokes and lessons  At about 37:20, Gaspare cites about 92% of his audience being teachers and riffs on “translating” his comedy for non-teachers  At about 38:30: Rigor!      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 331 with Davina Agudelo, a Colombian-American bilingual poet, writer and the founder of her independent publishing company, Alegría Publishing, which was created in 2020 to spotlight modern Latino/x stories and give a special opportunity for upcoming writers to have a platform to present their work.    The episode airs on March 19.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.        You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.  

Notes and Links to Grant Ginder’s Work   Grant Ginder is the author of the novels Let’s Not Do That Again, Honestly, We Meant Well, The People We Hate at the Wedding, Driver’s Education, and This is How It Starts. Originally from Southern California, he studied at the University of Pennsylvania and received his MFA from NYU, where he currently teaches writing. He lives in Brooklyn with his husband, Mac, and their disastrous dog, Frankie.     Follow Grant on Twitter and Instagram at @GrantGinder. Buy So Old, So Young   So Old, So Young Review for The Boston Globe   Grant Ginder’s Website At about 2:05, Grant shares the fortifying feedback he has received since So Old, So Young has been out At about 3:45, The two ruminate on aging and its “surprise” and its prevalence in  At about 5:15, Grant gives out book-buying info and upcoming book events  At about 7:15, Grant provides background on his rich reading life as a kid At about 10:30, Grant talks about his love for Jane Austen’s work, and the two discuss connections in Austen and Grant’s work At about 11:40, Grant talks about the “compulsion” and catalysts that led him to become a writer At about 13:45, Grant reflects on how his speechwriting career has informed his novel writing  At about 14:50, Grant responds to Pete’s questions about seeing his work on the big screen with The People You Hate at the Wedding At about 17:15, Grant shares writing wisdom from his teacher E.L Doctorow in discussing the episodic nature of his book At about 18:25, Grant talks about the seeds for his novel At about 20:20, The two discuss the meaningful epigraph and its change; Grant shouts out James Salter’s Light Years At about 23:55, Pete lays out the book’s opening and a cryptic comment At about 24:40, the two discuss the book’s chronological opening in 2007 and discuss the characters  At about 27:30, Grant explains the compliment of Adam being compared to a “roll of duct tape” At about 28:50, Grant expands on why he steers clear of a straightforward cause-and-effect for his characters  At about 31:30,  At about 33:30, Pete shares some amazing coincidences in his life and the book’s second event, a 2014 wedding  At about 35:10, Grant expands on Mia’s comment that going to friends’ weddings is “bloodsport” At about 37:40, Poor Nina, in her complexities, is discussed, and Pete compares her to Cecily Strong’s SNL character  At about 40:30, Ideas of expectations for women and the stakes “slowly getting ratched up” are discussed  At about 42:44, the next event, 2018’s party, is discussed  At about 44:00, Grant reflects on self-sabotage among longtime friends  At about 45:10, Nina and her hyperawareness of social anxiety and isolation are discussed  At about 47:50, Pete shouts out the wonderful invitation for Event #4 and the two discuss “dad rock”  At about 48:45, the two discuss the book cover and a “madcap scene” At about 49:20, Grant talks about the eventual moving to the suburbs and people digging in their heels to stay in “the city” At about 51:10, the two discuss the ways in which youth or lack thereof affects your mindset At about 52:20, Grant reflects on long-lasting friendships and grace and change  At about 55:00, The two discuss connections between Grant’s book and The Big Chill     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 330, a conversation with Gaspare Randazzo, a New York City high school history teacher and stand-up comedian known for his humorous insights into education, social media presence, and appearance on Netflix's "The Trust." He has over a decade of teaching experience and performs comedy nationwide, co-hosting the "Social Studies" podcast.     The episode airs on March 18.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.       You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Tom Junod’s Work   Tom Junod is an ESPN senior writer who has written some of the most enduring and widely read longform journalism of the last 30 years.    He joined ESPN in 2016 and has specialized in deeply reported stories on subjects ranging from Muhammad Ali’s funeral to Tom Brady’s desire to play forever. He has been nominated for an Emmy for his work on “The Hero of Goodall Park,” an E60 program on the ancient secrets that were revealed when a car drove on a baseball field in Maine during a Babe Ruth League game in 2018.     In a 2022 piece, “Untold,” he and ESPN investigative reporter Paula Lavigne spent nearly two years uncovering the horrific crimes of Todd Hodne, a  Penn State football player who in the late 1970’s terrorized State College PA, and Long Island, NY, as a serial sexual predator.    Before coming to ESPN, Junod wrote for GQ and Esquire, where he won two National Magazine Awards and was a finalist for the award a record 11 times. For Esquire’s 75th Anniversary, the editors of the magazine selected his 9/11 story “The Falling Man’ as one of the seven top stories in Esquire’s history. In 2019, his story on beloved children’s TV host Fred Rogers, “Can You Say…Hero?,” served as the basis for the movie “A Beautiful Day in The Neighborhood,” starring Tom Hanks and Matthew Rhys.    His work has been widely anthologized in collections including The Best American Magazine Writing, the Best American Sports Writing, the Best American Political Writing, the Best American Crime Writing, and the Best American Food Writing. Buy In the Days of My Youth I Was Told What It Means to be a Man   Esquire: “Mr Rogers Changed Tom Junod's Life. Here's the True Story Behind A Beautiful Day in the Neighborhood   Esquire Magazine: “Can You Say…Hero” Article about Fred Rogers   New York Times Review: “Tom Junod Would Like to Tell You about His Father”   “My Father’s Fashion Tips”-1996 GQ Article   “Untold”: 2023 Article from ESPN Regarding Penn State and Todd Hodne At about 1:00, Tom talks about his night and days leading up to Pub Day, and the sometimes-arbitrary nature of publishing and Pub Day At about 3:00, Tom talks about his upcoming book tour/events At about 4:15, Tom highlights the greatness and importance of Amy Wallace and her work, an upcoming conversation partner for him At about 6:30, Pete is highly complimentary-joining thousands and ten of thousands of fans-of Tom’s legendary “The Falling Man” article   At about 7:05, Tom responds to Pete’s questions about the ways in which Jerry Sandusky haunts Tom and Paula Lavigne’s master class in journalism, “ ” At about 12:00, Tom expands on how the article about Todd Hodne pointed out the lies and hypocrisy regarding Joe Paterno and Penn State  At about 13:35, Tom responds to Pete’s questions about the seeds for In the Days of My Youth I Was Told What It Means to be a Man; he emphasizes the importance of a 1996 GQ article  At about 17:30, Pete brings up some intriguing quotes in making some connections between Lorenzo Carcaterra’s A Safe Place and Tom’s memoir At about 18:30, Tom highlights the classic portrait of her father for the GQ article by Marion Ettlinger (also featured in the book), and talks about his father’s essence being captured  At about 20:20, Tom responds to Pete asking about his father Lou as a distinctive type of “man’s man” At about 25:00, Tom talks about his dad as “Italian-adjacent” At about 26:30, Tom discusses the two funeral services held for his father, and how “having the last word” in dealing with his father led to him becoming a writer  At about 30:50, Tom highlights a stunning eulogy from a former lover of his father  At about 32:10, Tom responds to Pete’s questions about balancing his father’s behaviors in his mind and in his feelings towards him; Tom emphasizes the “suspicions” about his father that he harbored for decades about his father  At about 36:50, Tom talks about love “unlocking” so much for his writing of the book, including his father but also his wife, his mother, his siblings, his aunts, etc. At about 38:55, Tom reflects on ideas of grace and scrutiny involving his father, his paternal grandmother, and their life histories  At about 42:35, Tom responds to Pete’s question about how his life with his father has affected him as a father         You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 329 with Grant Ginder Please tune in for Episode 325 with Grant Ginder, the author of the novels Let’s Not Do That Again, Honestly, We Meant Well, The People We Hate at the Wedding, Driver’s Education, and This is How It Starts, a few of which have been made into movies. His latest is So Old, So Young.     The episode airs on March 13 or 14.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.    You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Adolfo Guzman Lopez’s Work   Adolfo Guzman-Lopez has been a reporter at LAist 89.3, the Los Angeles NPR affiliate since 2000. He reported and hosted Imperfect Paradise: The Forgotten Revolutionary, a true crime podcast looking into the death in 1994 of Chicano college activist Oscar Gomez. He has reported on L.A. politics, education, art, museums and other topics. His stories have also aired and published nationally on NPR, The Washington Post, and other media. His awards include the LA Press Club’s “Radio Journalist of the Year.” He was born in Mexico City, grew up in Tijuana and San Diego, and lives in Long Beach. Buy California Southern: writing from the road, 1992-2025   Listen to Adolfo’s “The Forgotten Revolutionary” Podcast Series   KPCC/LAist Article about Adolfo’s Visit to Pete’s Classroom, 2012   KPCC/Laist OnRamp Article about Adolfo being referenced on The Simpsons At about 2:20, Pete and Adolfo talk about the wonderful experience Adolfo provided for Pete’s students during a 2012 class visit At about 5:15, Adolfo recounts great stories and lessons learned (especially “collective voice”) from time with The Taco Shop Poets At about 9:00, Adolfo gives background on growing up in San Diego and Tijuana, "bicultural and bilingual” At about 11:30, Pete and Adolfo reflect on the book as “a road trip book” At about 13:30, Adolfo discusses what he recently learned about earlier family immigrants to the US At about 15:40, the two discuss of National City and San Diego in discussing the wonderful “binaries” that Mike Sonksen compliments in blurbs for the book At about 20:50, Adolfo describes the “sadness” in the writing of Jack Kerouac and connections to ideas of “home” for himself and Kerouac At about 23:10, Pete and Adolfo shout out Tim Hernández and his great work with Mañana Means Heaven At about 24:00, “The Spine of Califas,” the book’s first poem, is discussed, and Adolfo discusses the “personification” of the border At about 27:50, Pete highlights the POV and “myriad stories” in a poem about  At about 28:40, Adolfo responds to Pete’s questions about poems that focus on the border crossing and questions from immigration authorities  At about 29:40, Adolfo explains a dynamic phrase he uses-”milquetoast bilingualism" and how he played with language, especially with regards to “proper” Spanish and English At about 34:55, Adolfo reads some of his work, meditating on ideas of possessions, tangible and not At about 38:00, The two discuss “SanDiegotijuana” and its “negative definitions” and Adolfo reflects on the “set of feelings” that differ depending on where he is At about 41:00, Adolfo reflects on his “footprints still [being] wet” in San Diego and its implications  At about 43:40, Pete compliments Adolfo’s work in tracing the histories, military and not, of San Diego and LA At about 47:00, Adolfo responds to Pete’s asking about his poem(s) about Pacific Beach Junior High School  At about 48:55, Adolfo expands on his word play, especially using various permutations of “Sal” and talks about adopting Jewish religious practices and writing about a meaningful story from the Torah At about 53:25, Adolfo responds to Pete’s questions about “The Words I’ve Lost” and ideas of remembered and forgotten language At about 55:45, The two discuss gentrification as a topic in the poetry collections, particularly in San Diego At about 1:00:25, Adolfo recounts the story behind his poem on the opening of the National City Library  At about 1:03:40, ideas of “passing the baton” and transitions between immigrant communities and migrant communities are discussed  At about 1:06:20, Adolfo reads the poem “Prudence” At about 1:07:45, Adolfo talks about writing in response/in honor of Ginsberg and Chicano/a history  At about 1:10:35, Adolfo talks about the Chicano Student Movement, which he covered for his podcast, “The Forgotten Revolutionary” At about 1:11:50, Adolfo talks about continuing various movements, and how he has written a “sequel(s) for “The Movement” poem At about 1:14:00, Adolfo responds to Pete’s questions about the term Chicano and its changing meanings At about 1:18:00, Adolfo reflects At about 1:20:30, Adolfo reflects on continuing activism and misogyny within activist circles  At about 1:24:10, Adolfo expands on writing and a changed viewpoint on life after a horrible injury caused by police at a protest At about 1:26:40, Pete shouts out “Those Winter Sundays” in highlighting Adolfo’s strong ending with a question At about 1:27:40, Adolfo expands on a poem that highlights the building of the LA Philharmonic  At about 1:31: 30, Pete highlights a favorite poem in the collection, “Trucks” and shares a little Italian bone to pick with Adolfo At about 1:35:15, Pete compares Adolfo’s “Trucks” and love for home to Hemingway’s “Old Man at the Bridge” At about 1:37:30, Shifra Goldman and her mentorship and activism are referenced, as well as the “Tercera Caida”   At about 1:39:00, Adolfo reflects on dreams and their impact on writing and learning  At about 1:41:10, Adolfo reflects on how he was cognizant of tone at the end of the collection, and he reads “The Treaty” At about 1:43:00, Adolfo shares how he ended “The Treaty” with a reference to the Treaty of Guadalupe Hidalgo      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 328 with Tom Junod, ESPN senior writer who has written some of the most enduring and widely read longform journalism of the last 30 years.    He joined ESPN in 2016 and has specialized in deeply reported stories on subjects ranging from Muhammad Ali’s funeral to Tom Brady’s desire to play forever. He has been nominated for an Emmy for his work on “The Hero of Goodall Park,” an E60 program on the ancient secrets that were revealed when a car drove on a baseball field in Maine during a Babe Ruth League game in 2018.     In a 2022 piece, “Untold,” he and ESPN investigative reporter Paula Lavigne spent nearly two years uncovering the horrific crimes of Todd Hodne, a  Penn State football player who in the late 1970’s terrorized State College PA, and Long Island, NY, as a serial sexual predator.    Before coming to ESPN, Junod wrote for GQ and Esquire, where he won two National Magazine Awards and was a finalist for the award a record 11 times. For Esquire’s 75th Anniversary, the editors of the magazine selected his 9/11 story “The Falling Man’ as one of the seven top stories in Esquire’s history. In 2019, his story on beloved children’s TV host Fred Rogers, “Can You Say…Hero?,” served as the basis for the movie “A Beautiful Day in The Neighborhood,” starring Tom Hanks and Matthew Rhys.    His work has been widely anthologized in collections including The Best American Magazine Writing, the Best American Sports Writing, the Best American Political Writing, the Best American Crime Writing, and the Best American Food Writing.    The episode airs on March 10 or thereabouts, Pub Day for In the Days of My Youth I Was Told What It Means to Be a Man: A Memoir.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Notes and Links to Yiming Ma’s Work      Born in Shanghai, Yiming Ma spent a decade in tech and finance before writing the dystopian novel These Memories Do Not Belong to Us, named a Spotify Editors' Pick, longlisted for the Goodreads Choice Award, and featured on Best Book of 2025 lists by Electric Literature, Debutiful, PEN America,and elsewhere.    Yiming attended Stanford for his MBA, and Warren Wilson for his MFA. His stories and essays appear in the New York Times, The Guardian, The Globe and Mail, Florida Review, and elsewhere. His story “Swimmer of Yangtze” won the 2018 Guardian 4th Estate Story Prize. Buy These Memories Do Not Belong to Us   Locus Magazine Review of These Memories Don't Belong to Us     Yiming Ma's Website   Interview with Michael Zapata for Chicago Review of Books: “Mirrors, Memories, Rebellions: An Interview with Yiming Ma” At about 2:10, Yiming shares the feedback he’s gotten and the ways in which These Memories Do Not Belong to Us has “resonated” with readers At about 4:20, Yiming talks about his relationship with “home” and reading as a kid At about 5:15, Ishiguro’s Never Let Me Go is highlighted as a formative and transformative read for Yiming At about 8:15, Yiming expands on how his immigrant background informed his career choices, agency, and adaptive skills and outlook on capitalism-he connects these to his book’s plot and themes  At about 10:25, Pete reflects on the book as science fiction/speculative fiction At about 11:25, Yiming responds to Pete’s question about contemporary books that “flipped the switch” At about 12:50, Yiming reflects on the dearth of fiction read by people in his former work life, as well as ideas of empathy and the changing landscape of diversity in authorship At about 15:00, Yiming talks about AI and men reading (or not reading) fiction, and differences between his writer friends and tech friends  At about 18:00, Yiming describes the structure of the book in conjunction with seeds for the book, largely coming from the pandemic and ideas of what is remembered and not remembered and how At about 21:55, Yiming explains how his award-winning story “Swimmer of Yangtze” and the idea of “constellation writing” At about 23:00, Yiming lays out the book’s opening/exposition  At about 24:40, Yiming responds to Pete’s questions about early connections and memories between Jill and Hao At about 28:00, Yiming recalls the early question about seeds for the book in reflecting on the motif of watches in the novel  At about 30:15, the two discuss “Easter eggs” in the book regarding “Ri-Ben” (China in Japanese), and Pete reflects on geopolitical tragedies that frame the “constellation writing”  At about 32:10, Pete asks Yiming about the book’s “Memory Epics” and ideas of art vs. commercialism and censorship in connection to today’s similarities  At about 36:40, Yiming expands on the story “Chankonabe” and its connections to real-life and its fit in the novel’s “constellation” At about 37:35, Yiming talks about the importance of mantras in his book as guides for his storytelling At about 40:00, Yiming talks about research on sumo wrestling and the resulting questions and reflection that brought out some profound scenes  At about 43:15, The two discuss the book’s first-person accounts from the main narrator, and Yiming expands upon ideas of agency and resistance against systems  At about 45:30, Yiming reflects on connections between the Chrysanthemum Virus and the coronavirus At about 51:00, The two discuss the story “Swimmer of Yangtze” At about 52:10, Yiming tells of the beautiful homage to his grandmother in the book At about 53:10, Yiming turns the tables and asks Pete probing questions about the ever-encroaching AI At about 56:40, Yiming talks about the “incredible” students he’s spoken with and reflects on a “biased sample” and the “paradigm shift” between disparate groups he speaks with regarding AI and its implementation  At about 1:01:00, Yiming reflects on the “worry” he has over critical thinking skills and employment in a future focused on AI At about 1:02:20, Pete asks about “+86 Shanghai” and its immigration stories  At about 1:03:20, The two discuss the balance between changing the system and ideas of assimilation and Yiming talks about personal connections to “mining [his] own immigration story” and changing immigration narratives At about 1:07:50, The two reflect on Kaveh Akbar’s brilliant work that Yiming riffs off in the book; Pete shares a story about Kaveh’s profundity in action, and Yiming talks about censorship and the timing of the release of his book      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 327 with Adolfo Guzman-Lopez. Adolfo Guzman-Lopez has been a reporter at LAist 89.3, the Los Angeles NPR affiliate since 2000. He reported and hosted Imperfect Paradise: The Forgotten Revolutionary, a true crime podcast looking into the death in 1994 of Chicano college activist Oscar Gomez. He has reported on L.A. politics, education, art, museums and other topics. His stories have also aired and published nationally on NPR, The Washington Post, and other media, and his poetry, especially from time with the Taco Shop Poets, has been awarded and anthologized.     The episode airs later today, March 3.      Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.       You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Oliver James’ Work   Oliver James is a literacy advocate and motivational speaker who has been sharing his journey about learning to read as an adult, through TikTok and Instagram. Through videos and posts, he has been charting the books he’s read, and the lessons he’s learned and relearned. He has been featured on The Jennifer Hudson Show, The Today Show, NPR, and more.   Buy Unread: A Memoir of Learning (and Loving) to Read on TikTok   Oliver's Website   Oliver on The Jennifer Hudson Show At about 1:25, Oliver talks about feedback he has gotten from early readers of Unread At about 2:35, Oliver responds to Pete’s question about vulnerability in writing the book and presenting the book to the world At about 4:00, Oliver talks about his social media availability and upcoming tour stops At about 5:20, Pete asks Oliver about the book’s Dedication and important epigraph; Oliver expands upon the connections between reading and exercises At about 7:40, Oliver talks about the emotions at the moment after he shared with his social media followers that he couldn’t read, in 2021 At about 10:00, Oliver explains how he would get by when being called on to read in school At about 12:20, Oliver replies to Pete’s question about good ways for people to start learning to read/cement their developing reading skills At about 15:00, Oliver talks about his singing and reading and other things that he does on Tik Tok Live and Instagram At about 16:10, Oliver and Pete discuss  At about 18:00, Pete highlights Oliver’s great book recommendations throughout his book, and particularly connections between The Giver and Oliver’s pains and triumphs in learning and reading At about 21:45, The two discuss missing important learning opportunities and learning cycles in adolescence  At about 23:15, Oliver talks about “creating [his] own identity” based on what teachers and other authority figures sometimes told him, subtly or not At about 24:40, The two discuss how The Phantom Tollbooth connects to Oliver’s reading and learning journey At about 26:30, Oliver gives background on how a speech class gave him more confidence and how it led to speech becoming a vocation At about 29:50, Oliver reflects on what might have been different had he been a reader when he was set up in a sting operation At about 31:50, Oliver explains how people in jail gave him hope and how this experience connects to the character of Zero in Holes, particularly with regard to a sense of “duty” and community learning  At about 33:50, Oliver highlights Dirty Laundry and shame and relationships with girls and dependence  At about 37:20, Oliver talks about the importance of a quote book that was his first gifted book and the “helpless[ness]” that came at the beginning of the COVID pandemic  At about 43:20, Oliver makes connections between COVID and “how to carry” on his reading and emotional journey At about 44:20, The Diary of Anne Frank and The Outsiders and ideas of reading and being in community with readers and reading is discussed  At about 45:40, Pete gives a rec for one of his all-time favorites, That Was Then, This is Now At about 46:20, The two discuss the Piiraha people and “living in the moment” based on Oliver’s car accident and other traumatic and triumphant moments  At about 51:00, Pete highlights The Alchemist and ideas of how books “unlock” so much, and expands upon the “agreements” featured in Don Ruiz’s books, in particular with regards to his father  At about 54:30, Empathy is discussed, as experienced in reading and in life, and love and thanks for his mother At about 56:10, Oliver reflects on children’s books and “tap[ping] into emotions” and “be[ing] a kid” At about 1:00:30, Pete highlights ways in which Oliver gave him a different perspective on finishing a book and on the classic The Giving Tree At about 1:02:10, Oliver responds to Pete’s questions about his feelings upon meeting famous people for interviews, like Jennifer Hudson    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up soon at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 326 with Yiming Ma, who spent a decade in tech and finance before writing the dystopian novel These Memories Do Not Belong to Us, named a Spotify Editors' Pick, longlisted for the Goodreads Choice Award, and featured on Best Book of 2025 lists by Electric Literature, Debutiful, PEN America,  and elsewhere.    The episode airs on February 24 or 25.       Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.       You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.

Notes and Links to Lillian Li’s Work      Lillian Li is the author of the novel Number One Chinese Restaurant, which was an NPR Best Book of 2018, and longlisted for the Women’s Prize and the Center for Fiction’s First Novel Prize. Her work has been published in the New York Times, Granta, One Story, Bon Appetit, Travel & Leisure, The Guardian, and Jezebel. Originally from the D.C. metro area, she lives in Ann Arbor. Buy Bad Asians   Kirkus Reviews for Bad Asians   Lillian Li's Website     At about 1:30, Lillian talks about her mindset as Pub Day is a day away, and she shares heartening feedback she’s received on Bad Asians At about 3:00, Lillian talks about her early relationship with language and literature, including Amy Tan’s Joy Luck Club, and coins a great term, a “Borders Kid” At about 4:40, Lillian describes growing up in a Chinese-American and Asian-American community in connection with ideas of representation  At about 6:30, Lillian reflects on “growing pains” with Joy Luck Club and having ambivalent feelings towards the book’s lasting impact At about 8:50, Lillian highlights How to Commit a Postcolonial Murder as a standout text she’s reading currently  At about 10:10, Lillian highlights Literati Bookstore as a great place to buy her book and interesting tour events coming up At about 12:05, Lillian gives background on starting the book with a map At about 13:10, Lillian talks about North Potomac, MD, and growing up there  At about 14:50, Pete sets the book’s exposition through discussion of the Prologue, and Lillian comments on her interest in the experience of those who have gone viral At about 16:30, Grace as the “golden child” is discussed in terms of Lillian’s childhood seeing comparison and "competitive friendships” At about 18:10, the two continue to describe the book’s opening and main characters  At about 21:40, Lillian describes the original video that Grace recorded that morphs into the foundation for the “Bad Asians” viral video(s) At about 23:00, Lillian responds to Pete’s asking about a middle-of-the-book scene with a caring/boundary-overstepping teacher  At about 25:20, Grace and her gilded rich girl life is described  At about 27:20, Lillian and Pete describe the ways in which the friends like Errol and Justin feel “unburdened” and free in filming with Grace, but also how Grace gets some controversial footage At about 28:55, “Going to the Mall on Molly” and its ramifications is discussed At about 30:40, Lillian describes how Vivían’s phone call leads to Grace “running away” to LA At about 32:25, Lillian gives background on the plan that the group hatches in collaboration with Carrie Yang At about 35:00, Vivían and Errol and their post-vows life and rave culture are discussed by Lillian; she talks about MDMA as a sort of emotional regulation   At about 36:30, Lillian talks about the scenes in the book as emblematic of the 2008 recession and recovery in Detroit At about 37:20, Lillian riffs on “self-medication,” with regards to an article she read about overdoses in the Asian-American community/rave culture At about 38:40, Errol’s dangerous “pranks” are analyzed  At about 40:00, Lillian discusses the “gilded cage” and “success trap” for Grace and her creative pursuits At about 42:10, the two discuss the notoriety that comes with leaked cell phone footage from the New York At about 42:45, Lillian talks about Justin’s sexuality and provides background on her research on bisexuality, intimacy and love for his character  At about 46:00, Pete compliments the ending of the book, and Lillian expands on her mindset in ending the book that way        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you’re checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up soon at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete’s one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month’s Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he’s convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 325 with Grant Ginder, the author of the novels Let’s Not Do That Again, Honestly, We Meant Well, The People We Hate at the Wedding, Driver’s Education, and This is How It Starts, a few of which have been made into movies. His latest is So Old, So Young.     The episode airs on February 20, three days after Pub Day for So Old, So Young.     Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.     You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.