The Cath Maige Tuired, for a wider audience: Part 5~ Betrayal.

This audio re-telling of 'The Battle of Moytura' is especially designed for, but not limited to, a younger audience. In part 9: The Muster, Lugh gathers together the finest heroes and craftsmen from the Tuatha Dé Danann to find out just what marvels they can offer! Discover more about the The Cath Maige Tuired Notes for this story Part 9 is shorter and just offers the one story. Although nothing much happens it represents an important 'breathing space' before the events of the main battle begin. This is one of the sections of the text that demonstrates the tales oral origins.It is there to remind the audience of the main characters and all their special abilities. Cath Maige Tuired: 95-121 Music: Lamentum from SacrumProfanum , Ben Dwyer

This audio re-telling of 'The Battle of Moytura' is especially designed for, but not limited to, a younger audience. In part 8, What the Dagda Did Next , the 'Big Man' gets to consume a whole cauldron of food all by himself goes on to and encounters two extraordinary women Battle Poets. Discover more about the The Cath Maige Tuired Notes for this story I have had to take a slightly 'Lady Gregory' approach to this section as the description of the encounter between Dagda and Indech's daughter is, somewhat, explicit, and I want to ensure these re-tellings are fully appropriate for an older primary age-group, as well as an adult one. This encounter includes an example of a poetic 'battle-rap.' The original sequence which begins with the Dagda's name wordplay has the quality of early Rosc poetry where each short alliterative line re-translates the one that goes before. For more listen to this podcast conversation or read Isolde's post on the Names of the Dagda. It is well worth re-telling these stories as they introduce two of these powerful battle poets and illustrate the inportant roles expected to be undertaken by women in these early stories. Cath Maige Tuired: 83 - 94 Music: Lamentum from SacrumProfanum , Ben Dwyer

Lugh: Jim Fitzpatrick The battle of Moytura is better known as the Mythological story cycle. This audio re-telling is especially designed for, but not limited to, a younger audience. In part 7, The Arrival of the Ildánach , the looming dread of invadion by the Fomoire is met by the arrival of a remakable stranger. But will this help? Discover more about the The Cath Maige Tuired Notes for this story This is a slightly shorter chapter, running at around 12 minutes but it is sometimes trick to find natural breaks in what is a continuous narrative. I haven't named all of Nuada's 'experts' but the meanings of their names are fascinating. Isolde's translations do shed so much light on early medieval society. Cath Maige Tuired: 52-82 Irish mythological and hero tales were not originally written for a young audience. No they were intended for an adult audience gathered together at feasts, Óenachs and to mark special events,. Youngsters may well have been present, may have enjoyed them, but tales weren’t considered as juvenelia. However they contain so much that younger audiences will enjoy. They are full of adventures and wonders. They have characters, both male and female who show courage, compassion, and comradeship and who demonstrate a sense of wonder, a sense of purpose, and, most definitely a sense of humour. I tell all of these stories regularly in schools and libraries. I have also recorded them as audio stories and I am happy to share them. Why? Well first they need to be shared. Second, I love audiobooks. As a story teller, I think these stories work best in this format. Have fun. Chris Music: Lamentum from SacrumProfanum , Ben Dwyer

The battle of Moytura is better known as the Mythological story cycle. This audio re-telling is especially designed for, but not limited to, a younger audience. We get to Find oit Elaha's opinions about his son, Bess' actions among the Dé Danann ahd we hear the distubing tale of Eithliu, the daughter of Balor, and her son Lugh. Discover more about the The Cath Maige TuiredDiscover more about the The Cath Maige Tuired Notes for this story: The birth of Lugh on Balor's isle (Tory Island) is not included in the textual version of the story but has suvived as an orally transmitted story. I think this makes it extra interesting. Balor's daughter's name has several variants. You will find her refered to as Ethliu, Ethlinn, Ethlin or Ethne. Isolde favoured Ethliu. In one oral version, three babies are thrown into the sea. Lugh in Welsh, Lleu (Llew Llaw Gyffes) is a second, secret baby born to Arianrhod, the first, Dylan is also thrown to the sea. Read 'Lugh Who? Where did he come from?' to find out more. Cath Maige Tuired 44 -51 Irish mythological and hero tales were not originally written for a young audience. No they were intended for an adult audience gathered together at feasts, Óenachs and to mark special events,. Youngsters may well have been present, may have enjoyed them, but tales weren’t considered as juvenelia. However they contain so much that younger audiences will enjoy. They are full of adventures and wonders. They have characters, both male and female who show courage, compassion, and comradeship and who demonstrate a sense of wonder, a sense of purpose, and, most definitely a sense of humour. I tell all of these stories regularly in schools and libraries. I have also recorded them as audio stories and I am happy to share them. Why? Well first they need to be shared. Second, I love audiobooks. As a story teller, I think these stories work best in this format.Have fun Chris Have fun. Chris Music: Lamentum from SacrumProfanum , Ben Dwyer

Jim FitzPatrick The battle of Moytura is better known as the Mythological story cycle. This audio re-telling is especially designed for, but not limited to, a younger audience. In part 5, Betrayal, Coipre the chief poet, finally manages to find a way of getting rid of Bress. But Bress comes up with a deceitful plan involving dark consequences. 10(ish) to adult! Discover more about the The Cath Maige Tuired Cath Maige Tuired 36 - 43 Irish mythological and hero tales were not originally written for a young audience. No they were intended for an adult audience gathered together at feasts, Óenachs and to mark special events,. Youngsters may well have been present, may have enjoyed them, but tales weren’t considered as juvenelia. However they contain so much that younger audiences will enjoy. They are full of adventures and wonders. They have characters, both male and female who show courage, compassion, and comradeship and who demonstrate a sense of wonder, a sense of purpose, and, most definitely a sense of humour. I tell all of these stories regularly in schools and libraries. I have also recorded them as audio stories and I am happy to share them. Why? Well first they need to be shared. Second, I love audiobooks. As a story teller, I think these stories work best in this format. Have fun Chris Music: Lamentum from SacrumProfanum: Ben Dwyer

ceramic on glass by Chris Thompson The battle of Moytura is better known as the Mythological story cycle. This audio re-telling is especially designed for, but not limited to, a younger audience. In part 4,The Healers, we discover how Nuada achieves another shot at the kingship, the sad fate of Miach, Dian Cécht's son and we meet his sister, Aimed, a gifted herbalist. 10(ish) to adult! Discover more about the The Cath Maige Tuired Listen to the podcast episode on Airmed Notes for Part 4: The healers: When Isolde and I were working on this text we did wonder if this episode conerning Miach's death and 'rebirth' in the form of new plant growth might have once had an alternate context. Etymologically speaking. Dian Cécht has the meaning 'Eager Plough.' Miach and Airmid are both words used for measures of grain. So the cutting down of Miach, his burial and the regeneration of new geowth from the site where he was 'planted' has much in common with a number of agrarian myths; for example, Isis and Osiris or even, in the Uk, John Barleycorn. In this audo re-telling. I have just kept to the story, as it is given in the text(s), concentrating on the characters, their actions and their relationships rather than any inherant symbolism that they may carry. Cath Maige Tuired 33 -35 a gift from Abydos Musc: Lamentum from SacrumProfanum: Ben Dwyer

The battle of Moytura is better known as the Mythological story cycle. This audio re-telling is especially designed for, but not limited to, a younger audience. In part 3, Wasteland, Dagda tells how the Dé Danann were mistreated and starved and we meet the terrifying one-eyed Formoire giant Balor and discover his strange story, 10(ish) to adult! Discover more about the The Cath Maige Tuired Cath Maige Tuired: 26 - 32 Irish mythological and hero tales were not originally written for a young audience. No they were intended for an adult audience gathered together at feasts, Óenachs and to mark special events,. Youngsters may well have been present, may have enjoyed them, but tales weren’t considered as juvenelia. However they contain so much that younger audiences will enjoy. They are full of adventures and wonders. They have characters, both male and female who show courage, compassion, and comradeship and who demonstrate a sense of wonder, a sense of purpose, and, most definitely a sense of humour. I tell all of these stories regularly in schools and libraries. I have also recorded them as audio stories and I am happy to share them. Why? Well first they need to be shared. Second, I love audiobooks. As a story teller, I think these stories work best in this format. Have fun. Chris Music: Lamentum from SacrumProfanum: Ben Dwyer

The battle of Moytura is bettter known as the Mythological story cycle. This audio re-telling is especially designed for, but not limited to, a younger audience. In part 2, Shadow of the Fomoire, we meet the the young warrior Bres. We discover just how he came to be chosen as the Dé Danann king and gets to uncover a dark Formoire secret!. ten(ish) to adult Discover more about the The Cath Maige Tuired Cath Maige Tuired 15 -25 Irish mythological and hero tales were not originally written for a young audience. No they were intended for an adult audience gathered together at feasts, Óenachs and to mark special events,. Youngsters may well have been present, may have enjoyed them, but tales weren’t considered as juvenelia. However they contain so much that younger audiences will enjoy. They are full of adventures and wonders. They have characters, both male and female who show courage, compassion, and comradeship and who demonstrate a sense of wonder, a sense of purpose, and, most definitely a sense of humour. I tell all of these stories regularly in schools and libraries. I have also recorded them as audio stories and I am happy to share them. Why? Well first they need to be shared. Second, I love audiobooks. As a story teller, I think these stories work best in this format. Have fun Chris Music: Lamentum from SacrumProfanum , Ben Dwyer

Jim Fitzpatrick The battle of Moytura is better known as the Mythological story cycle. This audio re-telling is especially designed for, but not limited to, a younger audience. In part 1, The First Battle, we meet the Firbolg champion, Streng and the Dé Danann king, Nuada and discover what happened when they met at the first battle of Moytura. ten(ish) to adult Discover more about the The Cath Maige Tuired Cath Maige Tuired 1-14 Irish mythological and hero tales were not originally written for a young audience. No they were intended for an adult audience gathered together at feasts, Óenachs and to mark special events,. Youngsters may well have been present, may have enjoyed them, but tales weren’t considered as juvenelia. However they contain so much that younger audiences will enjoy. They are full of adventures and wonders. They have characters, both male and female who show courage, compassion, and comradeship and who demonstrate a sense of wonder, a sense of purpose, and, most definitely a sense of humour. I tell all of these stories regularly in schools and libraries. I have also recorded them as audio stories and I am happy to share them. Why? Well first they need to be shared. Second, I love audiobooks. As a story teller, I think these stories work best in this format. Have fun. Chris Music: Lamentum from SacrumProfanum , Ben Dwyer

Fergus was a man with a plan. He wanted to become, and remain, the most important king in Ulster. Discover how this got him into such trouble with a horrible water monster! This entertaining, and funny story also offers a chance to see just how life was organised in Ireland long before the Normans arrived. This is a ideal Introductory story which sets these wonderful tales firmly into their pre-Norman context. For eight and over's. Irish mythological and hero tales were not originally written for a young audience. No they were intended for an adult audience gathered together at feasts, Óenachs and to mark special events,. Youngsters may well have been present, may have enjoyed them, but tales weren't considered as juvenelia. However they contain so much that younger audience will enjoy. They are full of adventures and wonders. They have characters, both male and female who show courage, compassion, and comradeship and who demonstrate a sense of wonder, a sense of purpose, and, most definitely a sense of humour. I tell all of these stories regularly in schools and libraries. I have also recorded them as audio stories and I am happy to share them. Why? Well first they need to be shared. Second, I love audiobooks. As a story teller, I think these stories work best in this format. Have fun. Chris