935. Finding Story from Family

Narrative and documentary filmmaker Oanh-Nhi Nguyen makes movies about her family, their past and the intergenerational experience. Here she talks about what she’s learned as a writer-director and how she makes sure that networking is a regular part of her process.

Award-winning documentary director Molly Bernstein discusses the process and narrative approach that went into researching, developing and directing her documentaries about Maus creator Art Spiegelman and magician Ricky Jay.

Screenwriter and major league baseball scout J.D. Elliby talks about the authenticity, character arcs, obstacles, and emotional moments that help create a great on-screen baseball story. 

Lenses, lighting, looks, and "oners.” What are the filming techniques that help tell the story beyond the page? Writer/director Jeremy Walton breaks it down for us. 

This episode was originally recorded in 2021 with director Philip Barantini, currently best known as the director of “Adolescence” a four-part series on Netflix. This episode focuses on his independent feature film Boiling Point, also shot in one take. Hear how he kept the camera moving while also telling a rich story of an intense night in a restaurant.

Up and comer Billy Zeinert talks about writing "smart popcorn," familiar stories with novel twists.

Married creative partners Joshua Dean and Jo Rochelle describe the shared teaching experiences that inspired the writing of the independent feature Dead Deer High and the adventures they encountered while making it. 

Writer/director Saraswathi (Vani) Buyyala talks about her journey from being a teenager in India to becoming the head of Rhythm and Hues Asia and eventually following her creative passions with her production company Dancing Atoms.

Pilar takes a moment to talk about the themes, triggers and ah-hah moments that work to create a strong act three in a feature film. Surprise announcement at the end of the episode!

Writer Craig T. Williams talks about his approach to making industry relationships, nailing interviews and about the fact that all of his opportunities, including his first writers room job, happened after the age of 50.