
Helen is a professional moment catcher from Derry whose work is used not only in the theatre, but for portraits, editorial work, promotional campaigns to making celebrities look good in iconic venues such as Wimbledon.
She originally trained as an actor but after some time she realised, in her own words, she “preferred observing the chaos rather than being a part of it”. She made that decision in 2012 and has never looked back.
Since then she has shot for over 300 productions at venues such as the National Theatre, Royal Court, Young Vic, Donmar, Barbican, Shakespeare’s Globe and RSC.
Here are some honourable mentions:
- Prima Facie at the Harold Pinter (London) and John Golden (New York)
- We Black Woman, Donmar Warehouse
- Our Empty Theatres, a portfolio capturing over 22 theatres that went dark during the pandemic
- Long Days Journey Into Night, Wyndham’s Theatre with Brian Cox
- Many backstage shots across major theatres in the country
- Lehman Trilogy revival at the Gillian Lynne
Check out her other projects:
- “Widening the Lens” with The Act for Change Project
- Her production company The Question is Productions which shines a light on Irish culture and identity. Their debut short “The Derry Feis” currently in pre-production, anyone wishing to donate to their crowd funder you can do so on her website.
On top of all this, she is the chosen winner in the Photography 41 Awards 2025 and Best Production Photography of the Theatre and Technology Awards in 2017.
Helen and I discuss her early years as an actor before turning to behind the camera, her process in finding the right picture and how she works with actors to sports personalities to get the perfect shot. As well as her time working with the creative team on Prima Facie and Long Days Journey Into Night and much more.
Thank you Helen!
Oliver Gower
Spotlight Link: https://www.spotlight.com/9097-9058-5261
Instagram: @ollietheuncensoredcritic
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