
Jyotsna G. Singh, "Shakespeare and Postcolonial Theory" (Bloomsbury, 2019)
9/7/2025
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1:16:46
My guest today is Jyotsna Singh, Professor Emerita of English at Michigan State University. She has written numerous books including Colonial Narratives/Cultural Dialogues: “Discovery” of India in the Language of Colonialism (Routledge), and The Weyward Sisters: Shakespeare and Feminist Politics (Blackwell), which is co-authored with Dympna Callaghan and Lorraine Helms. She has also edited A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700 (Wiley-Blackwell), which has gone through two editions. She was among a handful of early scholars who illuminated Shakespeare’s works within non-western, non-canonical contexts. One such example is her early essay about Shakespeare in India, “Different Shakespeares,” originally published in Theatre Journal in 1989, and then expanded on and reprinted in Colonial Narratives/Cultural Dialogues.
Shakespeare and Postcolonial Theory (Bloomsbury, 2019) tells the story of the academic study of the cultural legacy of European colonialism, showing how the literature of former colonial powers represented and often distorted colonial history and how, in turn, colonized peoples articulated and reclaimed their identity and history by interrogating European culture and history.
In part, Singh’s book memorializes the struggle of scholars for legitimacy within a sometimes-hostile field; in part, this book shows how our reading of Shakespeare’s plays such as The Tempest, Hamlet, and Othello have been forever changed by theater practitioners and scholars alike; and this book also makes a persuasive case that postcoloniality continues to have a unique, still-unfolding relevance on how we read.
Author of the article on The Tempest mentioned at around 35:40 is as follows:
Leininger, Lorie Jerrell. "The Miranda trap: Sexism and racism in Shakespeare's The Tempest." The Tempest. Routledge, 2013. 223-230 (first published in 1980).
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