A Mixology Conversation with Andrew Sandoval on The Kinks: The Day-by-Day Story 1940-1971

Hello Friends, Today I am delighted to welcome Andrew Sandoval back to Mixology to discuss the recent publication of The Kinks - All Day and All of The Night: The Day-by-Day Story, 1941-1970 by Doug Hinman and Andrew Sandoval. Published exclusively through Andrew's own imprint Beatland Books, Andrew and I work our way through a causal string of questions and answers, discussing everything from the intimately personal world of Ray Davies' songwriting, why the group were a management nightmare, the bizarre mixing decisions on Something Else by The Kinks, and most importantly - why you should never pass up on the reggae records. In addition to this, this is the very first video edition of the show, which you can find by heading over to the Patreon community. The video is available to all who visit the page, and is not behind the paywall, so please head on over there and add any of your thoughts in the comments. There is more than enough to get discussing in this one! You can find it at www.patreon.com/backtomono  If you wish to grab a copy of this fantastic tome for yourself, you can do so by heading over to www.beatlandbooks.com/ - and don't forget to browse Andrew's other wonderful volumes while you're there! Happy Listening (& Watching), Frederick

Hello Friends! We're back in Holliesland this month on the show, with a look at the group's greatest pure-pop LP, 1966's For Certain Because.... Notable for being the first LP by the group composed entirely of original material, this Clark-Hicks-Nash composed album is chock full of fantastic mid-60s British pop, and even more full of great mix differences between the mono and stereo LPs. So, if additional vocal layers, extra echo, and revealing panning sound like a fun time to you, don't even think about changing! This ain't not peculiar situation, so be a crusader and and listen to this high classed episode. Happy Listening, Frederick Patreon  Email  Instagram - @hypnoticfred 

Hello Friends! I've gone a little self-indulgent again on the show today, with a look at one of my favourite US-only LPs by The Dave Clark Five, 1967's 5 by 5. Issued with 'Nineteen Days' as the focus tracks, the 10 track 20 minute affair is an absolute blast, if wholly derivative of both the DC5 themselves and the music around them at the time. What is most important though is the fact that this was the first DC5 album to receive a true stereo mix, and as such we have the usual minor differences in echo, but also some pretty major ones too, such as mixed out ad libs and entirely missing layers of instruments and backing vocals, making this an album I absolutely had to cover on the show... when the time was right. But pick up your phone - that time is now! Happy Listening, Frederick Patreon  Email  Instagram - @hypnoticfred 

Hello Friends! This time on show we're finally returning to the Fold-Down Chronicles, looking at a further three LPs originally issued in both mono and stereo, but with mono mixes that don't entirely deserve that title. With this in mind, today we will be covering the following albums: The Beach Boys - Beach Boys Concert (1964) Graham Gouldman - The Graham Gouldman Thing (1968) Michael Nesmith presents The Wichita Train Whistle Sings (1968) With original mono and stereo pressings and transfers in hand, we set to work understanding just how these discs were assembled in their mono presentations, as well as how the stereo mixes were approached to accommodate this. Despite the simple premise, we have a lot of fascinating things to dig into today. I want to thank Andrew Sandoval, Andrew Pemrich, and Dae Lims for their source assistance. Happy Listening, Frederick Patreon  Email  Instagram - @hypnoticfred 

Hello Friends! After enjoying my time so much with Surfer Girl last time, I felt it only natural to continue on with it's sister LP, Little Deuce Coupe. Issued a mere 3 weeks after it's predecessor, the LP contains 8 new songs, as well as 4 tracks from previous LPs (including 2 from Surfer Girl), but in my opinion it all makes for a cracker of an LP. To top it off, while the mono mix remains supreme, the stereo only continues to improve here, with some amazing mixes that are near comparable to the mono. All-in-all, a great time that is far more than a No-Go Showboat! Happy Listening, Frederick Patreon  Beach Boys Sessions: Stack-o-Tracks Email  Instagram - @hypnoticfred 

Hello Friends! It's Beach Boys time again here on the show, as we continue to enjoy the backend of the summer down under. Somewhat inspired by the recent We Gotta Groove: The Brother Studio Years box set, this album was originally issued in mono and stereo in September 1963, and thankfully has never had any form of remix, though one track did received a mildly modified master for use as a flip side. Often regarded as one of their best recorded LPs, both mixes are a treat, but what makes each one shine in it's own unique way? It's time to find out who mixed it better - Brian Wilson or Chuck Britz! Happy Listening, Frederick Patreon  Beach Boys Sessions: Stack-o-Tracks Email  Instagram - @hypnoticfred     

Hello Friends! It's been a long time coming, but here it is - the Mixology look at The Velvet Underground & Nico, one of the most influential discs of all time, and one of my most requested LPs to cover. I wasn't sure what to expect when going into this album. For such a rough and ready production, stereo didn't feel like it would make sense, but after spending time picking apart both the mono and stereo mixes, and comparing them intently, both really do offer up something unique. Is one better than the other? It's hard to decide. So don't Run Run Run to All Tomorrow's Parties, I'll Be Your Mirror and guide you through all the mono and stereo differences, as well as an alternate mix and single edit of All Tomorrow's Parties! Happy Listening, Frederick Patreon  Email  Instagram - @hypnoticfred 

Hello Friends! Much like last year, I wanted to round out 2025 with a look back over the year that was, reflecting briefly on the wonderful albums we looked at this year, the conversations had, and what could be to come in 2026. It's been a fun year with a number of episodes I'm deeply proud of, and to top it all off, I've got a treat to round out the episode I'm extremely excited to share with you all. Thank you everyone for listening, and I'll see you all in 2026! Happy Listening, Frederick Patreon  Email  Instagram - @hypnoticfred    The Sombreros:   Spotify: https://open.spotify.com/album/7rRhjtrOaTXZK1SnZ6uc5O?si=uK67-9sNSn6ksoKKMDu7qQ Apple Music: https://music.apple.com/us/album/i-dont-care-hoochie-koochie-single/1858120709

Hello Friends! After an extended break away from the Fab Five, we return to The Hollies on Mixology with a look at their 1966 album, 'Would You Believe?'. Their first issued in stereo in the UK (almost at the same time), this LP has always had a very curious mix situation, with the stereo being somewhat inventive with it's panning, and the mono being quite muddy for the most part. With this in mind, I dived into this episode hoping to break down why this is, and let me tell you that the answer was somewhat unexpected, but also somewhat creative - if expedient. With a major discovery on our hands here, this episode only further complicates the mono vs stereo debate when it comes to this material, so don't have a Hard Hard Year, let's dig in! Happy Listening, Frederick

Hello Friends, This time on Mixology, we're back with another Mixology Conversation, this time with the delightful Andrew Batt, discussing the fantastic new Cast Your Fate to the Wind: The Complete UK Decca Recordings from Marianne Faithfull. Andrew's care and attention with Marianne's work made this one of my most anticipated reissue campaigns in many years, and with the fantastic results now available, I have to say it comes with my highest recommendation. However, I was initially left with many questions about the mixes chosen across the set, as while stereo is the defacto choice here, the occasional mono mix surfaces where stereo does in fact exist, and beyond that... why stereo over mono? Your ears will tell you part of the answer, but these make up but a small part of our conversation, which became a delightfully flowing overview of Marianne's 60s career, her evolution from pure folk singer to baroque pop master, and the hurdles and misconceptions that have caused this material to both be overlooked and undervalued both at the time and in the decades since. Andrew - who was amusingly the fourth guest I have had by this name - was an absolute delight to converse with, and our conversation really opened my eyes to the struggles Marianne faced over the years, both externally and internally, when it came to this material, and I am so glad it is finally being given the presentation it deserves to get the appraisal it deserves. For listeners on the Patreon, a 10 minute bonus clip from this conversation is also available, discussing the lack of session reels, Mick Jagger's treasures, the mystery of a vinyl box set, and an exploration of the challenges at large with a curated reissue campaign in 2025. In other words - an utterly essential addition that sadly did not fit into the episode proper! Cast Your Fate to the Wind: The Complete UK Decca Recordings 1964-1969 is out now as a CD box set and a series of LP reissues on Proper Music. Happy Listening, Frederick Patreon  Email  Instagram - @hypnoticfred