A Passage Into Singing

Five years ago, Marc Eliot Stein stepped through the looking glass from opera listener to opera performer by joining the chorus of a Long Island light opera company. This began his "passaggio" - a journey of discovery and surprise into the art of singing and the camaraderie of regional theater. Marc talks about every aspect of learning to sing in an ensemble: imposter syndrome, the need to strategize between chest and head voice, the varying roles of experienced singers and newbies, the angular view of a show you can only get from enjoying it while standing on stage. Also: advice and guidance for any amateur singers who'd like to join a local company and don't know where to start.

Gaby Kogut joins Marc Eliot Stein to take a deep psychological dive into the meaning of Mozart's masterpiece "The Magic Flute". We talk about many things: problems this opera has in 2024, the idea of "Die Zauberflote" as a time capsule of freemasonry, the male gaze, the great Ingmar Bergman movie, Carl Jung, individuation, "Wizard of Oz", the question of evil. Dive in with us into the cultural birdhouse knows as "The Magic Flute"!

There's nothing like singing in an opera chorus. Marc Eliot Stein and Ted Shulman talk about their participation in Regina Opera's production of Verdi's "Rigoletto" in Sunset Park, Brooklyn, and the special ways a chorus can illuminate or enliven a classic opera. We chat about "Nabucco", "Turandot", "Parsifal", "Les Contes d'Hoffmann", "Orfeo ed Euridice", "HMS Pinafore" and "Aida", and the conversation also turns to amateur singing, drinking songs, offensive operas, gender of choruses, teamwork, the disastrous 2023 Israel/Gaza war, Lance Loud, reality TV, New York City's 1970s CBGBs punk scene and a mostly (but not completely) forgotten punk band called The Mumps.

In Gilbert and Sullivan's fairy opera "Iolanthe" empowered magical women crash into toxic privileged masculinity in 19th century London. Marc Eliot Stein interviews New York City singer and actress Casey Keeler about her role as the powerful Fairy Queen in a recent Village Light Opera Group "Iolanthe". We also talk about "Utopia, Limited", community theater, and how New York City's post-COVID opera subculture is staying together through hard times.

Jacques Offenbach's masterpiece "Les Contes d'Hoffmann" is an existential psychological comic opera, a morality tale about an aesthete who destroys himself over a fanciful love of three women. In the last episode of Season 3, Marc Eliot Stein talks about Jewish composers in Paris, "Faust", drinking songs, Mozart, Gilbert and Sullivan, Zarzuela, sex dolls, synaesthesia and the opera novels of late New York City writer Richard P. Brickner.

What should we do with Mozart's problematic masterpiece "Don Giovanni" in the 21st century? Vicki Zunitch joins Marc Eliot Stein to talk about the moral situations portrayed in the famous story of a sociopathic charmer and rapist brought to justice by a stone statue, with a focus on all the characters caught in his web: Anna, Elvira, Zerlina, Masetto, Ottavio, the Commendatore and the eternal wingman, Leporello. We also talk about Soren Kierkegaard's "Either/Or", Frank Sinatra and Kathryn Grayson in "It Happened in Brooklyn", Tirso de Molina's "The Trickster of Seville and the Stone Guest", Moliere's "Dom Juan", the idea of "Carmen" as a reverse gender "Don Giovanni" and a stunningly surreal new version of this opera directed by Romeo Castellucci and choreographed by Cindy Van Acker that premiered in 2021 in Salzburg, Austria.

Pietro Mascagni's Cavalleria Rusticana kicked off the verismo craze in Italian opera in 1890. Ruggero Leoncavallo's Pagliacci followed two years later. We talk about the ripple effects of the verismo movement in this wide-ranging episode, covering everything from Francis Ford Coppola and Martin Scorsese to Anton Chekhov, Konstantin Stanislavski, Stella Adler and Marlon Brando, along with more Marx Brothers, the Ride of the Valkyries and a surprise appearance by Smokey Robinson and the Miracles.

Verdi's "Il Trovatore" is one of the most popular operas of all time, and also one of the hardest to follow. What is going on with this crazy plot? There's a lot under the surface, and it's all spelled out in this explainer by Marc Eliot Stein, who shows how a thrilling but nakedly horrible storyline became an entertainment fit for 19th century operagoers. This fascinating episode ends with a look at the Marx Brothers "A Night at the Opera", which joyously tears Verdi's masterpiece to shreds.

Season 3 kicks off with a visit from poet and professor Daniel Nester, librettist for "The Summer King" by Daniel Sonenberg and author of "God Save My Queen". We talk about slam poetry, karaoke and New York City's Bowery Poetry Club, and then attempt a deep dive into the operatic context of the classic rock song "Bohemian Rhapsody" by Queen, and why it may have been inspired by the verismo opera "Cavalleria Rusticana" by Pietro Mascagni.

A discussion of Giuseppe Verdi's breakthrough opera "Nabucco" and its Biblical origin story of Nebuchadnezzar and the neo-Babylonian invasion of Jerusalem. We also talk about Boney M, the Melodians "By the Rivers of Babylon", the Broadway musical "Godspell", Herman Melville's "Moby Dick", and why some of us hate Verdi's "Aida" and "Rigoletto". Season 2 closer of "Lost Music: Exploring Literary Opera".