
Who Gets Paid When the Cameras Stop Rolling? Backend Royalties, African Film Finance & the Streaming Reckoning
What happens to African creative workers after the contract is signed and the camera stops rolling? In Episode 142, filmmaker Mr Takunda joins IP Series for an unflinching conversation about who really owns African film and who profits from it.
From buy-out clauses that strip writers and directors of long-term earnings, to the collapse of major streaming platforms and what that means for content catalogues, this episode covers the conversations the industry avoids having in public.
Topics include: why African licensing deals are rarely revenue-sharing; what rights filmmakers surrender to streamers and investors; whether African actors will ever see Hollywood-style residuals; the Showmax restructuring and its IP implications; and what a fairer system for African creatives would actually require.
If you create, invest in, or care about African storytelling, this episode is a must listen.
Subscribe to IPSERIES for conversations at the intersection of intellectual property and the real world.
Thank you for listening, and see you next time on the IP Series podcast!
LinkedIn: Takunda Aaron (Zen ISA) Chimutashu
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