Episode 258: Aimee Ogden

Binge on burnt ends with Aimee Ogden as we discuss the YA novel origins of her new novella and the way a watermelon radish gave birth to them both, whether we agree which of her characters therein will captivate readers the most, why she believes in "productive procrastination," how having twins counterintuitively helped rather than hindered her writing output, our opposing views on plotting vs. pantsing, the Bible story she can't stop thinking about, how she chooses the next best thing to write, her secret to writing successful flash fiction, how she was able to carry on in the face of rejection, why being an editor helped her become a better writer, which Ursula K. Le Guin quote she chose as a tattoo, and much more.

Devour a seafood tower with Samantha Mills as we discuss how the eighth novel she wrote became her award-winning debut novel, what she means when she says that novel was "kind of" outlined, the way fascism takes root in a society, the trickiness of writing a narrative with split timelines (and why she's never doing it again), how being an archivist helped her write about a world where archiving matters, the secret to writing believable fight scenes, her technique for switching up writing time between novels and short stories, the early influence of Xena: Warrior Princess, how years of research resulted in her award-winning short story "Rabbit Test," the way an early pregnancy test led to a worldwide frog apocalypse, navigating the difficulties of the modern short story market, the organizing principle of her upcoming collection, how she was able to power through her initial rejections, and much more.

Bite into blueberry pancakes with Silvia Moreno-Garcia as we discuss how short stories helped her find her voice, the way a gross dream combined with a teen cemetery trip led to Mexican Gothic, her love for abandoned places, why she found Madame Bovary startling when she read it in high school, how to successfully write genres in which the reader is more aware of the tropes than the protagonist, the beauty to be found in flawed characters, how to make sure parallel storylines are equally interesting, one technique she admits doing which makes multiple types of readers angry, the difficulty of resisting branding, the reason the term magic realism is overused, and much more.

Feast on oysters with Kemi Ashing-Giwa as we discuss her conscious decision to not take any creative writing courses in college, the eight never-to-be published novels she wrote on her way to The Splinter in the Sky, how COVID-19 led her to take a deep dive into tea (and how tea then inspired her debut novel), her evolution from pantser to plotter, her outreach to 200 agents before she found the right one, how to craft compelling opening sentences, her tips for writing successful fight scenes, why she was able to handle attending Harvard and writing a novel at the same time, how best to deal with editorial revision suggestions, her love of reading debut novels, and much more.

Toast writer/editor Craig Laurance Gidney as we discuss how meeting Samuel R. Delany led to his attending the Clarion Writing Workshop, the influence of reading decadent writers such as Verlaine and Rimbaud, why he kept at trying to get published when so many of his peers stopped, the many ways flaws can sometimes make a story more interesting, our shared love of ambiguity, the reason there must be beauty entwined with horror, why he’s a vibes guy rather than a plot guy, the time Tanith Lee bought him a pint and how that led to him coediting her tribute anthology, what he learned from his years editing a flash fiction magazine, and much more.

Break for brunch with writer Adeena Mignogna as we discuss how Star Trek changed her life, which Trek character she used as her screen name on fan forums when she first went online as a young teen, why she never wrote fanfic, the feedback from a friend which saved her NaNoWriMo novel from being trunked, how she discovered she's neither a plotter nor a pantser but rather something in-between, her favorite science fiction novel of all time (and the important lesson it taught her about her Robot Galaxy series), why she went the indie route and how she knew she had the chops to pull it off, the manner in which we gender robots, the reason writing each book in her quartet was more fun than the one before, why she remains hopeful about our AI future, how she finally learned she was a morning writer after years of trying to write at night, and much more.

Pig out on pork belly with Jarrett Melendez as we discuss how his loves of food and writing combined into a career, the way running comic book conventions gave him the contacts he needed when it was time to create comics of his own, which franchise inspired his sole piece of fan fiction, the comics creator whose lessons proved invaluable, how he knew Chef's Kiss needed to be a graphic novel rather than a miniseries, the way he balanced multiple plot arcs so they resolved in parallel, the magical pig whose taste is more trustworthy than any chef you've ever met, his early crush on Encyclopedia Brown, how he cooks up recipes connected with franchises such as Pokémon and Percy Jackson, the traumatic childhood incident which became the catalyst for his upcoming graphic novel, and much more.

Wolf down lamb with Carolyn Ives Gilman as we discuss the way her ideas aren't small enough to squeeze into short stories, how she shelved a novel she'd written because she felt her imagination at its wildest wasn't ridiculous enough to match reality, whether our personal archives will be trashed or treasured, the reason she doesn't feel she can teach writing, why authors need to respect what the story wants, why she's terrible at reacting to writing prompts and how she does it anyway, how she generally starts a story not with character or plot but with setting, the ethics and morality of zoos and museums, how she manages to makes the impossible seem possible, our shared inability to predict which stories editors will want, and much more.

Rip into roti with writer Tim Paggi as we discuss the story behind his X-Files-inspired juvenilia, the reason he demanded a refund from Barnes & Noble for a volume of Emily Dickinson's poetry, why a writing teacher (wrongfully) accused him of plagiarism, how the beginning of the pandemic was also the beginning of his fiction writing career, whether his recent Cthulhu references were intentional or unavoidable, why the Severance TV show has him feeling anxious (it's probably not the reason you think), the C-word he avoids using in his fiction, whether facing down audiences on stage helped him deal with rejections on the page, the many reasons he loves cosmic horror, the drunkest group he ever led through Baltimore on a ghost tour, and much more.

Mangia mussels in Little Italy with David Simmons as we discuss how he manages to give such dramatic performances during his public readings, why his answer when asked to describe his genre of writing is "Baltimore," the way discovering the novels of Donald Goines changed his life, why his wife was responsible for his first short story being written and sold, how he hopes reading him will have you feeling as if you're in a frenetic car chase, why for him the villains always come first, the extensive research he needed to write Baltimore right, why his rapping career is a thing of the past, the reason a story's opening line is so important, and much more.