War of the Worlds (2005)

In 1999, Touchstone thought they had a surefire hit in the works. They had source material by the author of ‘Jurassic Park’ and the director of ‘Die Hard’ behind the camera! But soon things fell apart so spectacularly that ‘The 13th Warrior’ would become one of the year’s biggest box office bombs. This week, Chris and Lizzie unpack how a power struggle between author Michael Crichton and director John McTiernan doomed the film from the start. Find out why making this movie was a battle worthy of Beowulf himself, full of injuries, near death experiences, and pure unadulterated treachery. Don’t worry, Antonio Banderas still comes out looking great! Hosted on Acast. See acast.com/privacy for more information.

This week, Chris & Lizzie try to unearth the truth behind 2005's War of the Worlds - was it an unmitigated, Cruisian PR disaster? Or was Tom Cruise's bizarre press tour merely a scapegoat? Plus, how Steven Spielberg and company put together a $135M sci-fi epic on a 10 month turn-around, how a couple of B-movie mockbusters beat it to the box office, and yet another concept album throwing a wrench in the works. Hosted on Acast. See acast.com/privacy for more information.

In preparation for Monday's episode on War of the Worlds (2005) Chris and Lizzie explore the history of Scientology, the wave of religious movements in early 20th century Los Angeles, and set the table for Tom Cruise's disastrous publicity tour leading up to the release of the film. Hosted on Acast. See acast.com/privacy for more information.

‘Giant’ may be remembered as James Dean’s final film, but there is so much more to the story. Chris and Lizzie dive into the making of the classic 1956 film, why James Dean and Rock Hudson couldn’t stand each other, and how Elizabeth Taylor found herself caught between the two. Find out how homophobia tore Rock Hudson’s life apart, why director George Stevens constantly fought with James Dean, and how Dean’s untimely death prior to the end of production set the film on a totally different course. Hosted on Acast. See acast.com/privacy for more information.

My Big Fat... Latina Wedding? This week, Chris & Lizzie dive into the magical, seemingly impossible indie-darling that could, My Big Fat Greek Wedding. Learn how Nia Vardalos turned what Hollywood perceived to be her biggest liability (her Greek heritage) into a movie so specifically hilarious, it felt universal. This is the unlikely story of how a one-woman show (and a $500 ad in the LA Times) found Rita Wilson and Tom Hanks in its audience and birthed one of the most successful indie films in the history of Hollywood. Hosted on Acast. See acast.com/privacy for more information.

When Hollywood producers got their hands on Truman Capote’s “Breakfast at Tiffany’s”, they thought they’d found the perfect RomCom. There was just one problem: there was no rom in that com because the narrator was gay. In this episode, Chris and Lizzie break down the Audrey Hepburn classic and discover why she was reluctant to take the part, which actor caused the most trouble on set, and how the cinematographer got electrocuted… at Tiffany’s! Plus we discuss the lasting impact of Mickey Rooney’s troubled performance, and discover why Truman Capote himself wanted to spit on the director. Hosted on Acast. See acast.com/privacy for more information.

When the town of Holcomb, Kansas opened its doors to renowned author Truman Capote in 1959, they had no idea their story would change the way True Crime was written forever. Join Chris and Lizzie as they explore the real case behind the novel ‘In Cold Blood’ and its 1967 film adaptation, plus find out where Capote may have twisted the truth, and the shocking lengths film director Richard Brooks took to recreate the murders of the Clutter Family. Hosted on Acast. See acast.com/privacy for more information.

It's time for the feel bad sequel of 1984! Join Chris and Lizzie as they explore how bad breakups and broken backs contributed to George Lucas and Steven Spielberg being branded villains by People magazine. Plus, why Ke Huy Quan's "Short Round" is the real hero, Kate Capshaw paying a steep price for not reading the entire script, and why we still love Harrison Ford even though he stole Short Round's lines. Hosted on Acast. See acast.com/privacy for more information.

This week Bob Fosse is clawing his way out of director’s jail with one of the greatest movie musicals ever made: ‘Cabaret’. Join Chris and Lizzie as they discover how instrumental Liza Minelli was in creating Sally Bowles’ iconic look, why Joel Grey cried after he saw the first cut, and which role Bob Fosse might have wanted to take for himself… We also find out why Bob Fosse probably shouldn’t attempt any more backflips, and how a sordid affair in Berlin effectively ended his relationship with Gwen Verdon.  Hosted on Acast. See acast.com/privacy for more information.

How does George Lucas top the most successful film of all time? He outsources the writing and directing, finances it himself, and then wonders if it could've been as successful if it had just been a little bit worse! This week, Chris & Lizzie head to Hoth to watch Irvin Kershner's cameras freeze, Dagobah to bear witness to Frank Oz create our favorite little bog freak, and navigate the asteroid field of Han and Leia's all too meta verbal sparring! Hosted on Acast. See acast.com/privacy for more information.