Vinson Cunningham

Jordan chats with Dorothea Lasky (The Shining) about interpreting a horror classic in her latest poetry collection, her love for horror, and why playfulness and horror aren't incompatible—and might in fact be inextricably connected. MENTIONED:The Shining by Stephen KingThe Shining (1980)Bernadette Mayer's "Memory" projectDorothea Lasky is the author, most recently, of The Shining  (October 2023), and Animal, published in 2019 in the Bagley Wright Lecture Series. She is also the author of Milk (Wave Books, 2018), Rome (Liveright/W.W. Norton, 2014), Thunderbird (Wave Books, 2012), Black Life (Wave Books, 2010), and AWE (Wave Books, 2007). She is also the author of six chapbooks. Born in St. Louis in 1978, she has poems that have appeared in American Poetry Review, Boston Review, Columbia Poetry Review, Gulf Coast, The Laurel Review, MAKE magazine, Phoebe, Poets & Writers Magazine, The New Yorker, Tin House, The Paris Review, and 6x6, among other places. She is the co-editor of Open the Door: How to Excite Young People About Poetry (McSweeney's, 2013), co-author of Astro Poets: Your Guides to the Zodiac (with Alex Dimitrov, Flatiron Books, 2019) and is a 2013 Bagley Wright Lecturer on Poetry. She holds a doctorate in creativity and education from the University of Pennsylvania, is a graduate of the MFA program for Poets and Writers at the University of Massachusetts-Amherst, and has been educated at Harvard University and Washington University. She has taught poetry at New York University, Wesleyan University, and Bennington College. Currently, she is an Associate Professor of Poetry at Columbia University's School of the Arts and lives in New York City. Hosted on Acast. See acast.com/privacy for more information.

Jordan talks with Vinson Cunningham (Great Expectations) about finding himself in the midst of history, discovering ways to hang onto moments, and why he turned to his real life for his debut novel.MENTIONED: The Vanity Fair Diaries by Tina BrownAnswered Prayers by Truman Capote"How Auto is Auto-fiction" by Christian Lorentzen"American Boy" by EstelleThe Idiot by Elif BatumanShadow and Act by Ralph EllisonVinson Cunningham is a staff writer and a theatre critic at The New Yorker. His essays, reviews, and profiles have appeared in The New York Times Magazine, The New York Times Book Review, The Fader, Vulture, The Awl, and McSweeney’s. A former staffer on Barack Obama’s first presidential campaign and in his White House, Cunningham has taught at Sarah Lawrence College, the Yale School of Art, and Columbia University’s School of the Arts. He lives in New York City. Hosted on Acast. See acast.com/privacy for more information.

Jordan chats with Meghan O'Rourke (The Invisible Kingdom) about hiding from herself, the death of her father, and the challenges of writing a book without knowing where it will go. MENTIONED:The Riddles of the Sphinx by Anna ShechtmanWalking and Talking (1996, written & directed by Nicole Holofcener)"The Teens Have Made Nirvana Preppy" by Sarah StankorbMeghan O’Rourke is the author of the New York Times bestseller The Invisible Kingdom: Reimagining Chronic Illness and The Long Goodbye, as well as the poetry collections Sun In Days, Once, and Halflife. Her writing has appeared in The Atlantic Monthly, The New Yorker, and The New York Times, and more. The recipient of a Guggenheim Fellowship, a Radcliffe Fellowship, and a Whiting Nonfiction Award, she resides in New Haven, where she teaches at Yale University and is the editor of The Yale Review. Hosted on Acast. See acast.com/privacy for more information.

Jordan talks with Rumaan Alam (Leave the World Behind) about money, freedom, his recent period of creative fecundity, and the enduring power of art.MENTIONED:The Golden Bowl by Henry JamesAppropriate by Branden Jacobs-JenkinsFamily Meal by Bryan WashingtonZero K by Don DeLilloAgnes MartinRumaan Alam is the author of three novels: Rich and Pretty, That Kind of Mother, and Leave the World Behind. Other writing has appeared in The New Yorker, The New York Review of Books, Bookforum, The New York Times, New York Magazine, and the New Republic. He studied writing at Oberlin College and now lives in New York with his family. Hosted on Acast. See acast.com/privacy for more information.

Jordan talks with artist and writer Maira Kalman about the death of her husband Tibor Kalman, the process of grief, and her irrepressible creative spirit.MENTIONED:Pippi Longstocking by Astrid LindgrenSarah Berman's ClosetThe Diaries of Franz Kakfa by Franz Kafka, tr. by Ross Benjamin"Cheek to Cheek" by Irving Berlin, sung by Fred AstaireMaira Kalman was born in Tel Aviv and moved to New York City with her family at the age of four. She has written/illustrated over 30 books for adults and children, been a frequent contributor to The New York Times and The New Yorker, and created textiles for Isaac Mizrahi and Kate Spade and sets for Mark Morris. Other collaborations have been with Nico Muhly, Alex Kalman, Michael Pollan, David Byrne, John Heginbotham, and Gertrude Stein. Her watch and clock designs appear under the M&Co label, the design studio created by her late husband Tibor Kalman. She has won many awards and given numerous talks, including several TED talks. Her art has been exhibited in galleries and museums around the world. Her latest book is Women Holding Things. Hosted on Acast. See acast.com/privacy for more information.

Thresholds is back! To open a new season, Jordan sits down with McKenzie Wark live at PioneerWorks in Red Hook, Brooklyn, for a conversation about raving, gender transition, and the radical work of "playing" with form.MENTIONED:Leonora CarringtonKenneth GoldsmithAudre Lorde’s ZamiZoo, Or Letters Not About LoveMcKenzie Wark is the author of Love & Money, Sex & Death; Raving; Capital Is Dead; Reverse Cowgirl, and The Beach Beneath the Street, among other books. She is a Professor of Culture and Media and Program Director of Gender Studies at the New School.For more Thresholds, visit us at www.thisisthresholds.com Hosted on Acast. See acast.com/privacy for more information.

For her last guest as guest-host, Mira chats with former mentee Gina Chung about her debut novel Sea Change, writing about the honest messy stuff, and about learning to take better care of yourself (mind, body, and spirit) for the long-haul creative practice.MENTIONED:The bats under Congress Bridge in Austin, TX“The Love Song of the Mexican Free-Tailed Bat” by Gina Chung (at F(r)iction)The Daniels accepting the Oscar for Best Picture for Everything Everywhere All At OnceGina Chung is a Korean American writer. Born in Queens and raised in New Jersey, she is now based in Brooklyn, New York. She is the author of SEA CHANGE (2023 B&N Discover Pick for April; Vintage, March 28, 2023; out in the Commonwealth on April 13, 2023 and in the UK on August 10, 2023 from Picador) a novel about climate change, giant Pacific octopuses, and family, and GREEN FROG (Vintage, 2024; out in the UK/Commonwealth from Picador in 2024) a collection of short stories that explore themes of Korean American womanhood, bodies and animals. A recipient of the Pushcart Prize, she is a 2021-2022 Center for Fiction/Susan Kamil Emerging Writer Fellow and holds an MFA in fiction from The New School's Creative Writing Program and a BA in literary studies from Williams College. She is an alumnus of several workshops and/or craft intensives, including the Asian American Writers' Workshop, Sevilla Writers House, The Center for Fiction, Kweli, and Tin House. For more Thresholds, visit us at www.thisisthresholds.com Learn more about your ad choices. Visit megaphone.fm/adchoices Hosted on Acast. See acast.com/privacy for more information.

J Wortham joins Mira to talk about the power of changes -- changing location, changing names, changing pronouns -- and the space that can open up as a result of them. Plus, some love for benevolent conspiracies!MENTIONED:Alejandro's Run in LAStill ProcessingKristy from The Babysitter's ClubJ Wortham (they/them) is a sound healer,, reiki practitioner, herbalist, and community care worker oriented towards healing justice and liberation. J is also a staff writer for The New York Times Magazine, and co-host of the podcast ‘Still Processing,’ They occasionally publish thoughts on culture, technology and wellness in a newsletter. J is the proud editor of the visual anthology “Black Futures,” a 2020 Editor's choice by The New York Times Book Review, along with Kimberly Drew, from One World. J is also currently working on a book about the body and dissociation for Penguin Press. J mostly lives and works on stolen Munsee Lenape land, now known as Brooklyn, New York, and is committed to decolonization as a way of life.For more Thresholds, visit us at www.thisisthresholds.comBe sure to leave a review on your preferred podcast platform! Learn more about your ad choices. Visit megaphone.fm/adchoices Hosted on Acast. See acast.com/privacy for more information.

Legendary cartoonist Barbara Brandon-Croft (Where I’m Coming From) joins Mira to talk about building a life out of odd jobs, the double-edged sword of being ‘the first,’ and how being a cartoonist was never on her mind until it happened.MENTIONED:Brumsic Brandon, Jr. (Barbara’s father, creator of the comic Luther) Marie BrownJules Feiffer’s Village Voice stripWomen’s Wear DailyBarbara Brandon-Croft was born in Brooklyn and grew up on Long Island. After debuting her comic strip Where I’m Coming From in the Detroit Free Press in 1989, Brandon-Croft became the first Black woman cartoonist to be published nationally by a major syndicate. During its 15 year run, Where I’m Coming From appeared in over 65 newspapers across the USA and Canada, as well as Jamaica, South Africa, and Barbados. Her comics are in the permanent collection of the Library of Congress. Brandon-Croft lives in Queens.For more Thresholds, visit us at www.thisisthresholds.comBe sure to leave a review on your favorite podcast platform! Learn more about your ad choices. Visit megaphone.fm/adchoices Hosted on Acast. See acast.com/privacy for more information.

Writer and organizer Sarah Thankam Mathews (All This Could Be Different) joins Mira to discuss a brush with mortality in a rip-tide off the California coast, discovering “the sourdough starter of ego death,” and the problems of being an artist under capitalism.MENTIONED:Big Sur, California"How to Escape a Rip Current"What It Is by Lynda BarryI May Destroy YouMichaela Coel's Emmy acceptance speech (video, transcript)Sarah Thankam Mathews grew up between Oman and India, immigrating to the United States in her late teens. Her work has been published in Best American Short Stories and she is a recipient of fellowships from the Asian American Writers’ Workshop and the Iowa Writers’ Workshop. In 2020, she founded the mutual aid group Bed-Stuy Strong. All This Could Be Different, Mathews’ debut novel, was named an NYT Editor’s Choice, chosen for multiple high-profile Best of 2022 lists, and shortlisted for the National Book Award.For more Thresholds, visit us at www.thisisthresholds.comBe sure to leave a review on your favorite podcast platform! Learn more about your ad choices. Visit megaphone.fm/adchoices Hosted on Acast. See acast.com/privacy for more information.