253 | Producing a Hit Studio Movie: What Writers Should Know ft. Sheila Hanahan Taylor (Final Destination: Bloodlines)

Join TSL Workshops: https://tslworkshops.circle.so How do you turn a real-life moment into a movie — without studio backing or a big festival launch? Jeff talks with The Bragg Brothers about making PINBALL: THE MAN WHO SAVED THE GAME, an indie biopic about GQ journalist Roger Sharpe, who helped overturn New York’s ban on pinball in 1976. They share how they spotted the story’s potential, built trust with Roger and their financier MPI, and crafted a fun, visually bold film — complete with narration and performances from major talent like Mike Faist (CHALLENGERS). If you’re developing a true story or curious how two filmmakers turned a niche moment into a breakout debut, this episode is for you. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we’re spotlighting two incredible TV writers whose journeys were meaningfully shaped by the Austin Film Festival. Sylvia Batey Alcalá (A MAN ON THE INSIDE, PRIMO) and Mac Smullen (SOUVENIR, ALASKA) share how AFF helped get their names out there —building momentum, sparking connections, and opening doors that had long felt closed. But a festival isn’t the finish line — it’s the starting gate. Sylvia and Mac walk us through the real (and rewarding) work it takes after recognition: rewriting, building reps, pitching, and staying ready for the moment when things start to move. It’s a candid, thoughtful, and energizing conversation about what breaking in looks like today — and how festivals like AFF can help writers get in the game. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Meg gets real about where she’s at in her writing process — the doubts, the stalls, and the honest truth of feeling stuck. We answer listener questions about momentum, mindset, and the tough question of when it’s time to move on from a project that just isn’t working. Whether you're in a rut or wrestling with a story that won’t cooperate, this one’s for you. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fresh off the massive critical and commercial success of FINAL DESTINATION: BLOODLINES, friend of the show Sheila Hanahan Taylor is back to share the ins and outs of producing a studio movie. What can writers do to develop a good relationship with a producer? How does a producer serve both the studio's voice and the writer's voice? On today's episode, Sheila unpacks it all! Learn more about your ad choices. Visit megaphone.fm/adchoices

JOIN TSL WORKSHOPS: https://tslworkshops.circle.so This week, we’re joined by Kim Rosenstock (DYING FOR SEX) to explore how a complicated protagonist with a simple goal drives interesting, rich, and emotionally resonant storytelling. Through the lens of her deeply personal and genre-blending show, which she co-created with Liz Meriwether, Kim shares how clarity of objective gave DYING FOR SEX its emotional depth, tonal range, and narrative momentum — and why writers shouldn’t be afraid to keep their characters’ goals simple, even when the journey is anything but. Learn more about your ad choices. Visit megaphone.fm/adchoices

JOIN TSL WORKSHOPS: https://tslworkshops.circle.so What’s it like to collaborate creatively with your spouse — and still want to have dinner together after? This week, we’re joined by Joe Forte, screenwriter (Firewall) and longtime writing partner (and husband!) of Meg LeFauve. We talk candidly about the unique dynamics of working with your life partner — the communication hurdles, the unexpected benefits, and how to protect both the relationship and the work. Plus, Joe shares the power of writing retreats, how he thinks about mentorship, and what it really means to support another writer’s voice while honoring your own. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join TSL Workshops: https://tslworkshops.circle.so When you’re pitching — whether it’s on studio IP or your own original idea — what sets you apart is your take. But what does that actually mean? This week, Jac Schaeffer (WandaVision, Agatha All Along) breaks it down. For Jac, a great take starts with the emotional core — “what is the deep down” that connects you to the material. From there, it’s about delivering a pitch only you could give: not necessarily linear or formulaic, but full of energy, essence, and personal vision. We talk about how far is too far from the IP, how to navigate studio mandates, and how to protect your voice in rooms full of competing takes. 🎬 Jac’s first feature, TiMER, is now available to stream for free on Tubi! https://tubitv.com/movies/100029089/timer Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special roundtable, we’re joined by three working screenwriters — Nic Curcio, Kristen Tepper, and Julia Yorks — who have each built successful writing careers while also growing authentic, engaged followings online. We talk candidly about the growing pressure for writers to maintain a social media presence. From expanding your network to attracting opportunities, social media can help. But it can also complicate your creative process, affect your mental health, and make the work feel secondary. This conversation is an honest look at that tension — and how, with the right mindset, social media can become less of a burden and more of a creative outlet that reflects your voice, supports your goals, and connects you to a writing community in an often isolating industry. --------------- Check out Nic, Kristen, and Julia's social accounts below... Nic Curcio Instagram: @nicolascurcio | TikTok: @nicolascurciowriter Kristen Tepper Instagram: @kristentepper | TikTok: @teppertoks Julia Yorks Instagram: @juliayorks | TikTok: @juliayorks --------------- Learn more about your ad choices. Visit megaphone.fm/adchoices

JOIN TSL WORKSHOPS: https://tslwokshops.circle.so Trey Edward Shults is an inspiration to directors everywhere — including Jeff. His debut feature, KRISHA, was a no-name psychological drama shot in his own home on a shoestring budget under $30K. Against all odds, it won SXSW, screened at Cannes, and eventually sold to A24. KRISHA stands as a beacon for anyone looking to make a personal, ambitious feature with limited resources. Now Trey is collaborating with The Weeknd, and even though their new film HURRY UP TOMORROW feels bigger in scale, Trey's storytelling ethos remains unchanged: center the character, prioritize emotion, and use the camera as a tool to highlight the story — not to distract from it. Learn more about your ad choices. Visit megaphone.fm/adchoices

JOIN TSL WORKSHOPS: https://tslworkshops.circle.sol In this special edition of our mailbag series, we’re flipping the script. Instead of questions from newcomers, today we hear from working, professional screenwriters—people already inside the industry, navigating the real-world challenges of a creative career. From handling difficult notes to sustaining momentum between jobs, Meg and Lorien dig into what it means to grow and survive as a writer at the professional level. Learn more about your ad choices. Visit megaphone.fm/adchoices