MBP #156 AyseDeniz

AyseDeniz was considered a child prodigy in her native Türkiye and made her concerto debut when she was nine, with the Gordion Chamber Orchestra playing J.S. Bach’s Keyboard Concerto No. 5. At thirteen, she had already performed as a soloist with various orchestras under conductors including Ibrahim Yazici, Fahrettin Kerimov, Antonio Pirolli, Cem Mansur, Engin Sakpinar, Ertug Korkmaz, Rengim Gokmen, Vladimir Sirenko, and Kirill Karabits.  ​ As a young pianist, AyseDeniz attended prestigious summer festivals including the Verbier Academy, Music Academy of the West, Aspen Music Festival and School, PianoTexas, Goslar Konzertarbeitswochen, Tel Hai, and Beijing International Music Festival, studying with renowned piano pedagogues such as Menahem Pressler, Jerome Lowenthal, Arie Vardi, Yoheved Kaplinsky, as well as Lang Lang. In middle school, AyseDeniz moved to Spain for half a year to study with the renowned Bach interpreter Rosalyn Tureck, becoming one of her last students. ​ In 2009, she completed her Bachelor's Degree at Eastman School of Music (Rochester NY) in the studio of Douglas Humpherys with all semesters on Dean's List, and received the Howard Hanson and Clements Scholarships as well as the John Celentano Excellence in Chamber Music Award. In 2011, She completed her Masters in Piano Performance at the Royal Academy of Music in London, under the tutelage of Christopher Elton, and received the Maud Hornsby Award, graduated with Merit, and also completed the Licentiate of the Royal Academy of Music Teaching Certificate. ​ Throughout her early career, AyseDeniz has given concerts around the world including Cathedral of Christ The Savior Moscow (Russia); L’Eglise Verbier (Switzerland); Duke’s Hall, Steinway Hall, Kings Place London (UK); Bellapais Antique Monastery (Northern Cyprus); Kiev Central Park of Culture Open Air Hall, Lysenko Hall (Ukraine); PepsiCo Hall (TX), Kilbourn Hall (NY), Harris Hall (CO), Pacific Amphitheater (CA) in USA; Teatro Cine Chacabuco (Argentina); Teatro Cine Gouveia, Teatro das Figuras Faro, Centro Cultural de Ãlhavo, Centro Cultural da Gafanha da Nazare, Groove Cascais (Portugal); Galleria d’Arte Moderna, San Fedele Milan, Teatro Dario Fo Venice, and St. Giorgio Cathedral Palermo (Italy); Silent Green Kulturquartier Berlin and Konzertsaal Friedenskapelle Münster (Germany); Sofia Central Military Club (Bulgaria), Ambato City Hall (Ecuador); Afundación and Mar de Vigo (Spain) and in almost all of Türkiye’s most important music halls including Süreyya Opera House, Albert Long Hall, CRR, CKM and Zorlu PSM (Istanbul), State Opera House (Eskisehir); City Hall (Adana); Atatürk Cultural Center & KSÜ Yunus Emre Cultural Center (Antalya); Opera Hall (Mersin); Hikmet Simsek Cultural Center, (Izmir); METU, CSO and MEB Sura (Ankara).  AyseDeniz Links   Mr. Bill’s Links   Podcast Produced & Edited by: Robert Fumo

Bio: "Grabbitz has never shied away from embracing the totality of his musicality as a hybrid-live electronic artist, continually innovating and pushing his sound forward with each subsequent release." -(Billboard) "An updated version of the heady late-Nineties days when rock and 'electronica' commingled freely."-(Rolling Stone) Grabbitz Links Mr. Bill’s Links Podcast Produced & Edited by: Robert Fumo

Bio: Opiuo is a genre-bending plethora of auditory and visual masterclasses. Positivity and movement are at the core of the project, and his music is an infectious electronic based blend of funk, soul, psychedelia, and booty-shaking bass. Born in 1984 in rural New Zealand, his parents provided the land upon which music festivals were held. This extremely formative growth, surrounded by the early incarnations of Aotearoa’s electronic music scene, exposed him to the celebration of life through self-expression, dance, and giant sound systems. These experiences shaped so much of who he is & what he stands for today. Now calling Australia home, Oscar tours his party-starting music throughout the globe. Having spent more than a decade performing at some of the world's most renowned festivals and venues, including Lollapalooza, Glastonbury, and Coachella, as well as selling out Colorado’s Red Rocks Amphitheatre, he’s performed his music in an unimaginably large array of formats. From his self-built orchestras to symphonic choirs, touring his own Opiuo Band, and as an immersive solo audio & visual show, his live creativity is limitless. Taking home the New Zealand Music Award for Best Electronic Album in 2014, his catalogue is vast. Having released 5 full-length albums, 10 EPs, and a myriad of singles and remixes over the last 14 years. His latest album is a live recording from his legendary sold out performance at the iconic Red Rocks Amphitheatre, with The Opulent Orchestra, in May 2023. Opiuo Links Mr. Bill Links  

BIO: Automhate is an Italian artist known for his unique blend of electronic music and avant-garde artistry. Emerging from the underground music scene, Automhate has carved a niche with his experimental soundscapes and innovative production techniques. His work often transcends traditional genre boundaries, incorporating elements of techno, ambient, and industrial music. Automhate's performances are renowned for their immersive and energetic nature. With several critically acclaimed releases, he continues to push the boundaries of contemporary electronic music.Automhate is an Italian artist known for his unique blend of electronic music and avant-garde artistry. Emerging from the underground music scene, Automhate has carved a niche with his experimental soundscapes and innovative production techniques. His work often transcends traditional genre boundaries, incorporating elements of techno, ambient, and industrial music. Automhate's performances are renowned for their immersive and energetic nature. With several critically acclaimed releases, he continues to push the boundaries of contemporary electronic music. Chapters: 00:00 Exploring the Artist's Identity 05:12 Music as a Form of Self-Expression 23:35 Unraveling the Source of Creativity in Music 31:01 Exploring the Origins of Art and Music 35:32 The Timeless Nature of Music 40:23 Ethics of Sampling in Electronic Music 49:28 The Ultimate Purpose of Music 51:02 Authenticity in Electronic Music Automhate Links Mr. Bill’s Links Podcast Produced & Edited by: Robert Fumo

Bio: Nida donned the Green Matter alias in 2019 after several years of cultivating a love of bass music. This fiery passion was first sparked in 2012, when her sister took her to a Skrillex performance. She then dove headfirst into DAWs and dubstep production, finding her creative calling with the Green Matter project. The Latina artist shines unforgettably bright in the Denver, CO, bass music scene. Her sound cross-pollinates the nostalgia of earlier dubstep and the constant innovation of modern bass production. Green Matter Links Mr. Bill’s Links Chapters: 00:00 Introduction and Background 01:53 Learning Ableton and Music Production 03:52 Green Matter's Creative Process 06:31 Defining Music: Drums, Melody, and Groove 09:25 Working at Meow Wolf 16:02 Goals for 2024 22:00 Overcoming Challenges as a Woman in the Electronic Music Scene 25:48 Navigating Pressure and Burnout in the Music Industry 29:01 Managing Mental Health  31:30 Finding Balance and Recharging with Favorite Activities 41:22 Favorite Venue in Colorado 45:19 Where to Find Green Matter's Music

Bio: "ONHELL" is a phonetic respelling of the Spanish pronunciation of angel and the first name of Los Angeles-based composer, producer, and DJ, Angel Rubio-Hale. ONHELL’s sets are diverse journeys, mostly comprised of original beats. Though no two tunes are the same, all with varying bpms and rhythms, ONHELL masterfully melds them all with distinct cohesion.  He’s completed multiple US tours, a solo tour across Asia, and has played at many notable festivals, including Symbiosis Gathering, Shambhala, Croatia’s Outlook Festival, Wakaan, Northern Nights, Treefort Music Fest, What the Festival, Raindance Campout, Untz Festival, and Emissions. ONHELL Links Mr. Bill’s Links: Podcast Produced & Edited by: Robert Fumo Chapters: 00:00 Living in the Woods: Finding Inspiration in Nature 02:58 The Challenges of Mixing Music in Different Environments 06:54 Exploring the Potential of AI in Music Production 13:22 Defining Music: From Silence to Birdsong 28:53 The Impact of Legalization on the Weed Industry 28:57 The History and Climate of Weed Cultivation in California 32:19 Exploring Personal Experiences with Substances 39:16 The Underground Party Scene in LA: Themed Parties and Freedom 45:51 Understanding Polyamory: Benefits and Challenges 49:39 Collaboration and Camaraderie in the West Coast Music Scene

Bio Living in Denver, CO, Tom Brennan has been making electronic music of many flavors under the alias Keota for nearly 10 years, and making music for 15+ years. Specializing in many off-shoots of genres popularized in the UK (dubstep, garage, "neurohop", half-time, etc), Keota has played festivals such as Submersion, Wakaan, Sol Fest, Sound Haven, Infrasound, & many more. Keota also has a passion for education, and runs a Patreon with over 130+ videos, as well as a few sample packs, racks, and project files. Chapters 00:00 Introduction and Background 06:12 Democratizing Pay in the Entertainment Industry 15:34 The Value of Art and Entertainment 27:41 The Impact of Hierarchies in the Industry 43:16 Idealism and Materialism in Capitalism 49:28 Incentives and Innovation in a Socialist Society 58:36 The Impact of Socialism on the Arts and the Environment 01:11:25 The Contradictions and Consequences of Capitalism 01:19:14 The Importance of Critical Thinking and Imagining Alternative Futures Keota Links Mr. Bill’s Links Podcast Produced & Edited by: Robert Fumo

Seppa has been producing beats for over 15 years, always finding new ways to keep the dance floor exciting. After working with a variety of small labels as Duskky, it was Wonk#ay Records (which he now co-runs with Bunkle and Aytch) that really pushed him into becoming what he is today. Playing a variety of parties, big and small, gave him a feel for what really works and that has influenced his productions up to the present. In 2015 he changed his name to Seppa, releasing a single entitled “Trojan/Coriolis” on AutomAte Recordings in February 2016, which was followed up by the EP ‘Homunculus’ in April that year. In November 2016 he released the ‘Displaced’ EP, which covered a variety of atmospheres and speeds whilst keeping a consistently dance floor friendly sound. After co-founding the record label Slug Wife, he turned out a wide variety of material, including his two solo albums to date, 'More' (2018) and 'Split' (2020), both of which were received to great acclaim. He's also put out two albums with collaborator Chalky, entitled 'Bright Spots' (2018) and 'Strange Changes' (2020), exploring instrument driven Jazz flavours and psychedelia. His beat tape, "Whack Lack Vol. 1" (2018), has also become a firm fan favourite alongside numerous Remixes, Singles and EPs. Having now left Slug Wife behind, and after a few years of big life things - namely becoming a father and a husband - Seppa returns in 2024 with his third full length album, ‘See It Through’. Featuring driving boom bap beats and his inimitable taste for otherworldly soundscapes it’s a narrative experience from start to finish, demanding many full listens to unearth all the hidden details. Whilst designed to be a completely enrapturing home listening experience, Seppa’s production really shines on a sound system, and he’s excited to bring his new musical creations to the dancefloor. Chapters 00:00 Introduction and Background 01:29 The Story of SlugWife 10:56 The Pressure to Release Music Regularly 15:46 Creating Meaningful and Re-listenable Music 23:30 The Emotional Language of Music 28:01 Exploring Minimal Viable Music 32:35 The Subjective Nature of Music 39:24 The Power of Music and Creative Limitations 44:52 Balancing Quality and Quantity in Music Production 52:49 The Role of Mastering in Music Production 58:31 Clippers vs. Limiters in Mastering 01:05:07 Seppa's Upcoming Album: 'See It Through' Seppa Links   Mr. Bill’s Links

One of the co-founders and owners of Kilohearts, Anders is a key developer behind the Phase Plant soft synth, and the extensive suite of effects plugins that make up the Kilohearts modular ecosystem. He lives and works in Linköping, Sweden, and enjoys demoscene music, quirky Australian comedy, and gently trolling his colleagues on the company message board. Anders Stenberg Links NewsRecently released Mr. Bill's God Mode content bank, as well as two new products, Shaper and Shaper Table. Chapters 00:00 Introduction and Background 06:25 The Challenges and Roles in Plugin Development 26:39 The Future of Plugins and the Focus at Kilohearts 33:43 Exploring Concatenative Synthesis 44:48 Understanding Sample Rates 53:28 Demystifying Fast Fourier Transforms (FFTs) Mr. Bill’s Links Podcast Produced & Edited by: Robert Fumo

Bio: Since a young age, Lizzy Jane has made it her goal to attack music from all angles. Since previously composing music as a vocalist, pianist, and bassist, she has carried her musical knowledge to the electronic scene with a fresh twist. Lizzy Jane utilizes her eccentric musical taste to accent a passionate pop in the realm of melodic bass and electronic music. She fights to combine the elements of melodic progression, live instrumentation, bass synthesis, and vocal prowess into her music. Additionally, she has launched The Lizzy Jane Podcast to give listeners first hand advice on various parts of the music and entertainment industries. From artists, DJ's, composers, video game creators, talent agents, managers, and other various industry professionals all over the world. Lizzy Jane provides fans with an inside look at her journey, overall career, and contribution to the ever changing industry that we all love. Her work ethic and her drive are what make Lizzy Jane a name you'll be familiar with very soon. She has a strong passion to exceed expectations and continue to push the envelope when it comes to music, sound design, and a captivating live show. Lizzy Jane Links Mr. Bill Links Chapters: 00:00 Introduction and Catching Up 14:21 The Challenges of Bass Music Production 35:14 Women in the Music Industry 43:04 Progress and Challenges 52:59 The Nature of Music