Episode 31 • Liv Siddall, WePresent • Dave Calhoun, Time Out • Natalia Rachlin, Mother Tongue

For this 40th anniversary episode of the Podcast, Jeremy is joined by Danielle Pender, founder of Riposte, and Kai von Rabenau, founder of mono.kultur. They discuss the return to print of the two magazines after a three-year gap, and the changes and learnings the two publisher/editors have noted over the long runs of their magazines. Danielle published 13 editions of Riposte as ‘A smart magazine for women’, before moving into fiction writing in 2022. She has now relaunched her magazine as a literary mag titled Riposte Editions. mono.kultur features a single interview with an artist each issue, maintaining an A5 format each time but using design and print finishing to reflect its subject. Kai reflects on the project and the choice of designer/filmmaker/writer Mike Mills as the latest subject. https://www.riposteeditions.com http://mono-kultur.com/news We’re grateful to our friends at Park Communications for their support of the magCulture Podcast. Find them online at www.parkcom.co.uk Audio produced and edited by Sam Williams

This episode looks at the role of illustration in publishing, with two guests whose magazines rely on drawn images to bring their pages to life. Cathy Olmedillas launched her ‘happy mag for kids’ Anorak 18 years ago, and has developed an international audience for its colourfully themed quarterly editions. The magazine is also one of a set that launched early in the noughties that can be viewed today as the ‘original’ indies. She discusses Anorak’s origins, its longevity, the power of illustration, and why her young audience still enjoy a magazine despite the lure of the smartphone. She also reveals the best place to get a pistachio ice cream in London. Charles Baker edits The Fence, another quarterly packed with illustration. The magazine mixes humour, investigation and fiction in a manner reminiscent of both the 18th century London news sheets and more recent US titles such as Spy. He discusses the role of illustration in bringing stories to life as well as providing a visual identity to his magazine. We’re grateful to our friends at Park Communications for their support of the magCulture Podcast. Find them online at www.parkcom.co.uk Audio produced and edited by Sam Williams

This episode features two of the international guests that spoke at our recent magCulture Live London 2023 event. Both joined us a couple of days after the event to discuss their publications in more detail, revealing a shared passion for print. After a brief reflection on magCulture Live from Jeremy and Danielle, and a look at some recent new magazines, we hear from our two guests. Debra Bishop is design director of the New York Times Kids, a brilliant award-winning broadsheet monthly distributed with the weekend newspaper. She talks about her career to date—including Rolling Stone and Martha Stewart—and her approach to designing the broadsheet. She also talks about the Print is Dead podcast, which she helped set up with Patrick Mitchell. Maya Moumne is a principal member of the team behind Beirut-based magazines Journal Safar and Al Hayya. She discusses what first attracted her to print, and the difficulties of producing politically ambitious magazines in the South West Asia and North Africa area. We’re grateful to our friends at Park Communications for their support of the magCulture Podcast. Find them online at www.parkcom.co.uk Audio produced and edited by Sam Williams

We learn about two very different magazines this episode, the common thread being events and tenth anniversaries. After Jeremy and Danielle give an update on the 10th anniversary edition of magCulture Live, London, and discuss a few current magazines favourites from our shelves (including Disco Pogo, WePresent and Litt), Jeremy talks to Penny Martin, editor-in-chief of The Gentlewoman. Their 28th issue has just been published, but the focus of the conversation is The Gentlewoman Club, which launched ten years ago. Penny explains its origins and selects some highlight events from that first decade. Then we switch to an interview recorded live at the tenth anniversary edition of the Indiecon festival in Hamburg. Jeremy spoke to two of the team from Indian art and design newspaper The Irregular Times—co-founder Tarini Sethi and features editor Vasudhaa Narayanan. They discuss the Indian indie scene and the origins and development of their publication. We’re grateful to our friends at Park Communications for their support of the magCulture Podcast. Find them online at www.parkcom.co.uk www.thegentlewoman.co.uk www.theirregulartimes.com www.indiecon-festival.com Audio produced and edited by Sam Williams

This episode features major players from two different areas of magazine publishing. First, Rob Orchard, co-founder of Delayed Gratification, discusses reaching the landmark 50th issue of the original slow journalism indie. Then Gail Bichler, creative director of The New York Times Magazine and one of the most successful and influential editorial designers of our time, shares her thoughts on collaboration, team chemistry and the digital-first direction of her award-winning magazine as it approaches a redesign. We’re grateful to our friends at Park Communications for their support of the magCulture Podcast. Find them online at www.parkcom.co.uk www.slow-journalism.com www.nytimes.com/section/magazine Audio produced and edited by Sam Williams

Ernst van der Hoeven and Kirsten Algera, the creative team behind MacGuffin talk to Jeremy Leslie as their 12th issue, The Log, arrives in shops; Alison Branch, managing director of Park Communications, discusses a new book designed to help clients print sustainably, and we hear an excerpt from a recent shop event featuring Jonathan Simons of Analog Sea Review. Before we meet our guests, Jeremy Leslie gives a quick update on magCulture news, and introduces some exciting new arrivals at the magCulture Shop including The Paper, Pact, Vestoj, Printed Fashion and Backstage Talks. MacGuffin quickly established itself as an indie benchmark with its 2016 launch. The 12 issues to date provide a perfect example of the vitality and innovation that is possible in the indepdendent sector when a strong idea is expertly executed in terms of all the basic aspects of a magazine: story research, commissioning, art direction, design and production. Ernst and Kirsten discuss the magazine’s roots, its role as an anti-design magazine, and the new issue, revealing the combination of big idea and detail required to make MacGuffin tick. London printer Park Communications have supported our Podcast for several years. They have just published ‘Sustainable Print Design’, a guide to making sure your print project is as environmentally friendly as possible. MD Alison Branch joins us to explain more about the the project, which is available as a free download from their website, or in print from the magCulture Shop. The final segement of the episode is an excerpt from our recent magCulture Meets Analog Sea Review event. Founder Jonathan Simons explains his anti-digital position, reading from the introduction to the latest issue of ASR, and revealing his initial obsession with his iPhone 1. We’re grateful to our friends at Park Communications for their support of the magCulture Podcast. Find them online at www.parkcom.co.uk https://www.macguffinmagazine.com Analog Sea Review does not have a website. Audio produced and edited by Sam Williams

Jeremy Leslie meets editorial creative director Andrew Diprose at the magCulture Shop, and also trades magazine retail experience with Nicola Hamilton, who opened the magazine shop Issues in Toronto six months ago. A passionate advocate for magazines and print, Andrew Diprose was creative director at the UK edition of Wired for fourteen years, leaving last year to lead Soho House group’s editorial creative department. While at Wired he also published his own magazine, The Ride Journal (2007-2017), a defining magazine of the then nascent indie scene. After a look at some current magazines plucked form the magCulture shop shelves, he discusses working at Condé Nast (publisher of Wired) and the differences between that environment and producing you own publication. He also reflects on the shift from working on a major magazine brand to developing an editorial identity for a private member’s club brand, before revealing plans for his new side project, Superstore Wilderness. Nichola Hamilton shares Andrew’s passion for print, and also has a background in editorial design. In 2022 she decided to translate that passion into opening a magazine shop, Issues, in her home city, Toronto. Jeremy catches up with her to see how the retail experience is going as she celebrates six months trading. We’re grateful to our friends at Park Communications for their support of the magCulture Podcast. Find them online at www.parkcom.co.uk https://www.sohohouse.com/house-notes/issue-006/film-and-entertainment/introducing-the-new-soho-house-magazine http://theridejournal.com/ https://www.instagram.com/andrewdiprose https://issuesmagshop.com Audio produced and edited by Sam Williams

This episode features two magazines, the long established Buffalo Zine and new launch Linseed Journal. Buffalo Zine co-founder David Uzquiza joins Jeremy Leslie at the magCulture Shop to discuss a few recent magazines (Real Review, Baroness, Epoch, Safelight Paper and Elephant) before the two are joined via Zoom from Paris by David’s Buffalo Zine partner Adrian Gonzalez-Cohen. The three discuss the shapeshifting fashion magazine as its 16th issue, Buffalo Hotel Chelsea, is published. For this issue the Buffalo team spent several weeks at New York’s famous Chelsea Hotel producing the magazine on site, interviewing and shooting current residents and many of the famous artists who helped build the hotel’s reputation as a cultural bolthole. Then photographer/writer Louise Long joins Jeremy to introduce her beautiful new magazine Linseed Journal. We’re grateful to our friends at Park Communications for their support of the magCulture Podcast. Find them online at www.parkcom.co.uk www.buffalozine.com www.linseedjournal.com Final edit by Sam Williams

We hear from two very different magazine makers this episode. As his book about launching nineties supermag Loaded is published, publishing entrepreneur James Brown joins Jeremy at the magCulture Shop to select his indie favourites, including Electronic Sound, The Square Ball and Whalebone. The two discuss how the Loaded phenomenon exploded, and James shares his passion for magazines. His book about Loaded, ‘Animal House’ is published this week by Quercus Books. Then we jump to the present, as Francesca Gavin joins via Zoom to discuss her exciting new launch Epoch. This big, bold magazine seeks to link the new and old, and art and science using contenorary design and aesthetics. We’re grateful to our friends at Park Communications for their support of the magCulturre Podcast. Find them online at www.parkcom.co.uk Final edit by Sam Williams

We welcome three very different voices for this episode: Liv Siddall (WePresent), Dave Calhoun (Time Out) and Natalia Rachlin (Mother Tongue). First, ex co-host Liv Siddall joins Jeremy at the magCulture Shop for a quick look at some new magazines from our shelves. Hear their thoughts on Boys! Boys! Boys!, Plethora, A Profound Waste of Time and OOF. Liv and Jeremy then talk about the new issue of WePresent magazine, a fascinating experiment that saw the same content designed by three very different designers: Chloe Scheffe from Seattle, Nejc Prah from Ljubljana, and Seri Tanaka from Tokyo. The resulting three magazines form a case study in how design and content interact. Liv also discusses the role of the branded print magazine today. Following the recent decision to end printing the London edition of Time Out magazine, their head of content for UK and US Dave Calhoun tells us why. And finally, listen to an excerpt from Mother Tongue co-founder Natalia Rachlin’s recent talk at magCulture. We're grateful to our friends at Park Communications for their support of the magCulturre Podcast. Find them online at www.parkcom.co.uk Final edit by Sam Williams