How an Open Democratic Convention Would Work

After President Biden’s rough performance at the first presidential debate, the question of an open convention has roared to the front of Democratic politics. But how would an open convention work? What would be its risks? What would be its rewards? In February, after I first made the case for an open Democratic convention, I interviewed Elaine Kamarck to better understand what an open convention would look like. She literally wrote the book on how we choose presidential candidates, “Primary Politics: Everything You Need to Know About How America Nominates Its Presidential Candidates.” But her background here isn’t just theory. She’s worked on four presidential campaigns and on 10 nominating conventions — for both Democrats and Republicans. She’s a member of the Democratic National Committee’s Rules Committee. And her explanation of the mechanics and dynamics of open conventions was, for me, extremely helpful. It’s even more relevant now than it was then. Mentioned:The Lincoln Miracle by Ed AchornBook Recommendations:All the King’s Men by Robert Penn WarrenThe Making of the President 1960 by Theodore H. WhiteQuiet Revolution by Byron E. ShaferThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact checking by Michelle Harris, with Kate Sinclair and Kristin Lin. Our senior engineer is Jeff Geld. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Sonia Herrero.This conversation was recorded in February 2024.

Top Democrats have closed ranks around Joe Biden since the debate. Should they? Mentioned:“This Isn’t All Joe Biden’s Fault” by Ezra Klein“Democrats Have a Better Option Than Biden” by The Ezra Klein Show“Here’s How an Open Democratic Convention Would Work” with Elaine Kamarck on The Ezra Klein ShowThe Hollow Parties by Daniel Schlozman and Sam RosenfeldThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This audio essay was produced by Rollin Hu and Kristin Lin. Fact-Checking by Jack McCordick and Michelle Harris. Mixing by Efim Shapiro. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Jeff Geld, Elias Isquith and Aman Sahota. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser.

I joined my Times Opinion colleagues Ross Douthat and Michelle Cottle to discuss the debate — and what Democrats might do next.Mentioned:“The Biden and Trump Weaknesses That Don’t Get Enough Attention” by Ross Douthat“Trump’s Bold Vision for America: Higher Prices!” with Matthew Yglesias on The Ezra Klein Show“Democrats Have a Better Option Than Biden” on The Ezra Klein Show“Here’s How an Open Democratic Convention Would Work” with Elaine Kamarck on The Ezra Klein ShowGretchen Whitmer on The Interview“The Republican Party’s Decay Began Long Before Trump” with Sam Rosenfeld and Daniel Schlozman on The Ezra Klein ShowThoughts? Guest suggestions? Email us at [email protected]. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

Donald Trump has made inflation a central part of his campaign message. At his rallies, he rails against “the Biden inflation tax” and “crooked Joe’s inflation nightmare,” and promises that in a second Trump term, “inflation will be in full retreat.”But if you look at Trump’s actual policies, that wouldn’t be the case at all. Trump has a bold, ambitious agenda to make prices much, much higher. He’s proposing a 10 percent tariff on imported goods, and a 60 percent tariff on products from China. He wants to deport huge numbers of immigrants. And he’s made it clear that he’d like to replace the Federal Reserve chair with someone more willing to take orders from him. It’s almost unimaginable to me that you would run on this agenda at a time when Americans are so mad about high prices. But I don’t think people really know that’s what Trump is vowing to do.So to drill into the weeds of Trump’s plans, I decided to call up an old friend. Matt Yglesias is a Bloomberg Opinion columnist and the author of the Slow Boring newsletter, where he’s been writing a lot about Trump’s proposals. We also used to host a policy podcast together, “The Weeds.”In this conversation, we discuss what would happen to the economy, especially in terms of inflation, if Trump actually did what he says he wants to do; what we can learn from how Trump managed the economy in his first term; and why more people aren’t sounding the alarm.Mentioned:“Trump’s new economic plan is terrible” by Matthew Yglesias“Never mind: Wall Street titans shake off qualms and embrace Trump” by Sam Sutton“How Far Trump Would Go” by Eric CortellessaBook Recommendations:Take Back the Game by Linda Flanagan1177 B.C. by Eric H. ClineThe Rise of the G.I. Army, 1940-1941 by Paul DicksonThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Kate Sinclair and Mary Marge Locker. Mixing by Isaac Jones, with Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero, Adam Posen and Michael Strain.

The biggest divide in our politics isn’t between Democrats and Republicans, or even left and right. It’s between people who follow politics closely, and those who pay almost no attention to it. If you’re in the former camp — and if you’re reading this, you probably are — the latter camp can seem inscrutable. These people hardly ever look at political news. They hate discussing politics. But they do care about issues and candidates, and they often vote.As the 2024 election takes shape, this bloc appears crucial to determining who wins the presidency. An NBC News poll from April found that 15 percent of voters don’t follow political news, and Donald Trump was winning them by 26 points.Yanna Krupnikov studies exactly this kind of voter. She’s a professor of communication and media at the University of Michigan and an author, with John Barry Ryan, of “The Other Divide: Polarization and Disengagement in American Politics.” The book examines how the chasm between the deeply involved and the less involved shapes politics in America. I’ve found it to be a helpful guide for understanding one of the most crucial dynamics emerging in this year’s election: the swing to Trump from President Biden among disengaged voters.In this conversation, we discuss how politically disengaged voters relate to politics; where they get their information about politics and how they form opinions; and whether major news events, like Trump’s recent conviction, might sway them.Mentioned:“The ‘Need for Chaos’ and Motivations to Share Hostile Political Rumors” by Michael Bang Petersen, Mathias Osmundsen and Kevin ArceneauxHooked by Markus Prior“The Political Influence of Lifestyle Influencers? Examining the Relationship Between Aspirational Social Media Use and Anti-Expert Attitudes and Beliefs” by Ariel Hasell and Sedona Chinn“One explanation for the 2024 election’s biggest mystery” by Eric LevitzBook Recommendations:What Goes Without Saying by Taylor N. Carlson and Jaime E. SettleThrough the Grapevine by Taylor N. CarlsonSorry I’m Late, I Didn’t Want to Come by Jessica PanThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Efim Shapiro and Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

On Tuesday I got back from an eight-day trip to Israel and the West Bank. I happened to be there on the day that Benny Gantz resigned from the war cabinet and called on Prime Minister Benjamin Netanyahu to schedule new elections, breaking the unity government that Israel had had since shortly after Oct. 7.There is no viable left wing in Israel right now. There is a coalition that Netanyahu leads stretching from right to far right and a coalition that Gantz leads stretching from center to right. In the early months of the war, Gantz appeared ascendant as support for Netanyahu cratered. But now Netanyahu’s poll numbers are ticking back up.So one thing I did in Israel was deepen my reporting on Israel’s right. And there, Amit Segal’s name kept coming up. He’s one of Israel’s most influential political analysts and the author of “The Story of Israeli Politics” is coming out in English.Segal and I talked about the political differences between Gantz and Netanyahu, the theory of security that’s emerging on the Israeli right, what happened to the Israeli left, the threat from Iran and Hezbollah and how Netanyahu is trying to use President Biden’s criticism to his political advantage.Mentioned:“Biden May Spur Another Netanyahu Comeback” by Amit SegalBook Recommendations:The Years of Lyndon Johnson Series by Robert A. CaroThe World of Yesterday by Stefan ZweigThe Object of Zionism by Zvi EfratThe News from Waterloo by Brian CathcartThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Claire Gordon. Fact-checking by Michelle Harris with Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Rollin Hu, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Sonia Herrero.

There’s something weird happening with the economy. On a personal level, most Americans say they’re doing pretty well right now. And according to the data, that’s true. Wages have gone up faster than inflation. Unemployment is low, the stock market is generally up so far this year, and people are buying more stuff.And yet in surveys, people keep saying the economy is bad. A recent Harris poll for The Guardian found that around half of Americans think the S. & P. 500 is down this year, and that unemployment is at a 50-year high. Fifty-six percent think we’re in a recession.There are many theories about why this gap exists. Maybe political polarization is warping how people see the economy or it’s a failure of President Biden’s messaging, or there’s just something uniquely painful about inflation. And while there’s truth in all of these, it felt like a piece of the story was missing.And for me, that missing piece was an article I read right before the pandemic. An Atlantic story from February 2020 called “The Great Affordability Crisis Breaking America.” It described how some of Americans’ biggest-ticket expenses — housing, health care, higher education and child care — which were already pricey, had been getting steadily pricier for decades.At the time, prices weren’t the big topic in the economy; the focus was more on jobs and wages. So it was easier for this trend to slip notice, like a frog boiling in water, quietly, putting more and more strain on American budgets. But today, after years of high inflation, prices are the biggest topic in the economy. And I think that explains the anger people feel: They’re noticing the price of things all the time, and getting hammered with the reality of how expensive these things have become.The author of that Atlantic piece is Annie Lowrey. She’s an economics reporter, the author of Give People Money, and also my wife. In this conversation, we discuss how the affordability crisis has collided with our post-pandemic inflationary world, the forces that shape our economic perceptions, why people keep spending as if prices aren’t a strain and what this might mean for the presidential election.Mentioned:“It Will Never Be a Good Time to Buy a House” by Annie LowreyBook Recommendations:Franchise by Marcia ChatelainA Place of Greater Safety by Hilary MantelNickel and Dimed by Barbara EhrenreichThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Rollin Hu. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Efim Shapiro and Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin, Elias Isquith and Kristin Lin. Original music by Isaac Jones and Aman Sahota. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

After Donald Trump was convicted last week in his hush-money trial, Republican leaders wasted no time in rallying behind him. There was no chance the Republican Party was going to replace Trump as their nominee at this point. Trump has essentially taken over the G.O.P.; his daughter-in-law is even co-chair of the Republican National Committee.How did the Republican Party get so weak that it could fall victim to a hostile takeover?Daniel Schlozman and Sam Rosenfeld are the authors of “The Hollow Parties: The Many Pasts and Disordered Present of American Party Politics,” which traces how both major political parties have been “hollowed out” over the decades, transforming once-powerful gatekeeping institutions into mere vessels for the ideologies of specific candidates. And they argue that this change has been perilous for our democracy.In this conversation, we discuss how the power of the parties has been gradually chipped away; why the Republican Party became less ideological and more geared around conflict; the merits of a stronger party system; and more.Mentioned:“Democrats Have a Better Option Than Biden” by The Ezra Klein Show“Here’s How an Open Democratic Convention Would Work” by The Ezra Klein Show with Elaine KamarckBook Recommendations:The Two Faces of American Freedom by Aziz RanaRainbow’s End by Steven P. ErieAn American Melodrama by Lewis Chester, Godfrey Hodgson, Bruce PageThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show’‘ was produced by Elias Isquith. Fact-checking by Michelle Harris, with Mary Marge Locker, Kate Sinclair and Rollin Hu. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Efim Shapiro. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

The steady dings of notifications. The 40 tabs that greet you when you open your computer in the morning. The hundreds of unread emails, most of them spam, with subject lines pleading or screaming for you to click. Our attention is under assault these days, and most of us are familiar with the feeling that gives us — fractured, irritated, overwhelmed.D. Graham Burnett calls the attention economy an example of “human fracking”: With our attention in shorter and shorter supply, companies are going to even greater lengths to extract this precious resource from us. And he argues that it’s now reached a point that calls for a kind of revolution. “This is creating conditions that are at odds with human flourishing. We know this,” he tells me. “And we need to mount new forms of resistance.”Burnett is a professor of the history of science at Princeton University and is working on a book about the laboratory study of attention. He’s also a co-founder of the Strother School of Radical Attention, which is a kind of grass roots, artistic effort to create a curriculum for studying attention.In this conversation, we talk about how the 20th-century study of attention laid the groundwork for today’s attention economy, the connection between changing ideas of attention and changing ideas of the self, how we even define attention (this episode is worth listening to for Burnett’s collection of beautiful metaphors alone), whether the concern over our shrinking attention spans is simply a moral panic, what it means to teach attention and more.Mentioned:Friends of Attention“The Battle for Attention” by Nathan Heller“Powerful Forces Are Fracking Our Attention. We Can Fight Back.” by D. Graham Burnett, Alyssa Loh and Peter SchmidtScenes of Attention edited by D. Graham Burnett and Justin E. H. SmithBook Recommendations:Addiction by Design by Natasha Dow SchüllObjectivity by Lorraine Daston and Peter L. GalisonThe Confidence-Man by Herman MelvilleThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Rollin Hu and Kristin Lin. Fact-checking by Michelle Harris, with Mary Marge Locker and Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Isaac Jones and Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Annie Galvin and Elias Isquith. Original music by Isaac Jones and Aman Sahota. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Sonia Herrero.

A.I.-generated art has flooded the internet, and a lot of it is derivative, even boring or offensive. But what could it look like for artists to collaborate with A.I. systems in making art that is actually generative, challenging, transcendent?Holly Herndon offered one answer with her 2019 album “PROTO.” Along with Mathew Dryhurst and the programmer Jules LaPlace, she built an A.I. called “Spawn” trained on human voices that adds an uncanny yet oddly personal layer to the music. Beyond her music and visual art, Herndon is trying to solve a problem that many creative people are encountering as A.I. becomes more prominent: How do you encourage experimentation without stealing others’ work to train A.I. models? Along with Dryhurst, Jordan Meyer and Patrick Hoepner, she co-founded Spawning, a company figuring out how to allow artists — and all of us creating content on the internet — to “consent” to our work being used as training data.In this conversation, we discuss how Herndon collaborated with a human chorus and her “A.I. baby,” Spawn, on “PROTO”; how A.I. voice imitators grew out of electronic music and other musical genres; why Herndon prefers the term “collective intelligence” to “artificial intelligence”; why an “opt-in” model could help us retain more control of our work as A.I. trawls the internet for data; and much more.Mentioned:“Fear, Uncertainty, Doubt” by Holly Herndon“xhairymutantx” by Holly Herndon and Mat Dryhurst, for the Whitney Museum of Art“Fade” by Holly Herndon“Swim” by Holly Herndon“Jolene” by Holly Herndon and Holly+“Movement” by Holly Herndon“Chorus” by Holly Herndon“Godmother” by Holly Herndon“The Precision of Infinity” by Jlin and Philip GlassHolly+Book Recommendations:Intelligence and Spirit by Reza NegarestaniChildren of Time by Adrian TchaikovskyPlurality by E. Glen Weyl, Audrey Tang and ⿻ CommunityThoughts? Guest suggestions? Email us at [email protected] can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. And special thanks to Sonia Herrero and Jack Hamilton.