Ep 165 : Drum Delays are Magic

In this episode I discuss the transformative effect on a mental rut brought on by illness by the simple use of a new device, in this case the MXR Rockman X100 amplifier pedal

In this episode I answer the questions, what is Fender Studio and who is it for?

In this episode I explore the use of compressors on individual tracks and in the final mastering and mixdown process when engineering and producing songs in your DAW.

In this episode I talk about how a simplex external preamp changes the sound of your acoustic guitar that has a built in pickup dramatically and inexpensively. I want to thank Aaron at The Arts Music Store as our conversation this week inspired this episode.

In this episode we discuss what value the DAW brings to the individual musician and then discuss some of the better options for both Windows and Macintosh platforms.

In this episode, I talk about the idea of playing simply for better skill development and precision

In this episode I explore the benefits of having an acoustic pickup in an electric guitar.

Hi folks, sorry for the delay this time but I’m here with you now to talk about the value proposition of a MIDI keyboard, even for those of us who are not keyboard competent.

In this episode I discuss the construction, operation and some options for desk and pedal board suitable drum style delays

In this episode, I explore why most all musicians will benefit from carrying a DI box in the instrument case. Please support me on Patreon via the links provided.Also please note that in the episode I talk about condenser microphones. All condenser microphones should have power of some kind, but even then, their output can be quite low. More critical, and left out by my error are dynamic microphones used in sound hole pickups as well as many voice microphones such as the Shure SM7 family that I mention. Most dynamics are very low output and you need to crank the input to get a decent level. Use a DI box as close to the mic as possible for the best possible signal.