
In April 1815 a volcano in Indonesia erupted so violently that the next summer never arrived. The sky over Europe went dark, the crops failed, prophets wandered the continent announcing the end, and five people took refuge from the rain in a rented house on Lake Geneva and decided to write ghost stories. One of them was eighteen years old. Her story was Frankenstein.
Our first-ever Halloween episode is about what came out of that house, which turns out to be most of the way we still think about the end of the world. Dorian Lynskey (Everything Must Go) on Tambora, the millenarian panic of 1816, and why Byron's poem "Darkness" is, as far as anyone can tell, the first vision of the apocalypse with no God in it. Alexis Chema of the University of Chicago on the Frankenstein nobody remembers from the movies: a creature who teaches himself to read, quotes Milton to his maker, and is abandoned for it. And her pushback, which I didn't see coming, on the comparison everyone makes between that creature and AI. Psychoanalyst Amy Levy on the line that keeps the book alive, "You are my creator, but I am your master," and on who, in 2026, reminds her of Victor Frankenstein. (It's a compliment, believe it or not)
Then the part I still can't quite believe. Byron fled England that year because he'd blown up his marriage, leaving behind a baby daughter he would never see again. Her name was Ada Lovelace. She grew up to work on the first computer, and to write the objection Alan Turing had to answer a century later before he could invent AI. I've started calling it Lord Byron's Lady Lovelace Paradox, and I explain why.
Also included: Mary Shelley's The Last Man, the post-apocalyptic novel she wrote after everyone she loved was dead; Isaac Asimov's laws; the Luddites, the loom, and the punch cards that became the computer; the vampire that came out of the same ghost-story contest; and why we make apocalyptic art at all. I can't promise it won't be spooky.
Next week, Part Two: art and the apocalypse. The hero's journey and its regressive twin, a composer on what the machines are doing to his work, the film After Yang, and what happens when the art isn't made by humans at all.
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Host and Creator: Sean King O'Grady
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Guests (in order of appearance):
Dorian Lynskey — Journalist / Author, Everything Must Go: The Stories We Tell About the End of the World — https://amzn.to/42ISDD1
Alexis Chema — Assistant Professor of English, University of Chicago; scholar of eighteenth- and nineteenth-century literary history, Author, Adorned: The Romantic Poets of Ornament – https://link.amazon/B0fyKhQV7
Dr. Amy Levy — Psychoanalyst / Chair, American Psychoanalytic Association's Commission on Artificial Intelligence / Author of The New Other: Alien Intelligence and the Innovation Drive — https://amzn.to/3PH1FO5
Other works and things mentioned:
THE SUMMER OF 1816
The 1815 eruption of Mount Tambora and the "Year Without a Summer" — https://en.wikipedia.org/wiki/Year_Without_a_Summer
Lord Byron, "Darkness" (July 1816) — https://www.poetryfoundation.org/poems/43825/darkness
John Polidori, The Vampyre (1819), written at the Villa Diodati for the same ghost-story contest — https://link.amazon/B03RUiBvD
Mary Wollstonecraft, A Vindication of the Rights of Woman (1792) — https://link.amazon/B00QMVEqg
William Godwin, An Enquiry Concerning Political Justice (1793), source of "the most odious of all monopolies" — https://link.amazon/B0ddLqcIZ
THE PROPHETS
Norman Cohn, The Pursuit of the Millennium: Revolutionary Millenarians and Mystical Anarchists of the Middle Ages (1957) — https://link.amazon/B0hKnwQzo
The Münster rebellion (1534–35), John of Leiden, and the cages still hanging from St. Lambert's Church — https://en.wikipedia.org/wiki/M%C3%BCnster_rebellion
Juliane von Krüdener, the prophet of 1816 — https://en.wikipedia.org/wiki/Juliane_von_Kr%C3%BCdener
FRANKENSTEIN
Mary Shelley, Frankenstein; or, The Modern Prometheus (1818; the 1831 edition carries her introduction on the dream at Diodati) — https://www.gutenberg.org/ebooks/84
Frankenstein: Annotated for Scientists, Engineers, and Creators of All Kinds, eds. David H. Guston, Ed Finn and Jason Scott Robert (MIT Press, 2017), the edition Alexis reads from — https://link.amazon/B0j9T4e0Z
John Locke, An Essay Concerning Human Understanding (1689), the "white paper" of the mind — https://www.gutenberg.org/ebooks/10615
John Milton, Paradise Lost (1667), the book the creature reads: "I ought to be thy Adam…" — https://link.amazon/B0c7RlUDC
Frankenstein (1931), dir. James Whale, with Boris Karloff — https://en.wikipedia.org/wiki/Frankenstein_(1931_film)
The Hammer Frankenstein films, from The Curse of Frankenstein (1957) to Frankenstein and the Monster from Hell (1974) — https://en.wikipedia.org/wiki/The_Curse_of_Frankenstein
Raymond Chandler's science-fiction parody ("Did you ever read what they call science fiction? It's a scream…"), from a 1953 letter — https://a.co/d/0hveOXKn
ROBOTS, LAWS, AND THE MACHINES THAT IMPROVE THEMSELVES
Karel Čapek, R.U.R. (Rossum's Universal Robots), 1920 — the play that gave us the word "robot" — https://www.gutenberg.org/ebooks/59112
Isaac Asimov's Three Laws of Robotics, first stated in "Runaround" (1942); the Zeroth Law added in Robots and Empire (1985) — Both included in this Asimov robot collection – https://link.amazon/B0by7Ld4w
Recursive self-improvement — https://en.wikipedia.org/wiki/Recursive_self-improvement
THE PSYCHOANALYST AND THE NEUROSCIENTIST
Dr. Amy Levy, The New Other: Alien Intelligence and the Innovation Drive — https://amzn.to/3PH1FO5
Professor Mark Solms — Director of Neuropsychology, Neuroscience Institute, University of Cape Town / Author, The Hidden Spring: A Journey to the Source of Consciousness — https://link.amazon/B0fagMPXP (Hear our three-part conversation with Mark earlier this season.)
Ex Machina (2014), Blade Runner (1982), Pinocchio, and the Golem — the stories Amy names of "a singular person who creates intelligent life"
Sigmund Freud, Beyond the Pleasure Principle (1920) — the death drive and repetition compulsion (and the badge) — https://link.amazon/B0fniZcOZ
LORD BYRON'S LADY LOVELACE PARADOX
Byron's maiden speech in the House of Lords against the Frame Work Bill, February 27, 1812 — https://api.parliament.uk/historic-hansard/lords/1812/feb/27/frame-work-bill
The Luddites (1811–16) and the stocking frames of Nottinghamshire — https://en.wikipedia.org/wiki/Luddite
The Jacquard loom (1804) and its punched cards — https://en.wikipedia.org/wiki/Jacquard_machine
Charles Babbage's Analytical Engine — https://en.wikipedia.org/wiki/Analytical_engine
Ada Lovelace, Notes on L. F. Menabrea's "Sketch of the Analytical Engine" (1843), including Note G ("The Analytical Engine has no pretensions whatever to originate anything…") and the line about weaving "algebraical patterns just as the Jacquard-loom weaves flowers and leaves" — https://www.fourmilab.ch/babbage/sketch.html
Alan Turing, "Computing Machinery and Intelligence," Mind (1950), section 6, "Lady Lovelace's Objection" — https://academic.oup.com/mind/article/LIX/236/433/986238
THE LAST MAN
Mary Shelley, The Last Man (1826) — https://link.amazon/B0ihzvSP2
Mary Shelley's journal, May 14, 1824, on hearing of Byron's death: "The last man! Yes I may well describe that solitary being's feelings…"
The Cumaean Sibyl and the Sibylline leaves — https://en.wikipedia.org/wiki/Cumaean_Sibyl
Our episode with Dr. Jeremy Heffner on the Oracle of Delphi and the chatbots — https://podcasts.apple.com/us/podcast/suspicious-minds-ai-and-the-apocalypse/id1844631307?i=1000786005286
David Benatar's "phased extinction," from our earlier episode — https://podcasts.apple.com/us/podcast/suspicious-minds-ai-and-the-apocalypse/id1844631307?i=1000778871399
The Omega Man (1971) and I Am Legend (2007), both adapted from Richard Matheson's I Am Legend (1954) — https://en.wikipedia.org/wiki/I_Am_Legend_(novel)
ALSO MENTIONED
David Koresh and the Branch Davidians (Waco, 1993) — https://en.wikipedia.org/wiki/Waco_siege
Spirit Halloween, which if there's an AI jobs-pocalypse will be every single storefront on Earth
As an Amazon Associate, we earn from qualifying purchases. By buying our guests' books through these links, you're supporting this series too.
This episode was made by:
Executive Producers: Mandy Teefey, Selena Gomez, Jonathon Glucksman, Molly Borman, Jesse Ford, David Tuohy, Feras M. Shammami
Produced by: Jesse Ford
Editor: David Justin Martin
Original Music: Shane Patrick Ford
Sound Mix: Mike Regan and Paul Bennett
Graphics: Semi:Formal
Film/TV PR: Emma Griffiths PR
Podcast PR: Tink Media (Shreya Sharma and Holly Brown)
Wondermind Chief of Staff: Emma Wright
Additional Camera and Audio: Mike Mulliniks
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