CARMEN 101

Why has Carmen been, since 1875, one of the world’s most popular operas? Seattle Opera Dramaturg Jonathan Dean introduces this beloved masterpiece with musical examples from Seattle Opera’s archival recordings of Carmen: from 1995, with Greer Grimsley as Escamillo (conducted by Steven Sloane); from 2004, with Stephanie Blythe (Carmen) and Paul Charles Clarke (Don José), conducted by George Manahan; and from 2011, with Anita Rachvelishvili (Carmen), Fernando de la Mora (Don José), and Norah Amsellem (Micaëla), conducted by Pier Giorgio Morandi.

In February/March 2026 Seattle Opera premieres a new production of Fellow Travelers, an opera (based on the novel by Thomas Mallon) with music by Gregory Spears to a libretto by Greg Pierce that premiered at Cincinnati Opera in 2016. Jonathan Dean introduces this beautiful new American opera, a love story set against the historical backdrop of McCarthy’s witch hunts and the Lavender Scare in 1950s Washington, DC. Musical examples from the world premiere recording of Fellow Travelers, conducted by Mark Gibson and featuring Aaron Blake as Tim, Joseph Lattanzi as Hawk, Devon Guthrie as Mary, Tayla Lieberman as Lucy, Marcus DeLoach, Vernon Hartman, Paul Scholten, and Christian Pursell in other roles, with the orchestra of Cincinnati Opera.

Daphne, by Richard Strauss, comes to Seattle Opera for two concert performances in January 2025. This gorgeous opera, based on Greek myth, is a splendid showcase for a fantastic orchestra. Jonathan Dean explains what Strauss learned from Wagner, tells this unfamiliar opera’s story, and explores the meaning of the myth. Musical examples from the 2005 Decca recording of Daphne (West Deutscher Rundfunk Orchestra conducted by Semyon Bychkov, with Renee Fleming, Johan Botha, Michael Schade, Anna Larsson, Kwanchul Youn, Julia Kleiter, and Twyla Robinson); the 1983 EMI recording (Bayerischen Rundfunks conducted by Bernard Haitink, with Lucia Popp, Reiner Goldberg, Peter Schreier, Ortrun Wenkel, and Kurt Moll); and the 1965 Deutsche Gramophon recording (Vienna Symphony conducted by Karl Böhm, starring Hilde Gueden, James King, Fritz Wunderlich, Vera Little, and Paul Schöffler).

Seattle Opera presents its first-ever Gilbert & Sullivan in October 2025: The Pirates of Penzance, in a charming, traditional production that has already delighted many American opera audiences. Jonathan Dean explains the difference between opera and operetta, shares a bit of the music and humor of Pirates, and attempts to explain what The Pirates of Penzance is all about. Musical examples from Seattle Opera recordings of Rigoletto and Il trovatore, plus a recording of Pirates provided by the Atlanta Opera Film Studio (with Susanne Burgess as Mabel and Santiago Ballerini as Frederic, Chorus and Orchestra of Atlanta Opera conducted by Francesco Milioto) and another recorded in 1959 by EMI, featuring George Baker as the Major-General, James Milligan as the Pirate King, Owen Brannigan as the Police Sergeant, plus the Glyndebourne Festival Chorus and the Pro Arte Orchestra conducted by Sir Malcolm Sargent.

James Robinson, new General and Artistic Director of Seattle Opera, introduces the 2025/26 season. The Pirates of Penzance promises a musically extraordinary operatic approach to Gilbert & Sullivan; come prepared to laugh and to enjoy some familiar music as you’ve never heard it before. Daphne In Concert offers a rare opportunity to hear a lush Romantic masterpiece by Richard Strauss, an orchestral tour de force with splendid voices. Fellow Travelers, by Gregory Spears & Greg Pierce, is one of the most successful new American operas of the past decade: a bittersweet gay romance hidden inside a political thriller. And Carmen returns in a powerful production conducted by Seattle’s beloved Ludovic Morlot and starring some of our favorite singers. Musical examples include excerpts from a 1959 Glyndebourne Pirates of Penzance, conducted by Malcolm Sargent and starring George Baker, Elsie Morison, and James Milligan; the 1964 Vienna Festival Daphne conducted by Karl Böhm and starring Hilde Gueden, Fritz Wunderlich, and James King; the recording of Fellow Travelers’ world premiere, 2016 at Cincinnati Opera and starring Aaron Blake, Joseph Lattanzi, and Devon Guthrie, with the Cincinnati Symphony conducted by Mark Gibson; and Seattle Opera recordings of Carmen from 2019, Les Troyens from 2025, starring J’Nai Bridges and conducted by Ludovic Morlot, and Hansel und Gretel from 2016 starring Sasha Cooke and conducted by Sebastian Lang-Lessing.

Seattle Opera concludes its 24/25 season in May 2025 with TOSCA, Puccini’s beloved thriller. Jonathan Dean introduces the charismatic characters, cinematic music, and wild story that have made TOSCA one of the world’s favorite operas. Musical examples from Seattle Opera archival recordings of Tosca made in 2001 (Antonello Allemandi conducts Carol Vaness), 2007 (Vjekoslav Sutej conducts Lisa Daltirus, Frank Porretta, Jr., and Greer Grimsley) and 2015 (Julian Kovatchev conducts Ausrine Stundyte, Mary Elizabeth Williams, Marcy Stonikas, Stefano Secco, and Greer Grimsley. Special example featuring Korngold’s score to CAPTAIN BLOOD.  

Mozart’s miraculous final masterpiece returns to Seattle Opera in February/March 2025. Seattle Opera Dramaturg Jonathan Dean introduces the beloved music of THE MAGIC FLUTE, with musical examples from archival Seattle Opera recordings made in 1999 (Daniel Beckwith conducts Nathan Gunn, Paul Charles Clarke, John Osborne, Philip Skinner, Ana Maria Martinez, and Cyndia Sieden); 2011 (Gary Thor Wedow conducts Doug Jones, Alissa Henderson, Benjamin Richardson, and Casi Goodman); and 2017 (Julia Jones conducts Christina Poulitsi, Amanda Forsythe, Randall Bills, Jacqueline Piccolino, Nian Wang, Jenni Bank, Frederick Ballentine, Jonathan Silvia, John Moore, and Ante Jerkunica.)

In January 2025 Seattle Opera will present two concert performances of LES TROYENS À CARTHAGE, the second part (Acts 3, 4, & 5) of Berlioz’s monumental masterpiece LES TROYENS. Seattle Opera Dramaturg Jonathan Dean introduces the music of Berlioz and this full-length program, sharing musical examples from recordings of Georges Thill singing French tenor arias; Les Troyens conducted by Colin Davis in 1969 (with the orchestra and chorus of Covent Garden and Jon Vickers); from 2000 (Davis conducting the London Symphony orchestra and chorus, Ben Heppner, Michelle DeYoung, and Sara Mingardo); and from 2017 (John Nelson conducts the Orchestre and Choeur philharmonique de Strasbourg, Joyce DiDonato, and Cyrille Dubois).

Seattle Opera presents the world premiere of JUBILEE, a new opera celebrating spirituals. Created by Tazewell Thompson, librettist of BLUE, JUBILEE tells the story of how a group of African American singers toured America and Europe in the 1870s, using this wonderful music—America’s first great contribution to the world of music—to raise money to build Fisk University. Seattle Opera Dramaturg Jonathan Dean introduces JUBILEE, whose score consists of newly orchestrated arrangements of over 40 beloved spirituals, sung by thirteen singers. Musical examples in this podcast include spirituals sung by Paul Robeson and Marian Anderson; The Long Road to Freedom: An Anthology of Black Music; The Trouble I’ve Seen (Moses Hogan Chorale); Negro Spirituals (Derek Lee Ragin and the Moses Hogan Chorale); Spirituals in Concert (Kathleen Battle and Jessye Norman); Gospel Songs (The Missionary Quartet); and Mary Elizabeth Williams singing La forza del destino.

For Summer 2024, Seattle Opera will present PAGLIACCI, by Ruggero Leoncavallo, a masterpiece of Italian opera all about lust and jealousy, passion and murder; a show about reality and artifice, comedy and tragedy, freedom and fate. (It’s not about pizza.) Seattle Opera Dramaturg Jonathan Dean introduces PAGLIACCI with musical examples from Seattle Opera’s 2008 archival recording, conducted by Dean Williamson and starring Antonello Palombi as Canio, Nuccia Focile as Nedda, Morgan Smith as Silvio, Gordon Hawkins as Tonio, and Doug Jones as Beppe. Special musical examples feature Enrico Caruso, Smokey Robinson and the Miracles, and Queen, with Freddie Mercury.