Making a Contemporary Opera: in conversation with Michael Burden

Stephen Langridge explains why, in his view, opera is still a relevant and important art form.

In this episode Katie talks in depth about her experiences of creating new and contemporary opera.

Katie Mitchell talks about her time directing Opera. Katie Mitchell is one of the few senior women working in opera in Britain and mainland Europe today. She has worked here at English National Opera, The Royal Opera House, Glyndebourne Festival and Welsh National Opera. She is currently opening the revival of George Benjamin’s Written on Skin at the Royal Opera House whilst preparing for George Benjamin’s second commission scheduled for 2018. She has also worked extensively in Germany, France, Austria and Scandinavia at houses like The Staatsoper, Berlin, The Salzburg Festival and Royal Danish Opera. She is currently a resident artist at The Aix en Provence Festival where she has directed five operas including Pelleas and Melisande and Handel’s Alcina. IN her first ‘Conversation’, she will describe her background in theatre and how she fell into opera to become one of its leading international lights.