The Roma: A Travelling History

The word Roma conjures images of free-spirited nomads, creative and easy-going people who choose to eschew social conformity for personal independence and a life on the road. Few know the Roma’s long history of being harassed, expelled, deported, demonized, enslaved, and murdered. In The Roma: A Travelling History, Madeline Potter blends memoir and archival research to uncover Romani history across Europe and beyond, from the United States to Romania where she was born and raised; from sixteenth-century Spain to modern Sweden; from Nazi Austria to twenty-first-century France. Madeline tells the interwoven stories of joy and resilience, trauma and persecution, of Romani communities past and present, and reflects on what the future may hold for both nomadic and settled Romani families. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, NBN host Hollay Ghadery interviews the artist collective MA|DE about their poetry collection, ZZOO (Anstruther Books, 2025).  At a time when binaristic and hierarchical relations are being readily interrogated, MA|DE — a unity of two voices fused into a single, poetic third — takes up a critique of the human-animal divide in their full-length debut, ZZOO. From the depths of the oceans to the outer reaches of the sky, a menagerie of species trade off time in the limelight, none of them solely occupying the central space on the global stage. MA|DE’s collaborative practice foregrounds interdependence, outward focus, shared spaces and non-hierarchical thinking, all of which emerge allegorically in interzonal poems that are as richly realized as they are formally eclectic. This wild-blooded collection turns conventional exhibitionism on its head, treating humans and animals as equal subjects of art, science and selfhood. ZZOO is a bestiary for the modern world. About MA|DE: MA|DE (est. 2018) is a collaborative writing entity, a unity of two voices fused into a single, poetic third. It is the name given to the joint authorship of Mark Laliberte and Jade Wallace — artists whose active solo practices, while differing radically, serve to complement one another. MA|DE’s work together is often exploratory in nature, formulating a set of shared visions, symbols and ciphers that invite the reader into their complex, continually-expanding internal universe. MA|DE’s writing has appeared in numerous journals and chapbooks, and they have delivered workshops on collaborative writing at several festivals, including VerseFest Ottawa. With the support of the Ontario Arts Council and the Canada Council for the Arts, they completed their debut full-length collection, ZZOO (Palimpsest Press, 2025), and have now completed their next two collections, Alphabeticals and Detourism. Meanwhile, they are currently hard at work on two new, creatively divergent manuscripts: Twin Visible and Waste Not the Marrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What if our society’s deepest prejudices weren’t about race, gender, or sexuality—but height? In his groundbreaking allegorical novel, acclaimed Jordanian author and activist Fadi Zaghmout imagines just such a world, crafting a powerful meditation on discrimination and desire that speaks directly to our contemporary debates about identity and inclusion. The Man of Middling Height (Syracuse University Press, 2025) follows a short dressmaker whose life is upended when she meets Tallan, a man whose middle height places him outside the rigid tall/short binary that governs their society. As their forbidden romance blossoms, they must navigate a world where height determines everything from social status to romantic possibilities. Through their story and those of surrounding characters—including a short person in a polyamorous relationship with two tall partners, and a tall activist who scandalously loves another tall person—Zaghmout deftly reframes contemporary discussions about gender identity and sexuality through the lens of height discrimination. Fadi Zaghmout is a Jordanian author and sexual freedoms and body rights advocate. He has published five novels, including The Bride of Amman, Heaven on Earth, Laila, and Hope on Earth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Loft was a dance party series organized by DJ David Mancuso in his Manhattan warehouse apartment at 647 Broadway from Valentine’s Day 1970 to June 1974. The parties offered an alternative to New York’s commercial nightclub scene. The invitation-only events featured an egalitarian space for music and dance with a top-of-the-line sound system, eclectic musical selections, and a racially inclusive and gay-friendly mix of guests. Attendees included the city’s leading disc jockeys such as Larry Levan, Nicky Siano, and Frankie Knuckles, who launched their careers in next generation clubs like the Paradise Garage, The Gallery, Chicago’s Warehouse, and The Saint—  all influenced by the Loft.  In the premiere episode of Season Two of Soundscapes NYC, host Ryan Purcell introduces co-host Kristie Soares, in conversation with music and dance historian Tim Lawrence, to contextualize David Mancuso’s Loft. Lawrence is a Professor of Cultural Studies at the University of East London’s School of Arts and Digital Industries. He is the author of Love Saves the Day: A History of American Dance Music Culture, 1970-79 (Duke University Press, 2003), Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-92 (Duke University Press, 2009) and Life and Death on the New York Dance Floor, 1980-83 (Duke University Press, 2016). Outside of academia, Lawrence hosts his own dance party series called All Our Friends, as well as a podcast about music history called Love Is The Message.  The opening anecdote draws from Tim Lawrence's Love Saves the Day: A History of American Dance Music Culture, 1970-79 (Duke University Press, 2003).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I’m thrilled to announce a new partnership with Genocide Studies International. GSI is one of the preeminent journals in the field of Genocide Studies. Published by the University of Toronto Press and housed in the Zoryan Institute, GSI is dedicated to “to raising knowledge and awareness among scholars, policy makers, and civil society actors by providing a forum for the critical analysis of genocide, human rights, crimes against humanity, and related mass atrocities.” With this new partnership, I’ll be bringing you interviews with the editors and authors of cutting-edge articles and special editions on the journal. This isn’t new—we’ve done this with several other journals before. But by formalizing our partnership, we hope you’ll have more access to the best recent research and analysis on the causes, course and consequences of mass atrocity violence. It’s a partnership that enriches both organizations. In a few weeks, you’ll hear from Alex Alvarez, the editor of a new special issue on genocide education. But first I got a chance to talk with Henry Thierault, one of the editors of the journal, and Megan Reid, Deputy Executive Director of the Zoryan Institute. We discuss the editorial vision of the journal, the Zoryan Institute’s role in genocide education and prevention, and the reasons we’re so excited about the partnership. I hope you enjoy our discussion. Kelly McFall is Professor of History and Director of the Honors Program at Newman University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this NBN episode, host Hollay Ghadery speaks with Alexis von Koniglow about her new novel, The Exclusion Zone (Wolsak & Wynn, 2025).  About The Exclusion Zone:  She would harness fear. And this terrifying place would help her do it. Renya, a scientist who studies how people react to fear, flees a troubled marriage to conduct research on the scientists working in the “exclusion zone” around Chernobyl. In the eerily silent forests surrounding the research station, she finds more is haunting her than the dangers of radiation exposure. As she gathers data from her colleagues and probes historical records of the Chernobyl disaster, unsettling questions rise to the surface. Who is funding her research? Why are all the scientists’ findings off? And what do those who stalk the ruins of the abandoned city nearby want? In this atmospheric tale, Alexis von Konigslow deftly weaves the struggles of women in science with the impact of politics, both past and present, on people and on the environment. Part ghost story, part literary thriller, The Exclusion Zone is a mesmerizing story that reminds us all to listen to our hearts as well as the earth. ABOUT THE AUTHORAlexis von Konigslow is the author of The Capacity for Infinite Happiness. She has degrees in mathematical physics from Queen’s University and creative writing from the University of Guelph. She lives in Toronto with her family. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

At the start of Shakespeare's famous tragedy, King Lear promises to divide his kingdom based on his daughters' professions of love, but portions it out before hearing all of their answers. For Nan Da, this opening scene sparks a reckoning between King Lear, one of the cruelest and most confounding stories in literature, and the tragedy of Maoist and post-Maoist China. Da, who emigrated from China to the United States as a child in the 1990s, brings Shakespeare's tragedy to life on its own terms, addressing the concerns it reflects over the transition from Elizabeth I to James I with a fearsome sense of what would soon come to pass. At the same time, she uses the play as a lens to revisit the world of Maoist China--what it did to people, and what it did to storytelling. Blending literary analysis and personal history, Da begins in her childhood during Deng Xiaoping's Opening and Reform, then moves back and forth between Lear and China. In The Chinese Tragedy of King Lear (Princeton University Press, 2025), the unfinished business of Maoism and other elements of Chinese thought and culture--from Confucianism to the spectacles of Peking Opera--help elucidate the choices Shakespeare made in constructing Lear and the unbearable confusions he left behind. Nan Z. Da is associate professor of English at Johns Hopkins University. Caleb Zakarin is the Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Imagine a world in which clothing wasn't superabundant – cheap, disposable, indestructible – but perishable, threadbare and chronically scarce. Eighty years ago, when World War II ended, a textile famine loomed. What would everyone wear as uniforms were discarded and soldiers returned home, Nazi camps were liberated, and millions of uprooted people struggled to subsist? In Making Do: Britons and the Refashioning of the Postwar World (Cambridge University Press, 2025), Dr. Susan L. Carruthers unpicks a familiar wartime motto, 'Make Do and Mend', to reveal how central fabric was to postwar Britain. Clothes and footwear supplied a currency with which some were rewarded, while others went without. Making Do moves from Britain's demob centres to liberated Belsen – from razed German cities to refugee camps and troopships – to uncover intimate ties between Britons and others bound together in new patterns of mutual need. Filled with original research and personal stories, Making Do illuminates how lives were refashioned after the most devastating war in human history. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the face of accelerating climate change, anticapitalist environmental justice activists and elite tech corporations increasingly see eye to eye. Both envision solar-powered futures where renewable energy redresses gentrification, systemic racism, and underemployment. However, as Myles Lennon argues in Subjects of the Sun: Solar Energy in the Shadows of Racial Capitalism (Duke University Press, 2025), solar power is no less likely to exploit marginalized communities than dirtier forms of energy. Drawing from ethnographic research on clean energy corporations and community solar campaigns in New York City, Lennon argues that both groups overlook solar’s extractive underside because they primarily experience energy from the sun in the virtual world of the cloud. He shows how the material properties of solar technology—its shiny surfaces, decentralized spatiality, and modularity—work closely with images, digital platforms, and quantitative graphics to shape utopic visions in which renewable energy can eradicate the constitutive tensions of racial capitalism. As a corrective to this virtual world, Lennon calls for an equitable energy transition that centers the senses and sensibilities neglected by screenwork: one’s haptic care for their local environment; the full-bodied feel of infrastructural labor; and the sublime affect of the sun. Myles Lennon is Dean's Assistant Professor of Environment and Society and Anthropology at Brown University. Alec Fiorini is a PhD student at Queen Mary University London's Centre for Labour, Sustainability and Global Production (CLaSP). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, New Books Network host Nina Bo Wagner talks to Matthew Hongoltz-Hetling about his recently published book The Ghost Lab: How Bigfoot Hunters, Mediums, and Alien Enthusiasts Are Wrecking Science (PublicAffairs, 2025). They talk about the process of writing the book, including delving deep into the local paranomal community in New Hampshire. The book contrasts profound institutional distrust effecting higher education policy and scientific literacy, with a desperate grapple for community through paranormal beliefs. It portrays the Kitt Research Initiative, established in 2010, with the mission to use scientific method to document the existence of spirits. Founder Andy Kitt was unafraid — perhaps eager — to offend other paranormal investigators by exposing the fraudulence of their less advanced techniques. Kitt’s efforts attracted flocks of psychics, alien abductees, witches, mediums, ghost hunters, UFOlogists, cryptozoologists and warlocks from all over New England, and the world. Hongoltz-Hetling brings our attention to the exponential growth of new age beliefs in the United States, with the potential to be the largest religion in the nation by 2050 at current rates. He argues that it is time for institutions in both science and policy to sit up, take notice, and engage with paranormal beliefs instead of marginalizing, or worse, ostracizing them. Wagner and Hongoltz-Hetling touch on mental health, domestic violence, satanic panic and capturing paranormal orbs. The conversation is sure to provide fascinating insight into unconventional and riveting science journalism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network