Mark Kermode: The Soundtrack of My Life podcast

Electronic Scores

20.5.2015

Mark Kermode: The Soundtrack of My Life

0:00

38:14

Mark focuses on electronic film music. Interviews include Alan Parker director of Midnight Express, Steven Price who won an Oscar for his amazing score for Gravity, and William Friedkin who directed The Exorcist and the cult film Sorcerer, Peter Strickland director of Barbarian Sound Studio, Anne Dudley who composed the score for The Full Monty and David Arnold - who scored five Bond moves including Casino Royale.

Flere episoder fra "Mark Kermode: The Soundtrack of My Life"

Songs and Musicals
3.6.2015
32:58
In this episode Mark focuses on his favourite songs and musicals. Interviewees include Alan Parker on his films Fame, Evita and the Commitments, Lynne Ramsay on the music in We Need To Talk About Kevin and Edgar Wright explains the pop jukebox soundtracks for films like An American Werewolf in London, Pulp Fiction and Shaun Of The Dead.
The Mystery of Composing
27.5.2015
38:38
Mark examines the mysteries of composing for the screen. He talks to among others Jonny Greenwood of Radiohead who has composed music for the Paul Thomas Anderson films There Will Be Blood and Inherent Vice.Composer Rachel Portman who won an Oscar for her music for Emma starring Gwyneth Paltrow, to Mark Knopfler and Bill Forsyth about the score for Local Hero and to Anne Dudley about her score for The Full Monty.
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Electronic Scores
20.5.2015
38:14
Mark focuses on electronic film music. Interviews include Alan Parker director of Midnight Express, Steven Price who won an Oscar for his amazing score for Gravity, and William Friedkin who directed The Exorcist and the cult film Sorcerer, Peter Strickland director of Barbarian Sound Studio, Anne Dudley who composed the score for The Full Monty and David Arnold - who scored five Bond moves including Casino Royale.

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Electronic Scores

Mark Kermode: The Soundtrack of My Life

Flere episoder fra "Mark Kermode: The Soundtrack of My Life"

Songs and Musicals

The Mystery of Composing

Electronic Scores