Episode 597 - Koume's World, Part 4

This week, we're talking about one of the oddest moments of the final years of feudalism: a spontaneous outbreak of dancing and religious worship collectively referred to as the "Ee Ja Nai Ka" movement. What was it, what motivated it, and how much can we even answer those questions to begin with? Show notes here.  

This week, we're finishing our time with Kawai Koume by looking at how life in Wakayama had changed by the mid-1870s. Feudalism is no more, Confucianism is a historical relic, and the samurai class are in the midst of being consigned to the dustbin of history; so what is Koume thinking and doing as she's watching the world she grew up with vanish in the final years of her life? Show notes here.  

This week, the Kawai family has finally made good in the world of feudal Wakayama--just in time for that world to come down around their ears. How did the family finally make it to the top, and what was it like for them to watch the shogunate and the samurai class itself implode? Show notes here. 

After a long hiatus, the diary of Kawai Koume picks back up in 1853, a year of absolutely no world-shaking importance in Japanese history whatsoever-wait, I'm hearing from our producers that, in point of fact, some pretty crazy things are about to go down. And Kawai Koume, like many others, is frantically going to be trying to follow the latest news about it all while living her own life as best she can--and dealing with more than her share of tragedies. Show notes here. 

This week, we'll look at the first chunk of Kawai Koume's diary, which deals with life in the 1830s--or as she knew it, the Tenpo Era. What can we learn about the lives of samurai and commoners in Wakayama during the final decades before the great crises that would end feudalism in Japan? Show notes here.

This week, we're starting a new miniseries focused on the life of Kawai Koume, a samurai woman living in Wakayama in the early 1800s. Today is going to be all about framing her life--what do we know about her upbringing, and about the city she grew up in during the twilight years of Japanese feudalism? Show notes here.

This week, we wrap up our series on Hiroshige with a few lingering questions about his career. How much does his "artistic borrowing" really matter? What's his relationship to Hiroshiges II and III? What about his second marriage and daughter? And ultimately, what makes him so damn famous--and what can we learn from that? Show notes here. 

This week, we're covering Hiroshige's emergence as an artist, which took 20 years after he finished his apprenticeship in the Utagawa school. Why the long gap? And what changed to finally allow him to break out artistically? Show notes here.

This week, we're starting a new miniseries on the life of one of the most famous artists in Japanese history: Utagawa Hiroshige. We'll start off this week with a general discussion of the world of ukiyo-e during the late 1700s before moving into Hiroshige's early life and his entry into the world of woodblock printing.  Show notes here. 

This week on the podcast, something completely different! I'm getting some help talking about poetry from Mike Freiling, whose new translation of Hyakunin Isshu, entitled One Hundred Poems of Old Japan, will be out just a little over a week from now. We'll talk tanka vs. haiku, how translation works, and share a few favorites from one of Japan's most classic poetic compilations. Show notes here.