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On “Stupa”, the mood opens outward. There’s an unmistakable Balearic quality to its sun-warmed percussion and serrated bassline,a groove that immediately suggests open-air dancefloors and late-afternoon light. A woozy synth gradually sends proceedings into more narcotic territory, while soft vocal fragments, keyboard flourishes and flashes of guitar keep one foot planted somewhere recognisably human. Nothing is hurried or overplayed. Instead, Warren lets each element breathe, resulting in the kind of patient, transportive dance music that comes from knowing exactly how little you need to do.
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