From Billy Dogma to Chest Face: Dean Haspiel’s Antimatter Kickstarter Explained

In this in-depth conversation, writer and franchise caretaker Andrew E.C. Gaska joins John Siuntres to discuss his work revitalizing three of science fiction’s most enduring universes — Planet of the Apes, Buck Rogers, and Space: 1999.Gaska talks about balancing canon, continuity, and creativity as he builds connective tissue between classic stories and modern reimaginings. For Planet of the Apes, he explains how his novels Conspiracy of the Planet of the Apes and Death of the Planet of the Apes expand the original film mythology, deepening the lore around the astronauts, the forbidden zone, and the political world of the apes. Turning to Buck Rogers, Gaska outlines his efforts to restore the franchise to its pulp and serial roots, steering away from camp and back toward the raw, forward-looking adventure of Philip Francis Nowlan’s original creation. He also teases his plans for reconnecting Buck’s 20th-century origins with a plausible 25th-century future.Finally, Gaska delves into Space: 1999, discussing his work on To Everything That Was and the Aftershock and Awe graphic novel, which translate the cult 1970s series into a coherent expanded universe. He breaks down the philosophical themes of isolation, humanity’s place in the cosmos, and the Cold War anxieties baked into the show’s DNA — and how he modernized them for today’s audience.The conversation highlights Gaska’s approach as both a fan and historian, preserving the essence of each franchise while giving it new life.

In this 2018 Word Balloon conversation, comedian, writer, and producer Dana Gould joins John Siuntres for a deep dive into his creative journey adapting Rod Serling’s original Planet of the Apes screenplay into a graphic novel for BOOM! Studios. Gould discusses how Serling’s early drafts differed from the final 1968 film — delving into the satire, social commentary, and Cold War paranoia that Serling originally intended.The interview also explores Gould’s other creative outlets, including his acclaimed “Dana Gould Hour” podcast, where his sharp wit and fascination with old Hollywood, horror, and pop culture shine through. Rounding out the discussion, Gould talks about his work on IFC’s Stan Against Evil — the offbeat supernatural comedy he created and starred in — and how it channels his lifelong love of classic horror and monster movies. It’s a lively, funny, and insightful chat with one of the sharpest minds blending comedy, commentary, and the weird corners of genre storytelling.

Allison give a writers room perspective on the failing of strange new worlds

In this in-depth conversation, legendary painter and storyteller Alex Ross takes listeners behind the curtain of some of his most ambitious and thought-provoking projects across DC, Marvel, and Dynamite.Ross begins with the haunting Batman: Black and White – Case Study, written by Paul Dini, a noir-style exploration of Bruce Wayne’s fractured psyche and the fine line between justice and obsession. He then turns to Avengers/Invaders, co-written with Jim Krueger, a modern-day saga where the original World War II Invaders are thrust into the present-day Marvel Universe. The time-displaced heroes clash with contemporary Avengers, forcing both eras to confront what it truly means to be a hero in vastly different moral landscapes.Next, Ross discusses JSA: Thy Kingdom Come, created with Geoff Johns, Dale Eaglesham, and Fernando Pasarin — a powerful spiritual sequel to Kingdom Come. The story brings the older, war-torn Superman of that alternate Earth into the mainstream DCU, confronting the Justice Society and reexamining faith, legacy, and the enduring cost of heroism.Finally, Ross reflects on his work at Dynamite Entertainment with Project Superpowers, where he and Jim Krueger resurrected and reimagined dozens of Golden Age public domain heroes — from the Green Lama to the Black Terror — breathing new mythic life into forgotten icons while exploring how timeless ideals can evolve for modern audiences.

In this episode of Word Balloon, cartoonist Dean Haspiel joins John to talk about his new Kickstarter anthology series, Antimatter — a collection spotlighting his signature creator-owned characters including Billy Dogma, The Red Hook, and Chest Face. Haspiel explains how Antimatter brings together stories from across his indie universe, blending love, heroism, and surreal New York energy.The conversation also detours into today’s entertainment landscape, as John and Dean swap thoughts on recent hits and misses in movie theaters and on TV, and what makes storytelling resonate in any medium.https://www.kickstarter.com/projects/deanhaspiel/antimatter/?ref=kicktraq

Comics writer Jim Zub returns to Word Balloon to discuss his work on Conan the Barbarian #25 for Titan Comics, a milestone issue that celebrates both the Cimmerian’s legacy and the current Titan era of storytelling. Zub talks about honoring Robert E. Howard’s classic voice while keeping Conan fresh for modern readers, balancing sword-and-sorcery action with character depth. The conversation also dives into how this special issue bridges past and present creators, what makes Conan timeless, and how Titan’s publishing approach keeps the Barbarian’s adventures thriving for a new generation of fans.

In this 2013 Word Balloon conversation, artist Rags Morales discusses his pivotal work on Action Comics during DC Comics’ New 52 relaunch. Morales reflects on collaborating with writer Grant Morrison to redefine Superman for a new generation—depicting a younger, more grounded Man of Steel in his early years as a social crusader. The discussion explores the creative process behind redesigning the character’s look, the artistic challenges of working on such an iconic title, and how Action Comics helped set the tone for the New 52 era across the DC Universe.

This week on The Kinescope Podcast, John and the panel revisit the gripping 1957 Studio One production “The Night America Trembled.” Hosted by Edward R. Murrow and featuring a remarkable early cast — including Warren Beatty, Ed Asner, Warren Oates, James Coburn, and John Astin — the teleplay dramatizes the nationwide panic sparked by Orson Welles’ infamous 1938 War of the Worlds broadcast. While the story amps up the hysteria for television, it remains a fascinating look at how a single night of radio blurred the line between fact and fiction for millions of listeners.

I embark on an off-ship solo mission to explore the first four episodes of Star Trek: Khan. The discussion dives into the heated fan debate over whether this Secret Hideout–produced audio drama truly belongs in Trek canon. Along the way, Me, Larry Young and memebers of the League weigh continuity questions, franchise history, and the larger implications of re-framing Khan’s story within modern Star Trek lore.

In this dark and thrilling episode, I sit down with comics legends Matt Wagner and Kelley Jones to talk about their gothic team-up on a new Dracula graphic novel series — a fresh, nightmarish take on the Lord of the Undead that blends Hammer horror, classic literature, and modern comics craft. We also dive deep into their iconic Batman work. Matt Wagner reflects on his acclaimed retellings of the Dark Knight’s formative years in Batman and the Monster Men and Batman and the Mad Monk, grounded updates of the original Detective Comics stories that shaped Gotham’s early shadows. Meanwhile, Kelley Jones revisits his unforgettable Batman: Red Rain, a horror-infused Elseworlds classic that reimagines Batman as a literal creature of the night — a vampire battling Dracula himself. Plus: Kelley’s eerie, emotional Deadman mini-series, their shared love of horror as mythmaking, and what it means to push iconic characters into darker, more psychological terrain. A must-listen for fans of Batman, monsters, and the art of gothic reinvention.