Boys' Bible Study podcast

Leap: A Tale of the Last Days (2025)

0:00
1:12:54
15 Sekunden vorwärts
15 Sekunden vorwärts

The long-awaited third film in the notorious anti-Catholic parkour LEAP trilogy follows its lo-fi predecessors LEAP (2010) and LEAP: RISE OF THE BEAST (2011), continuing to proselytize its staunch anti-Vatican message with an athletic twist. Director Christopher Tempel returns, now armed with a drone camera, and delivers a crisp, ambitious reboot to a series that clearly holds nostalgic value for him despite his open disappointment in the first two films, which he considers amateurish. Characters Blake, the handsome parkour-running college boy lead, and Liz, his hometown girlfriend who works at her grandmother’s coffee shop, even watch LEAP: RISE OF THE BEAST within the movie, creating a truly meta moment. Blake remarks, “It’s a little cheesy.” Liz agrees but adds, “Better than the first one… the director spent like $200,” prompting Blake’s deadpan “Woof!” Ironically, the first two LEAP films feel more authentic and excited, with a scrappy auteur spirit that this reboot largely sacrifices in favor of Tempel’s improved technical precision. Still, LEAP (2025) features striking special effects, including a chilling scene where blood runs from a tap until a “blessed” character touches it, suddenly turning the water clear. The “blessed” in this film are Seventh Day Adventist sabbath keepers like Blake and Liz, who resist Catholic programming that encourages Sunday worship over Saturday. Tempel doubles down on his outspoken belief that a literal reading of the Bible naturally leads to Seventh Day Adventism, portraying Christianity as having been “pranked” by the devil and his servant, the Vatican, into dishonoring God’s true way—ensuring that many sincere Christians will end up in hell. It is one of the harshest, most legalistic interpretations of Protestantism, suggesting that God values paperwork over love. This uncompromising message, paired with the film’s polished digital effects and fully AI-generated soundtrack, results in a cold, tedious viewing experience.

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