Austin Williams: Architecture and critique.

For Episode 136 of A is for Architecture, I was joined by Guillaume Couche, the co-founder with Richard Shackleton of Oh Hi Tomorrow—a cutting-edge design practice redefining interface and interaction design - and the co-author of the recent book, Interface Design: Creating Interactions that Drive Successful Product Adoption (BIS Publications 2024), which he wrote with Richard Shackleton, co-founder and director of Oh Hi Tomorrow. We explore the art and science of designing intuitive interfaces, the principles behind building products people use, want and, well… love, and how Guillaume and Richard’s unique approach is paving the way for better, more impactful digital experiences. We turn to architecture too, and what that practice might learn from interface design approaches. If you want to elevate your design game, listen. Buy the book too. Guillaume, who also directs Wolf in Motion, can be found on LinkedIn and Instagram. The book is linked above. +  Music credits: ⁠Bruno Gillick

In Episode 135 of A is for Architecture, Assistant Professor in Architectural History and Theory in the Department of Architecture at the University of Cambridge, Dr Fiona Smyth, discusses her book, Pistols in St Paul's: Science, music, and architecture in the twentieth century (Manchester University Press, 2024) ‘a ground-breaking account of the scientists and architects who pioneered acoustics in twentieth-century Britain’. As the publisher’s blurb elegantly puts it, ‘On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? […] the scientists, architects and musicians who set out to answer this question […] would come to define the field of 'architectural acoustics'.  Fiona can be found on the Cambridge University website, and on her research website too. The book is linked above +  Music credits: ⁠Bruno Gillick

In A is for Architecture’s 134th episode, the writer, publisher, former editor of Country Life and visiting Professor of Architecture at the University of Cambridge, Clive Aslet, discusses his book, Sir Edwin Lutyens: Britain's Greatest Architect? (Triglyph Books 2024) which describes the life, work and enduring importance of Edwin Lutyens, including the impact of Gertude Jekyll on his design imagination and Lutyens’ pivotal role in both illustrating the British imperial project, and memorializing it’s fallen.   Lutyens (1869–1944) was a renowned British architect celebrated for his enormous body of work which straddled the Victorian and early modern period, and incorporated country houses, war memorials, and monumental projects like New Delhi's Rashtrapati Bhavan, Castle Drogo in Devon, the Cenotaph in London and the Midland Bank in Manchester. Known for good nature, and his prodigious work rate, there is a case to be made – and Clive makes it well – for Edwin Lutyens to claim the crown of Britain’s greatest architect. Lutyens' work exemplifies timeless elegance and architectural ingenuity. Beyond the binary of modern or not, ethical or not, Lutyens work stands alone, more than an emblem of its time. Have a listen and find out why. Clive can be found on his personal website and on Instagram. The book is linked above. +  Music credits: ⁠Bruno Gillick

In Episode 133 of A is for Architecture, I speak with architect, academic, and writer Lorens Holm. We explore the fascinating intersection of architecture, psychoanalysis, and the public realm, themes Lorens addresses in his book, Reading Architecture with Freud and Lacan: Shadowing the Public Realm, (Routledge 2023) where Holm examines how Freudian and Lacanian psychoanalytic theory can illuminate the way we design, inhabit, and interpret spaces. Reading Architecture with Freud and Lacan presents an argument for how architecture shapes—and is shaped by—our unconscious desires, cultural narratives, and societal structures. Lorens also sheds light on the public realm and how the unconscious both informs it but is in particular ways also part of it. From this, we discuss what it means to read architecture not just as physical space but as a layered text of human experience. Lorens can be found on his University of Dundee website, on LinkedIn and even Instagram. The book is linked above, and you can also find his 2010 book Brunelleschi, Lacan, Le Corbusier: Architecture, Space and the Construction of Subjectivity on the Routledge website. Are you an architect? A psychoanalytic thinker? Or just curious about the deeper meanings of the spaces we live in? This one’s for you. +  Music credits: ⁠Bruno Gillick

On Episode 132 of A is for Architecture I spoke with architect and architectural historian John Stewart, to discuss the intersections of art, architecture and society through his recent book, British Architectural Sculpture: 1851–1951, published by Lund Humphries earlier this year.   British Architectural Sculpture: 1851-1951 explores a century of architectural sculpture in the UK, highlighting its role in shaping the visual and cultural identity of British architecture, and providing insights into the aesthetic and functional dialogue between sculpture and architecture. It examines key figures, styles, and the integration of sculptural art into public and private buildings during this transformative era. The book focuses on the collaboration between architects and sculptors, emphasizing how these partnerships influenced architectural innovation and inflected design styles, from the Gothic Revival, Art Deco and interwar and postwar modernism. The book describes how sculptures enriched facades, interiors, and urban spaces, whilst examining the broader social, economic, and artistic contexts that framed the evolution of this unique art form. A lush book, and a podcast episode to match.  John can be found on his personal website and on LinkedIn. The book is linked above. +  Music credits: ⁠Bruno Gillick

For Episode 131 of A is for Architecture I was joined by Professor Sue Brownill, an expert in urban planning and the development of London Docklands to discuss her advocacy, research and writing. As the author of Developing London’s Docklands: Another Great Planning Disaster? (1990, SAGE Publications), Sue delves into the complex history of the Docklands' transformation and the socio-economic consequences of one of the UK’s most ambitious urban regeneration projects. Professor Brownill provides insightful analysis on the political and economic factors that shaped the area, challenges faced during the regeneration process, and the long-term impact on local communities. She describes how the Docklands evolved from a derelict industrial site into a global financial hub, the triumphs - and failures - of urban regeneration, the role of planning in shaping cities, and the legacy of the London Docklands Development Corporation. Did the LDDC’s rhetoric survive reality? And were the promises made in Docklands’ planning ever met?  A great episode with a fantastic scholar.  Listen and learn, no doubt. Sue can be found on the OB website above, and is on LinkedIn too. Her book is linked above. +  Music credits: ⁠Bruno Gillick

On Episode 130 of A is for Architecture, Tom Morton, architect and principal of Arc Architects, an architecture practice based in Fife, Scotland, discusses his and Becky Little’s innovative Earthbound Orkney project, a creative practice which seeks to redefine our connection to the natural world through art, design and community engagement in Orkney. In this episode, Tom shares his vision for Earthbound Orkney, which aims to highlight the rich cultural heritage and stunning landscapes of the Orkney Islands, and describes how his and Becky’s work can serve as a catalyst for environmental awareness and community connection. Whether you're an architecture or art enthusiast, a nature lover, or simply curious about innovative projects that make a difference, this episode is a must-listen. Tune in to explore how Earthbound Orkney is cultivating a deeper appreciation for our planet and the stories that shape it. Tom is on Instagram, as is Becky. Earthbound Orkney features in the forthcoming exhibition, A Fragile Correspondence, taking place at V&A Dundee from 21 Nov 2024, Scotland’s submission for the 18th Venice Architecture Biennale 2023. Thanks for listening. +  Music credits: ⁠Bruno Gillick

⁠On Episode 129 of A is for Architecture, Dr Beth Weinstein, Associate Professor of Architecture and at the University of Arizona, discusses her recent book, Architecture and Choreography: Collaborations in Dance, Space and Time, published by Routledge in March 2024. As Beth says, recounting her awareness of this subject, ‘I think that that encounter as a 20 something year old was the first moment when it became real for me to be able to imagine that one can bring architecture and choreography into really close proximity and have a very fertile exchange of knowledge, exchange of practice; to see how ideas from architecture can then become ideas that manifest in the way bodies move, occupy, interact in space, and to learn as an architect from this live unfolding event, and to begin to see space support event live. Like not “Here I am drawing on my drawing board and fantasizing about people, what people are going to do in my building five years from now, when it eventually gets built.” But I'm seeing this one-to-one prototype, if you will, and seeing how they are pushing the boundaries of what a body can do and be, in relationship to a space.’ Eloquently put. Beth is on LinkedIn too. The book is linked above. Thanks for listening. +  Music credits: ⁠Bruno Gillick  

In Episode 128 of the A is for Architecture podcast, architect, journalist and scholar Austin Williams discusses his work and practice, and his ongoing Future Cities Project, specifically the Five Critical Essays series.  Austin says ‘the idea behind [The Future Cities Project/ Five Critical Essays] was just to say that [architectural] debates are fairly stagnant, or unidirectional, or one track’. The project has tried, in the face of this, ‘to kind of open up some debates, have, like, live debates, face to face, panel discussions, writings, journalism, or what have you, just to kind of ask some questions effectively.’ It’s a good intention indeed. Austin is also course leader/senior lecturer, PG Dip Professional Practice in Architecture at Kingston School of Art and an honorary research fellow at XJTLU University in China. Thanks for listening. +  Music credits: ⁠Bruno Gillick

Dr Tanzil Shafique discusses his forthcoming book, City of Desire: An Urban Biography of the Largest Slum in Bangladesh, on Episode 127 of A is for Architecture.  Published by Bloomsbury, and out in November, City of Desire describes ‘Karail, the largest informal settlement in Bangladesh [and] the production of informal urbanism through a brand-new approach rooted in deep ethnography and spatial mapping.’ There’s also, in a way a deep reading of a place as something more than just stuff. As Tanzil suggests, ‘following Latour's elegant actor network theory, there has been a lot of talk about how materials matter, but I want to take it up a notch and talk about [matter] at a settlement scale, and how, even within a city, how it [matter/ Korail] actively, you know, is an is an agent by itself.’ Now there’s an idea. Tanzil is Lecturer of Urban Design and Director of the Postgraduate Programmes at The University of Sheffield School of Architecture. He is there, on X and LinkedIn. Thanks for listening. +  Music credits: ⁠Bruno Gillick