Welcome to Horror

In a shocking turn of events, the team are watching a film from this year! It’s time for “Teenage Sex and Death at Camp Miasma”! As this is a bang up to date movie, so we absolutely recommend that you watch it first, before we go spoiling it for you, and we feel it’s a definite must-see for horror lovers. Again, to avoid spoilers, we won’t tell you what we learnt from the film, just that we confirmed something we already knew - that Gillian Anderson could literally have anyone she wants. “Teenage Sex and Death at Camp Miasma” manages to be equal parts journey of self-discovery, romance, creative industry satire and a loving tribute to our collective childhood’s beloved slasher franchises (in all their problematic cliches and diminishing return/shark jumping nature). All this presented through director Jane Schoenbrun’s uniquely stylish and stylised lens, and stellar performances from leads Hannah Einbinder and Gillian Anderson. Watch (or, indeed, re-watch) to avoid spoilers and join us.

It’s nearly Halloween, so time for us to relax and listen to the Latin stylings of Ramon Raquello and His Orchestra… WE INTERRUPT THESE SHOW NOTES TO BRING YOU AN URGENT BULLETIN: WELCOME TO HORROR TEAM SPOTTED BY BIG OLD WOODEN RADIO. EYEWITNESSES REPORT THEY ARE ACTIVELY LISTENING TO ORSON WELLES’ NOTORIOUS ADAPTION OF “THE WAR OF THE WORLDS”. AUTHORITIES CONCERNED THEY MAY BE PREPARING TO PODCAST ABOUT IT, WITH NO REGARD FOR THEIR OWN, OR ANYONE ELSE’S, PERSONAL SAFETY. WE WILL BRING YOU MORE ON THIS BREAKING STORY AS IT HAPPENS. MEANWHILE WE RETURN YOU TO YOUR REGULARLY SCHEDULED SHOW NOTES. Listen (or re-listen) to avoid spoilers (for an 88 year old play, based on a 128 year old book) and join us.

We’re off to pretend to be American in Stevenage, with a trip down memory lane for 1986’s “Haunted Honeymoon”. A film which deals sensitively with the plight of the hard of hearing; demonstrates the moose elevation method of dealing with snakes; and takes an unflinching look at the devastating repercussions when a family member is “hairy all over”. Gene Wilder’s last film as director and, tragically, Gilda Radner’s last film, “Haunted Honeymoon” was a box office and critical flop. It did, however, get embraced by a generation who found it on video, as part of a steady diet of Gene Wilder’s work, usually with Mel Brooks and Richard Prior. Wilder’s homage to both the Golden Age of Radio and comic chillers like “The Old Dark House”, it boasts one hell of a cast of mostly British actors; a number of familiar faces all giving an expectedly great performance, with Bryan Pringle as the butler Pfister a real standout. Dom DeLuise (another frequent Brooks/Wilder collaborator) gives a, for him, restrained performance, which is both hilarious, but oddly, inessential within the plot. With an understanding of the tropes of the classic horror/mystery genre, and a loving attempt to follow the look and effects of a 1930s production; “Haunted Honeymoon” deserves a far greater appreciation, and genre fans who like a nice dose of silly should find a lot to love here. Watch (or re-watch) to avoid spoilers and join us.

6 Feet Deeper: “The Monster Club” Adam’s back in the Welcome To Horror Fact Library for a bonus episode of extra material left over from our recent episode on “The Monster Club”. As always, we recommend you listen to our main episode (number 256) first, before boogieing down into the extra information. And remember to take a shot of B+ every time he manages to mention Doctor Who. We hope you enjoy this little transmission from the Welcome To Horror Fact Library.

This episode we have an exclusive look at an exciting upcoming serial from Baron Sordor’s Theatre of the Doomed: “The Chronicles of Cyanide Jones”! The Theatre of the Doomed podcast has been running since 2023, and has produced some original and creepy new audio stories. An anthology encompassing many facets of horror fiction, they are in the style of golden age radio, but with a modern sensibility and production level - and a serious dose of gore. Part of the Blood Brains & Aliens umbrella of work by Aaron Harvie, who writes, producers, sound designs and directs Theatre of the Doomed, “The Chronicles of Cyanide Jones - The End of Everything We Know” is their upcoming neon-noir sci-fi conspiracy thriller featuring “Human Resources Manager” Cyanide Jones - who, for a price, will terminate your problem employees - permanently… A massive shout out to Aaron for kindly allowing us to hear the first two episodes of this latest work, which we discuss here, along with previous productions. We’re obviously going to stay as spoiler free as we can here, but highly recommend checking out the past episodes of Baron Sordor’s Theatre of the Doomed, available wherever you listen to us; check out everything at bloodbrainsandaliens.com and prepare for “The Chronicles of Cyanide Jones” which premieres on the 6th of October 2026.

It’s time for a glass of (suspicious) red and an undead boogie as we head down to “The Monster Club”. An exclusive venue, or a Poundland Halloween party (depending on your point of view) where we learn to beware of men with violin cases; why Shadmock’s can’t perform “Wind of Change” by The Scorpions; and that, in terms of convincing make up effects, fangs aren’t what they used to be. Ex-Amicus producer Milton Subotski returned to the tried and tested horror anthology format, with an idea to make one for kids. As well as the thrills and chills, he hoped to also attract the young ‘uns by including musical interludes from up and coming bands. Sadly, it didn’t come out exactly right. Whilst the stories are enjoyable and of a good production level, with the last being particularly strong and atmospheric; the musical numbers proved divisive for many viewers, and the denizens of The Monster Club in the wraparound are so cheaply realised that it appears to have been supplied by a closing down sale at a joke shop. What it does have in its favour is a strong cast, with old pros Vincent Price and John Carradine retaining their dignity whilst dancing with off-brand muppets; the inventive mythology of R Chetwynd-Hayes; some surprisingly nasty moments that may have also scuppered the “for kids” intentions; and, somehow, an overall air of infectious fun. It knows that it’s cheap and silly, but also doesn’t really care. Watch (or re-watch) to avoid spoilers and join us.

In an effort to prove that the team all have a reading age above 6; we’ve decided to have a chat about some of the supernatural and horror books that we’ve enjoyed, both recently and over the years. Featuring discussions of Syd Moore’s “Essex Witch Museum” series; Rosemary Sutcliff’s Beowulf adaptation “Dragon Slayer”; Richard Daniels and Melody Phelan-Clark’s “The Occultaria Majesteria”; Hammer Films graphic guide “Infogothic”; Dead Ink anthology “Unquiet Guests”; and the British Library’s “Tales of the Weird Collection”. We keep these spoiler free, so no prep before the ep, just hopefully some great recommendations.

How the (draining) tables have turned! In this episode Chris introduces Adam and Lee to a film, 2016’s “The Autopsy of Jane Doe”. A film in which we learn that toe bells are the must have accessory for every fashionable corpse; that cloth, toxic vegetation and teeth are not an ideal diet; and that even the most rational of us can only take so much weird shit before finally saying “let’s get the fuck out of here.” Director André Øvredal’s English-language debut is strikingly different to his previous feature “Troll Hunter”; the extensive outdoor location work is replaced by basically one interior for the majority of the runtime; and the tone has shifted from keenly observed comedy to a taunt atmosphere of foreboding and dread. What the two films do share is an inherent quality, a keen but understated knowledge of folklore and a perfect cast. Of this small but amazing company, special praise has to go to Olwen Catherine Kelly as the title character; whose near supernatural level of stillness is an incredible display of self-discipline. Having been on both their watch lists for ten years; “The Autopsy of Jane Doe” is a salutary lesson to Lee and Adam not to sleep on a film with good word of mouth, with the only downside of this viewing being that they’re kicking themselves they hadn’t got here sooner. Watch (or re-watch) to avoid spoilers and join us.

It’s episode 253 and once again we’ve decided to commemorate the UK’s unprecedented heatwave by returning to the snowy mountains of Norway, for 2010’s “Troll Hunter”. A shocking exposé of Norway’s Cryptid problem; in which we learn how bears walk; how Trolls stink and the real story behind overhead power lines. A winning combination of found footage and mockumentary made “Troll Hunter” a breath of fresh mountain air when it first appeared, and that freshness has remained. A sardonic take on Cryptid Hunting as Government-run pest control, with bags of red tape, poorly thought out cover stories and leadership incompetence this is a workplace comedy with added monsters, and effects that stand up to this day. With a hefty knowledge of Norwegian folklore, and a spot on cast, “Troll Hunter” deserves to be considered a classic horror comedy. Watch (or re-watch) to avoid spoilers and join us.

Welcome To Horror Presents: “Death To We Have Been Watching”. Wowsers trousers and great googly moogly - it’s episode 252 (the bus to Romford) and it’s a surprise edition of “We Have Been Watching”! Adam and Lee are joined by Lady Jennifer taking on the role of Chris (currently listed as MPC - “Missing - Presumed Confused”), to take a look at a variety of spooky entertainment: We discuss the 2026 films “Hokum” and “Backrooms”, the second series of podcast “Broken Veil”, briefly detouring into the TV series “Small Prophets” and “Psychoville”, and the books “Solace House” by Will Maclean and “The Frighteners” by Peter Laws. No prep for the ep, but listeners beware, as here be (possible) spoilers and (definite) swearing. Join us!